Many of Robert Browning’s poems are concerned with different aspects of human identity. In the great dramatic monologues, such as Fra Lippo Lippi, Andrea del Sarto and My Last Duchess, the quest
Today Twelfth Night is considered to be Shakespeare’s greatest romantic comedy. Written at roughly the same time as Hamlet (1600), it draws from its comic predecessors in clearly identifiable wa
English writers have a way of invoking paternal imagery when thinking of Chaucer. “The Medieval word for a Poet, was a Maker,” said G.K Chesterton, and “there was never a man who was
In 1954 William Golding was 43 years old and a nobody. He had been demobbed from the navy at the end of World War Two and returned to his pre-war job teaching English at Bishop Wordsworth’s Scho
With the exception of Hamlet, Othello is Shakespeare’s most controversial play. It is also his most shocking. Dr Johnson famously described the ending as “not to be endured”, and H.H
When The Great Gatsby was first published, in 1925, reviews were mixed. H.L. Mencken called it “no more than a glorified anecdote”. L.P. Hartley, author of The Go-Between, thought Fitzgera
Despite the astringency of her writing, Austen is often thought of as the mother of romance. She has made the Regency period (1811-1820) almost synonymous with modern popular notions of the romantic.
Great Expectations is one of the best-selling Victorian novels of our time. No Dickens work, with the exception of A Christmas Carol, has been adapted more for both film and television. It has been as
In the 400 years since The Tempest was first staged, millions of words have been written about it. Critics, directors and actors have interpreted it in widely different ways and developed theories ran
Conrad finished Heart of Darkness on 9th February, 1899 and on publication it had an impact as powerful as any long short story, or short novel ever written – it is only 38,000 words. It quickly
When Middlemarch was first published in 1872, it was recognised as an unprecedented achievement and as marking a new era in the development of the novel. Edith Simcox, later a close friend and persona
Dr Johnson sums up the case against Milton: “the want of human interest is always felt.” It is the apparent distance of Paradise Lost from ordinary humanity that has thrilled or repelled c
“A heroine whom no-one but myself will much like,” the author famously proclaimed. In fact, in any league of likeability Miss Woodhouse is streets ahead of Miss Fanny – the ostentati
Writers, playwrights and philosophers have alike been fascinated by Shakespeare’s Cleopatra. The contradictions in her character, said the writer Anna Jameson, fuse “into one brilliant imp
For better or worse, Far from the Madding Crowd was the novel Victorian readers wanted him to write over and over again. One early reviewer was delighted by the pastoral elements: “when the shee
What explains the special quality of A Midsummer Night’s Dream? Samuel Johnson called the play “wild and fantastical”, noting how “all the parts in their various modes are well
The Merchant of Venice is now the most contentious of Shakespeare's plays. Its only rival in this respect is Othello, and this is because both plays deal with dangerous issues of race. In Othello
Lear is too much. There’s too much to stomach, an overdoing of massive wickednesses which rightly provoked perhaps the most famous reaction to King Lear ever, Dr Samuel Johnson’s horror in
Macbeth may well be the most terrifying play in the English language, but it hasn’t always been seen that way. It has divided critics more deeply than any other Shakespearian tragedy – and
Romeo and Juliet is routinely called “the world’s greatest love story”, as though it is all about romance. The play features some of the most lyrical passages in all of drama, and th
Jane Eyre, published on 16th October 1847, was an instant popular success. More than 150 years later, it still powerfully affects its readers with all the charge of a new-minted work. It is easy to fo
“There never was a wilder story imagined,” wrote one reviewer on the first publication of Frankenstein in 1818: “we do not well see why it should have been written.” The admiri
Wuthering Heights is one of the most written-about novels in the English language. Famous for the dark and passionate world Emily Brontë creates, and for the doomed relationship between Catherine
It is hard to find anyone nowadays who will dare venture a bad word on Mrs Dalloway: its status as a pioneer feminist text and a brilliantly experimental work is wholly secure. At the time of its publ
The Waste Land, first published in 1922, is not far from a century old, and it has still not been surpassed as the most famous of all modern poems. In many ways, it continues to define what we mean by
Hard Times is Dickens’s shortest novel. Some early critics argued that it lacked the genius of the characterisation and humour that mark his greatest works. One of the 20th century’s leadi
In his first tetralogy of history plays (Henry VI Parts 1, 2 and 3, and Richard III), Shakespeare offered the most extensive dramatic sequence since the great days of ancient Greek drama in Athens.
Few novels have divided critics more than Mansfield Park. It has been fiercely argued over for more than 200 years, and with good reason: it is open to radically different interpretations. At its broa
Persuasion is now probably the favourite Austen book after Pride and Prejudice. It tells the story of a life that might have been wasted, but is redeemed by love. It is a story by anyone who believes
Within two years of coming out in 1960, To Kill a Mockingbird had been translated into ten languages, won the Pulitzer Prize, and been made into an Oscar-winning film. It spent an astonishing 88 weeks
Few novels have caused more of a stir than Tess of the d’Urbervilles. In England, the Duchess of Abercorn stated that she divided her dinner-guests according to their view of Tess. If they deemed her
Julius Caesar stands at the changing of the tide in Shakespeare’s career. By 1599, when he wrote the play, he had penned only two experimental tragedies (Romeo and Juliet and Titus Andronicus),
In the four centuries since Shakespeare’s death in 1616, Hamlet has almost always been regarded as Shakespeare’s greatest play. This is not surprising. As Barbara Everett has observed, Ham
