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One Sunday in Yvetot, August 1950. Annie is playing outside in the sun. Her mother steps out of the grocery to chat with a customer, a few metres from her.The two women’s conversation is perfectly audible; its scraps become etched forever in Annie’s memory. Before she was born, her parents had another daughter. She died at the age of six from diphtheria.Annie will never hear another word from her parents about this unknown sister, nor will she ask them a single question about her: their family unit has formed in the image of its vanished predecessor. In The Other Girl, brilliantly translated for the first time into English by Alison L. Strayer, Annie Ernaux explores the meaning of this family secret, and the insurmountable distance that separates the two sisters.

‘The strangest thing about jealousy is that it can populate an entire city – the whole world – with a person you may never have met.’ These words set the framework for The Possession, a striking portrait of a woman after a love affair has ended. Annie Ernaux pulls the reader through every step of jealousy, of a woman’s need to know who has replaced her in a lost beloved’s life. Ernaux’s writing, characteristically gorgeous in its precision, depicts the all too familiar human tendency to seek control and certainty after rejection.

In her old house by the fjord, Signe lies on a bench and sees a vision of herself as she was more than twenty years earlier: standing by the window waiting for her husband Asle, on that terrible late November day when he took his rowboat out onto the water and never returned. Her memories widen out to include their whole life together, and beyond: the bonds of family and the battles with implacable nature stretching back over five generations, to Asle''s great-great-grandmother Aliss. In Jon Fosse''s vivid, hallucinatory prose, all these moments in time inhabit the same space, and the ghosts of the past collide with those who still live on.Aliss at the Fire, is a visionary masterpiece, a haunting exploration of love and loss that ranks among the greatest meditations on marriage and human fate.

2022 Pulitzer Prize for Fiction for THE NETANYAHUS. Winner of the 2022 Pulitzer Prize for Fiction Winner of the 2021 Jewish Book Award Shortlisted for the 2021 National Book Critics Circle Award今年獎落納坦雅胡家！大離散與國族身分的反覆辯證。Corbin College, not-quite-upstate New York, winter 1959-1960: Ruben Blum, a Jewish historian—but not an historian of the Jews—is co-opted onto a hiring committee to review the application of an exiled Israeli scholar specializing in the Spanish Inquisition. When Benzion Netanyahu shows up for an interview, family unexpectedly in tow, Blum plays the reluctant host, to guests who proceed to lay waste to his American complacencies. Mixing fiction with non-fiction, the campus novel with the lecture, The Netanyahus is a wildly inventive, genre-bending comedy of blending, identity, and politics. ‘Cohen’s style – inventive but elegantly understated – is a class act that few of his contemporaries can follow. All in all, this is a veritable triu

With Drive Your Plow Over the Bones of the Dead, Man Booker International Prize-winner Olga Tokarczuk returns with a subversive, entertaining noir novel. In a remote Polish village, Janina Duszejko, an eccentric woman in her sixties, recounts the events surrounding the disappearance of her two dogs. She is reclusive, preferring the company of animals to people; she’s unconventional, believing in the stars; and she is fond of the poetry of William Blake, from whose work the title of the book is taken.When members of a local hunting club are found murdered, Duszejko becomes involved in the investigation. By no means a conventional crime story, this existential thriller by ‘one of Europe’s major humanist writers’ (Guardian) offers thought-provoking ideas on our perceptions of madness, injustice against marginalized people, animal rights, the hypocrisy of traditional religion, belief in predestination – and caused a genuine political uproar in Tokarczuk’s native Poland.