First published between 1858 and 1860, this three-volume annotated edition of Shakespeare’s works by Howard Staunton is based on the folio and quarto editions collated with the texts of later editors
Shakespeare's As You Like It can appear bright or sombre in performance: a feast of language and a delight for comic actors; or a risk-taking exploration of gender roles. This updated edition provides
Shakespeare's As You Like It can appear bright or sombre in performance: a feast of language and a delight for comic actors; or a risk-taking exploration of gender roles. This updated edition provides
Henry Irving, the influential and controversial Victorian actor, was closely involved in the publication of this distinctive Shakespeare edition, which conveys an unparalleled sense of the plays in pe
An international team of scholars offers: - modernised, easily accessible texts - ample but unobtrusive academic guidance - attention to the theatrical qualities of each play and its stage history - i
This is a fully annotated edition of all the poems that can now confidently be assigned to Shakespeare, excluding the Sonnets. It contains Venus and Adonis, The Rape of Lucrece, The Phoenix and the T
The times have forced changes in the way we look at Richard II more than any other of Shakespeare's plays. What to his contemporaries was a balanced dramatisation of the central political and constitu
This play has been popular on the stage during the last three centuries and has proved itself admirably suited to adaptation as pure farce and musical spectacle. Professor Dorsch's account of staging
The author offers a new approach to the text of the Second Part of King Henry IV, which he sees as an unplanned sequel to the First Part, itself a remake of an old, non-Shakespearean play. The Second
