This volume is the third part of Steve Nicholson’s four-volume analysis of British theater censorship from 1900 until 1968, based on previously undocumented materials from the Lord Chamberlain&
British Theatre and the Red Peril examines how communism was portrayed in plays in the British theatre between 1917 and 1945, and how at a time when the capitalist system seemed on the verge of collap
