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A LAMBDA Award winner and breakout fiction sensation returns with a darkly funny slice of friendship strifeWe arrive to wreckage—a restaurant smashed to rubble, with tables and chairs upended riotously. Under the swampy nighttime cover of a Montreal heat-wave, this is where we meet our protagonist, Cannon, dripping in little beads of regret sweat. She was supposed to be closing the restaurant for the night, but instead, well, she destroyed it. The mess feels a bit like a horror-scape—not unlike the horror films Cannon and her best friend, Trish, watch together. Cooking dinner and digging into deep cuts of Australian horror films on their scheduled weekly hangs has become the glue in their rote relationship. In high school, they were each other's lifeline—two queer second-generation Chinese nerds trapped in the suburbs. Now, on the uncool side of their twenties, the essentialness of one another feels harder to pin down.Yet, when our stoic and unbendingly well-behaved Cannon finds hersel

A rural family’s cycle of love, loss, and renewal, set against the beauty and adversity of mid-century AmericaEdie comes into the world calmly as the adults around her rage. Her father is a cruel man who beats her mother regularly and much of Edie’s young life is spent trying to escape this tyrant. “Why doesn’t she ever cry?…Gives me the creeps.” Of course, being a child means she lives a child’s life—she still has laughter-filled sleepovers and outdoor adventures with the local rat pack of kids still too young to work. But Edie’s heart grows callous as her father becomes drunker and angrier.A work of fiction inspired by her grandfather’s writing and childhood, Melissa Mendes’ pastoral cartooning captures the openness of rural America—soft breezes, tall grass, whirring grasshoppers, rainstorms, skinned knees. But all the while, the cruelty, the disappointment of man lurks behind the barn and in the trailer. Life can be stubbed out as easily as a cigarette tossed in the dirt. One moment

How do you capture a changing world in the blink of an eye?Sacramento, California, 1870. Pioneer photographer Eadweard Muybridge becomesentangled in railroad robber baron Leland Stanfords delusions of grandeur. Tasked withproving Stanfords belief that a horses hooves do not touch the ground while galloping atfull speed, Muybridge gets to work with his camera. In doing so, he inadvertently createsone of the single most important technological advancements of our agethe invention oftime-lapse photography and the mechanical ability to capture motion.Critically-acclaimed cartoonist Guy Delisle (Pyongyang, Hostage) returns with anotherengrossing foray into nonfiction: a biography about Eadweard Muydbridge, the man whomade pictures move. Despite career breakthrough after career breakthrough, Muybridgewould only be hampered by betrayal, intrigue, and tragedy. Delisles keen eye for detailsthat often go unnoticed in search of a broader emotional truth brings this historical figureand those arou

The young and restless of Yop City just can’t seem to catch a break.Marguerite Abouet and Clement Oubrerie’s world-renowned and critically acclaimed series about ‘80s life in the Ivory Coast continues with Aya: Face the Music. After getting thrown in jail for organizing a student housing protest, Aya must grapple with the aftermath of her decisions. Her friends don’t have it much easier.Her classmate Cyprien has been unconscious since police violently broke up their demonstration, and his family can barely scrape together funds for treatment. Her dear friend Albert, last seen passing out at dinner with his family, awakes in the countryside in the clutches of a healer his father has hired to pray his gay away. In France, Albert’s ex-paramour Inno agrees to enter into a fake marriage with his friend Sabine with surprising results. And back in Abidjan, embattled starlet Bintou must find a way to capitalize on the public’s newfound sympathy after her house is burned down by an angry mob.Tr