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The Notebook for Johann Christian Bach completes the collection of surviving instructional works from within the Bach family, following the highly praised Notebooks for Anna Magdalena and Wilhelm Friedemann Bach. Together, Bach's Notebooks provide a fascinating glimpse into the domestic music academy of the Bach family home. They contain original compositions, exercises, and model examples by other composers, all collected with a view to providing a rounded musical education to family members. Presented as a luxury linen-bound edition with gold-embossed cover lettering, illustrations and critical commentary, this volume includes pieces not featured in previous collections. This first Urtext edition Notebook for Bach's son Johann Christian has been reconstructed by renowned Bach scholar Christoph Wolff from copies from the estate of C.P.E. Bach. It includes pieces for keyboard by J.S. Bach, Johann Christian's initial attempts at composition (minuets and polonaises), and pieces by the ol

Yiddish Choral Series Series Editors: Samuel Seifert and Ludwig B鐬meYiddish folk songs explore the complete range of human emotions, powerfully expressing all that the Jewish people have loved, embraced and endured. Since their origins in the 14th century, the songs have traditionally been passed on to each generation as words and melodies alone. The Yiddish Choral Series now makes this music available for the first time in stunning new arrangements for choirs.Series Editors Samuel Seifert (a member of Ensemble Rozhinkes) and Ludwig B鐬me (director of the Leipzig Synagogal Choir) have commissioned a range of renowned international arrangers to illustrate the huge variety of creative responses to Yiddish songs: from simple choral settings to expansive, through-composed concert arrangements, and from typical Yiddish harmonies to aleatoric composition.The Yiddish Choral Series, which allows choirs everywhere to discover the fascinating world of Yiddish song, features: A range of choral sty

Yiddish Choral SeriesSeries Editors: Samuel Seifert and Ludwig B鐬meYiddish folk songs explore the complete range of human emotions, powerfully expressing all that the Jewish people have loved, embraced and endured. Since their origins in the 14th century, the songs have traditionally been passed on to each generation as words and melodies alone. The Yiddish Choral Series now makes this music available for the first time in stunning new arrangements for choirs.Series Editors Samuel Seifert (a member of Ensemble Rozhinkes) and Ludwig B鐬me (director of the Leipzig Synagogal Choir) have commissioned a range of renowned international arrangers to illustrate the huge variety of creative responses to Yiddish songs: from simple choral settings to expansive, through-composed concert arrangements, and from typical Yiddish harmonies to aleatoric composition.The Yiddish Choral Series, which allows choirs everywhere to discover the fascinating world of Yiddish song, features: A range of choral styl

In association with the Mendelssohn House, Leipzig, Edition Peters proudly presents the Mendelssohn 'Souvenir' edition, containing a selection of piano works intended by Mendelssohn to be played in the home, as generations of amateur musicians since the 19th century have done -- learning to appreciate and love this wonderful music.Mendelssohn's Songs without Words, in particular, have always enjoyed immense popularity and were part of the standard repertoire in the musical salons during Mendelssohn's time. This volume also contains pieces from Kinderstke op. 72, which Mendelssohn wrote for the children of the Benecke family during a summer stay in London.The edition contains 14 shorter piano pieces, mostly at a moderate level of difficulty, including the easiest of the 'Lieder ohne Worte', as well as Charakterstke and Kinderstke and several lesser-known works.

O Salutaris Hostia is one of Eriks Esenvalds' most popular pieces. Originally written for female voices, the composer later created a version for full choir on which this arrangement is based. It has a gentle meditation with the two soloists drifting across the soft band accompaniment, alternately echoing and imitating each other or joining together in thirds. The effect is quietly ecstatic, a brief moment of adoration and wonderment. This arrangement can be played with either two cornets or two euphoniums as soloists as the accompaniment works just as effectively with either.Brings contemporary choral repertoire by a leading international composer to the band worldArrangement of Eriks Esenvalds' highly successful choral piece 'O Salutaris Hostia'Arranged by brass band specialist Phillip LittlemorePart of EP Brass Band SeriesMeditative, beautiful piece, highly attractive for audiences, and proven success as a choral workSuitable for intermediate band at 2nd Section and aboveOrchestrati

The seven chorale fantasias by Max Reger are among the most important of organ repertoire -- masterpieces blending chorale melody and programmatic music based on the text of the chorales. Published on the occasion of the composer's 150th birthday, this fundamentally revised Urtext edition, in two volumes, is edited by the internationally renowned organist and Leipzig professor of organ Martin Schmeding. As one of the most influential Reger interpreters, Schmeding not only includes the latest research, but also addresses the need for a contemporary interpretation of the chorale fantasias on modern organs. The edition includes all the original dynamic and agogic indications (including continuation lines to cresc., etc., which are missing in many modern editions), as well as all the original registration and manual indications. Martin Schmeding's new edition provides for the first time an original musical text that combines the requirements of a modern Urtext edition with the demands of a

The seven chorale fantasias by Max Reger are among the most important of organ repertoire -- masterpieces blending chorale melody and programmatic music based on the text of the chorales. Published on the occasion of the composer's 150th birthday, this fundamentally revised Urtext edition, in two volumes, is edited by the internationally renowned organist and Leipzig professor of organ Martin Schmeding. As one of the most influential Reger interpreters, Schmeding not only includes the latest research, but also addresses the need for a contemporary interpretation of the chorale fantasias on modern organs. The edition includes all the original dynamic and agogic indications (including continuation lines to cresc., etc., which are missing in many modern editions), as well as all the original registration and manual indications. Martin Schmeding's new edition provides for the first time an original musical text that combines the requirements of a modern Urtext edition with the demands of a

The French violin virtuoso Jacques Pierre Joseph Rode (1774-1830) was a favourite pupil of Giovanni Battista Viotti, whose concertos he often performed. Ludwig van Beethoven composed his final Violin Sonata for Rode. These 24 Caprices in all the keys were composed between 1814 and 1819 and have become a standard part of advanced violin study. This classic Edition Peters publication is an essential part of any advancing violinist's library.

3 Grand Duos, Op. 69, by Austrian Classical composer, Ignace Pleyel, are three duets for violin and viola.

Erkki-Sven Tr's Canticum Canticorum Caritatis (Song of Songs) is a setting in Latin for choir SATB (with divisi) of the famous passage from St. Paul's letter to the Corinthians, chapter 13, dealing with the nature of love (Now faith, hope, love these three: but the greatest of these is love"). Tr reflects that the ancient Greeks broadly divided love into four categories: agape, eros, philia, and storge. When love is exhausted, we often think about eros. But at this moment there is a need to celebrate agape, unconditional love, and this piece was born from this consideration. The World Premiere of Canticum Canticorum Caritatis was given on August 8, 2020 at the K酺dla Church, K酺dla, Hiiumaa (Estonia), by the vocal ensemble Collegium Musicale, conducted by Endrik 鈒sv酺av. The work is dedicated to Endrik 鈒sv酺av & Collegium Musicale. This product is a high quality Edition Peters vocal score, for a cappella choir SATB (with divisi). This product is Printed on Demand and may take several wee