Poetry. In THE BARK OF THE DOG, Merrill Gilfillan summons lyric equivalents to landscapes and day shapes, drawing on off-hand song, bird's-eye bearings, and the vortical power of place names. Like Bas
The rolling, billowing, delicate landscape of Nebraska’s Sandhills; the tombstone of Billy the Kid—stolen so often that it must be caged and shackled—in Fort Sumner, New Mexico; an intercontinental ba
