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在以珀耳修斯為中心的故事裡，梅杜莎註定成為令人膽寒的邪惡怪物。美麗聰慧、虔心奉獻的神殿祭司何以成為詛咒下的駭人女妖？當我們撥開這層僅剩恐懼與惡的扁平形象後，才能看見在幾乎被化約成相貌醜陋的殘忍毒婦之前，她所經歷的悲慘遭遇。繼柔卡絲塔與卡利俄佩，Natalie Hayne再次把說故事的權利，還給神話裡被寥寥數語帶過的女性角色。'Witty, gripping, ruthless' - Margaret Atwood via Twitter'Beautiful and moving' - Neil Gaiman via Twitter'So to mortal men, we are monsters. Because of our flight, our strength. They fear us, so they call us monsters.’Medusa is the sole mortal in a family of gods. Growing up with her Gorgon sisters, she begins to realize that she is the only one who experiences change, the only one who can be hurt. And her mortal lifespan gives her an urgency that her family will never know.When the sea god Poseidon commits an unforgivable act in the temple of Athene, the goddess takes her revenge where she can – and Medusa is changed forever. Writhing snakes replace her hair, and her gaze now turns any living creature to stone. The power cannot be controlled: Medusa can look at nothing without destroying it. She is condemned to a life of sha

在以珀耳修斯為中心的故事裡，梅杜莎註定成為令人膽寒的邪惡怪物。美麗虔誠的神殿祭司何以成為詛咒下的駭人女妖？當我們撥開這層僅剩恐懼與惡的扁平形象後，才能看見在幾乎被化約成相貌醜陋的殘忍毒婦之前，她所經歷的悲慘遭遇。繼柔卡絲塔與卡利俄佩，Natalie Hayne再次把說故事的權利，還給神話裡被寥寥數語帶過的女性角色。Natalie Haynes - the Women's Prize-shortlisted author of A Thousand Ships - brings the infamous Medusa to life as you have never seen her before...'So to mortal men, we are monsters. Because of our flight, our strength. They fear us, so they call us monsters.'Medusa is the sole mortal in a family of gods.Growing up with her Gorgon sisters, she begins to realize that she is the only one who experiences change, the only one who can be hurt. And her mortal lifespan gives her an urgency that her family will never know. When the sea god Poseidon commits an unforgivable act in the temple of Athene, the goddess takes her revenge where she can - and Medusa is changed forever.Writhing snakes replace her hair, and her gaze now turns any living creature to stone. The power cannot be controlled: Medusa can look at nothing without destroying i

A Paperback Original—Also Available as a Hardcover Library EditionThe national bestselling author of A Thousand Ships returns with a fascinating, eye-opening take on the remarkable women at the heart of classical stories Greek mythology from Helen of Troy to Pandora and the Amazons to Medea.“Funny, sharp explications of what these sometimes not-very-nice women were up to, and how they sometimes made idiots of . . . but read on!”—Margaret Atwood, author of The Handmaid's TaleThe tellers of Greek myths—historically men—have routinely sidelined the female characters. When they do take a larger role, women are often portrayed as monstrous, vengeful or just plain evil—like Pandora, the woman of eternal scorn and damnation whose curiosity is tasked with causing all the world’s suffering and wickedness when she opened that forbidden box. But, as Natalie Hayes reveals, in early Greek myths there was no box. It was a jar . . . which is far more likely to tip over. In Pandora's Jar, the broadcas

'Natalie Haynes is the nation's muse' Adam RutherfordThe Greek myths are among the world's most important cultural building blocks and they have been retold many times, but rarely do they focus on the

In the many retellings of the Greek myths, the focus is generally on gods and heroes, but Natalie Haynes refocuses our gaze on the remarkable women at the centre of these ancient stories.

Thebes is a city in mourning, still reeling from a devastating attack of plague that invaded every home and left the survivors devastated and fearful. This is the Thebes that Jocasta has known her ent

A stunning reimagining of the Oedipus and Antigone stories told from the perspectives of the women the myths overlooked.In The Children of Jocasta, Natalie Haynes retells the Oedipus and Antigone stories from the perspectives of the women the myths overlooked. My siblings and I have grown up in a cursed house, children of cursed parents... Jocasta is just fifteen when she is told that she must marry the King of Thebes, an old man she has never met. Her life has never been her own, and nor will it be, unless she outlives her strange, absent husband.Ismene is the same age when she is attacked in the palace she calls home. Since the day of her parents' tragic deaths a decade earlier, she has always longed to feel safe with the family she still has. But with a single act of violence, all that is about to change.With the turn of these two events, a tragedy is set in motion. But not as you know it.

"Steady pacing paired with well-timed foreshadowing and fully realized characters make this one compelling from the beginning. Fans of Donna Tartt'sThe Secret History (1992), Erin Kelly's The

Shortlisted for the Women’s Prize for Fiction, a gorgeous retelling of the Trojan War from the perspectives of the many women involved in its causes and consequences—for fans of Madeline Miller.“With