Internet of things programming with JavaScript

We turn on the lights in our house from a desk in an office miles away. Our refrigerator alerts us to buy milk on the way home. A package of cookies on the supermarket shelf suggests that we buy it, b

A guided tour of the rapidly evolving networked world of connected devices, objects, and people that is changing the way we live and work.Since the publication of the original edition of this volume in the MIT Press Essential Knowledge series, the Internet of Things (IoT) has evolved from a novelty (look! my phone connects to my lamp!) to a mainstream technology framework that we rely on every day to accomplish many tasks. This revised and updated edition reports on the latest developments in this rapidly evolving networked world of connected devices, objects, and people that is changing the way we live and work. Business and technology writer Samuel Greengard takes us on a guided tour of the IoT, describing smart lightbulbs, sensors in phones that trigger earthquake warnings, 3D headsets that connect users to business expos through completely immersive virtual reality environments, and more. He offers a clear explanation of the technology that builds and manages the IoT and examines t

This book offers a thoroughly updated guide to the MPI (Message-Passing Interface) standard library for writing programs for parallel computers. Since the publication of the previous edition ofUsing M

This book provides students with a deep, working understanding of the essential concepts of programming languages. Most of these essentials relate to the semantics, or meaning, of program elements, a

A textbook that uses a hands-on approach to teach principles of programming languages, with Java as the implementation language.This introductory textbook teaches the principles of programming languages by using an experiential learning style, in which students learn about language features by realizing those features in a pedagogical compiler. Students use Java―the most commonly used programming language in the first two years of the computer science curriculum―as the implementation language throughout. The book also discusses a range of emerging topics in programming languages missing from existing textbooks, including concurrency, Big Data, and event-driven programming. The goal is to prepare students to design, implement, analyze, and understand both domain-specific and general-purpose programming languages. The book first develops basic concepts in languages, including means of computation using primitive values, means of combination such as variable definition and functions, an

When the prevailing system of governing divides the planet into mutually exclusive territorial monopolies of force, what institutions can govern the Internet, with its transnational scope, boundless s

Design Things offers an innovative view of design thinking and design practice,envisioning ways to combine creative design with a participatory approach encompassing aesthetic anddemocratic practices

How Richard Riemerschmid’s designs of everyday―but “extraordinary”―objects recalibrate our understanding of modernism.At the beginning of the twentieth century, German artist Richard Riemerschmid (1868–1957) was known as a symbolist painter and, by the advent of World War I, had become an important modern architect. This, however, the first English-language book on Riemerschmid, celebrates his understudied legacy as a designer of everyday objects―furniture, tableware, clothing―that were imbued with an extraordinary sense of vitality and even personality. Freyja Hartzell makes a case for the importance of Riemerschmid's designed objects in the development of modern design―and for the power of everyday things to change the way we live our lives, understand history, and design our future. Hartzell offers for the first time an interpretive history of Riemerschmid's design practice embedded in a fresh examination of modernism told by the objects themselves. Hartzell explores Riemerschmid's

A proposal that we think about digital technologies such as machine learning not in terms of artificial intelligence but as artificial communication.Algorithms that work with deep learning and big data are getting so much better at doing so many things that it makes us uncomfortable. How can a device know what our favorite songs are, or what we should write in an email? Have machines become too smart? In Artificial Communication, Elena Esposito argues that drawing this sort of analogy between algorithms and human intelligence is misleading. If machines contribute to social intelligence, it will not be because they have learned how to think like us but because we have learned how to communicate with them. Esposito proposes that we think of “smart” machines not in terms of artificial intelligence but in terms of artificial communication.To do this, we need a concept of communication that can take into account the possibility that a communication partner may be not a human being but an al

We are surrounded by interactive devices, artifacts, and systems. The general assumption is that interactivity is good -- that it is a positive feature associated with being modern, efficient, fast, f

This book introduces programming to readers with a background in the arts and humanities; there are no prerequisites, and no knowledge of computation is assumed. In it, Nick Montfort reveals programmi

When designing a world trading system for the twenty-first century, “Keep calm and carry on” beats “Move fast and break things.”Global trade is in trouble. Climate change, digital trade, offshoring, the rise of emerging markets led by China: Can the World Trade Organization (WTO), built for trade in the twentieth century, meet the challenges of the twenty-first? The answer is yes, Robert Staiger tells us, arguing that adapting the WTO to the changed economic environment would serve the world better than a radical reset.Governed by the WTO, on the principles of the General Agreement on Tariffs and Trade (GATT), global trade rules traditionally focus on “shallow integration”―with an emphasis on reducing tariffs and trade impediments at the border―rather than “deep integration,” or direct negotiations over behind-the-border measures. Staiger charts the economic environment that gave rise to the former approach, explains when and why it worked, and surveys the changing landscape for global

A framework for understanding the totality of costs and benefits of universal access that will foster honest appraisal and guide the development of good policies.Universal access―the idea that certain technologies and services should be extended to all regardless of geography or ability to pay―evokes ideals of democracy and equality that must be reconciled with the realities on the ground. The COVID-19 pandemic raised awareness of the need for access to high-speed internet service in the United States, but this is just the latest in a long history of debates about what should be made available and to whom. Rural mail delivery, electrification, telephone service, public schooling, and library access each raised the same questions as today’s debates about health care and broadband. What types of services should be universally available? Who benefits from extending these services? And who bears the cost? Stepping beyond humanitarian arguments to conduct a clear-eyed, diagnostic analysis,

Visual calculating in shape grammars aligns with art and design, bridging the gap between seeing (Coleridge’s “imagination”) and combinatoric play (Coleridge’s “fancy”).In Shapes of Imagination, George Stiny runs visual calculating in shape grammars through art and design―incorporating Samuel Taylor Coleridge’s poetic imagination and Oscar Wilde’s challenging corollary to see things as in themselves they really are not. Many assume that calculating limits art and design to suit computers, but shape grammars rely on seeing to prove otherwise. Rules that change what they see extend calculating to overtake what computers can do, in logic and with data and learning. Shape grammars bridge the categorical divide between seeing (Coleridge’s “imagination, or esemplastic power”) and combinatoric play (Coleridge’s “fancy”). Stiny shows that calculating without seeing excludes art and design. Seeing is key for calculating to augment creative activity with aesthetic insight and value. Shape gramma

How to co-create―and why: the emergence of media co-creation as a concept and as a practice grounded in equity and justice.Co-creation is everywhere: It’s how the internet was built; it generated massive prehistoric rock carvings; it powered the development of vaccines for COVID-19 in record time. Co-creation offers alternatives to the idea of the solitary author privileged by top-down media. But co-creation is easy to miss, as individuals often take credit for―and profit from―collective forms of authorship, erasing whole cultures and narratives as they do so. Collective Wisdom offers the first guide to co-creation as a concept and as a practice, tracing co-creation in a media-making that ranges from collaborative journalism to human–AI partnerships. Why co-create―and why now? The many coauthors, drawing on a remarkable array of professional and personal experience, focus on the radical, sustained practices of co-creating media within communities and with social movements. They explore

In praise of imperfection: how life on our planet is a catalog of imperfections, errors, alternatives, and anomalies.In the beginning, there was imperfection, which became the source of all things. Anomalies and asymmetries caused planets to take shape from the bubbling void and sent light into darkness. Life on earth is a catalog of accidents, alternatives, and errors that turned out to work quite well. In this book, Telmo Pievani shows that life on our planet has flourished and survived not because of its perfection but despite (and perhaps because of) its imperfection. He begins his story with the disruption-filled birth of the universe and proceeds through the random DNA copying errors that fuel evolution, the transformations of advantages into handicaps by natural selection, the anatomical and functional jumble that is the human brain, and our many bodily mismatches. Along the way, Pievani tells readers about the Irish elk (incidentally, neither Irish nor elk), whose enormous antl

The power of images to represent the unseeable: stunning visualizations of science, from the microscopic to the incredibly vast.We live among patterns of delicate beauty and exquisite chaos that our eyes can’t detect; we are surrounded by invisible particles and shifting fields of matter that permeate all of space. Our very cells are intricate molecular machines, and the story of our origins stretches back through an unimaginable amount of time. How can we see the richness of what lies beyond our sensory perception? Scientists have developed visualization tools that can make the invisible visible. This bountifully illustrated book demonstrates the power of images to represent the unseeable, offering stunning visualizations of science that range from the microscopic to the incredibly vast. With more than 200 color images and an engaging text by leading science writer Jack Challoner, How Scientists Visualize Things explains and illustrates the techniques by which scientists create visual

The rise of the platform economy into statelike dominance over the lives of entrepreneurs, users, and workers.The early Internet was a lawless place, populated by scam artists who made buying or selling anything online risky business. Then Amazon, eBay, Upwork, and Apple established secure digital platforms for selling physical goods, crowdsourcing labor, and downloading apps. These tech giants have gone on to rule the Internet like autocrats. How did this happen? How did users and workers become the hapless subjects of online economic empires? The Internet was supposed to liberate us from powerful institutions. In Cloud Empires, digital economy expert Vili Lehdonvirta explores the rise of the platform economy into statelike dominance over our lives and proposes a new way forward. Digital platforms create new marketplaces and prosperity on the Internet, Lehdonvirta explains, but they are ruled by Silicon Valley despots with little or no accountability. Neither workers nor users can “vo

Why cyberinsurance has not improved cybersecurity and what governments can do to make it a more effective tool for cyber risk management.As cybersecurity incidents―ranging from data breaches and denial-of-service attacks to computer fraud and ransomware―become more common, a cyberinsurance industry has emerged to provide coverage for any resulting liability, business interruption, extortion payments, regulatory fines, or repairs. In this book, Josephine Wolff offers the first comprehensive history of cyberinsurance, from the early “Internet Security Liability” policies in the late 1990s to the expansive coverage offered today. Drawing on legal records, government reports, cyberinsurance policies, and interviews with regulators and insurers, Wolff finds that cyberinsurance has not improved cybersecurity or reduced cyber risks. Wolff examines the development of cyberinsurance, comparing it to other insurance sectors, including car and flood insurance; explores legal disputes between ins

The second edition of a rigorous and example-driven introduction to topics in economic dynamics that emphasizes techniques for modeling dynamic systems.This text provides an introduction to the modern theory of economic dynamics, with emphasis on mathematical and computational techniques for modeling dynamic systems. Written to be both rigorous and engaging, the book shows how sound understanding of the underlying theory leads to effective algorithms for solving real-world problems. The material makes extensive use of programming examples to illustrate ideas, bringing to life the abstract concepts in the text. Key topics include algorithms and scientific computing, simulation, Markov models, and dynamic programming. Part I introduces fundamentals and part II covers more advanced material. This second edition has been thoroughly updated, drawing on recent research in the field.New for the second edition:“Programming-language agnostic” presentation using pseudocode.New chapter 1 covering

A meticulously created facsimile edition of a classic work on design by the progenitor of today’s information design.Long before the internet and its vast stores of information in digital form, information in analog form needed to be organized so that it was legible and accessible. One designer who revolutionized the presentation of printed information was modernist pioneer Ladislav Sutnar (1897–1976). In 1950, Sutnar and architect K. Lonberg-Holm published Catalog Design Progress, a guide to modernizing the design of printed materials through typographic simplicity, compositional ingenuity, and navigational devices that signal the logical flow of information. This meticulously created facsimile of the original book illustrates and enacts Sutnar’s ideas, making clear their continuing influence on graphic design. In the book, Sutnar contrasts his design style with the conglomeration of text and pictures that characterized earlier printed material. He identifies and illustrates visual fe

A philosophical guide to passengerhood, with reflections on time, space, existence, boredom, our sense of self, and our sense of the senses.While there are entire bookstore sections―and even entire bookstores―devoted to travel, there have been few books on the universal experience of being a passenger. With this book, philosopher Michael Marder fills the gap, offering a philosophical guide to passengerhood. He takes readers from ticketing and preboarding (preface and introduction) through a series of stops and detours (reflections on topics including time, space, existence, boredom, our sense of self, and our sense of the senses) to destination and disembarking (conclusion). Marder finds that the experience of passengers in the twenty-first century is experience itself, stretching well beyond railroad tracks and airplane flight patterns. On his journey through passengerhood, he considers, among many other things, passenger togetherness, which goes hand in hand with passenger lonelin

How to analyze data settings rather than data sets, acknowledging the meaning-making power of the local. In our data-driven society, it is too easy to assume the transparency of data. Instead, Yanni Loukissas argues in All Data Are Local, we should approach data sets with an awareness that data are created by humans and their dutiful machines, at a time, in a place, with the instruments at hand, for audiences that are conditioned to receive them. The term data set implies something discrete, complete, and portable, but it is none of those things. Examining a series of data sources important for understanding the state of public life in the United States--Harvard's Arnold Arboretum, the Digital Public Library of America, UCLA's Television News Archive, and the real estate marketplace Zillow--Loukissas shows us how to analyze data settings rather than data sets.Loukissas sets out six principles: all data are local; data have complex attachments to place; data are collected from heterogen

A guide to computational thinking education, with a focus on artificial intelligence literacy and the integration of computing and physical objects. Computing has become an essential part of today’s primary and secondary school curricula. In recent years, K–12 computer education has shifted from computer science itself to the broader perspective of computational thinking (CT), which is less about technology than a way of thinking and solving problems―“a fundamental skill for everyone, not just computer scientists,” in the words of Jeanette Wing, author of a foundational article on CT. This volume introduces a variety of approaches to CT in K–12 education, offering a wide range of international perspectives that focus on artificial intelligence (AI) literacy and the integration of computing and physical objects. The book first offers an overview of CT and its importance in K–12 education, covering such topics as the rationale for teaching CT; programming as a general problem-solving

Manifestos by artists, authors, editors, publishers, designers, zinesters explore publishing as artistic practice. Independent publishing, art publishing, publishing as artistic practice, publishing counterculture, and the zine, DIY, and POD scenes have proliferated over the last two decades. So too have art book fairs, an increasingly important venue--or even medium--for art. Art publishing experienced a similar boom in the 1960s and 1970s, in response to the culture's linguistic turn. Today, art publishing confronts the internet and the avalanche of language and images that it enables. The printed book offers artists both visibility and tangibility. Publishing Manifestos gathers texts by artists, authors, editors, publishers, designers, zinesters, and activists to explore this rapidly expanding terrain for art practice.The book begins in the last century, with texts by Gertrude Stein, El Lissitsky, Oswald de Andrade, and Jorge-Luis Borges. But the bulk of the contributions are from t

Rethinking design through the lens of embodied cognition provides a novel way of understanding human interaction with technology. In this book, Christopher Baber uses embodied cognition as a lens through which to view both how designers engage in creative practices and how people use designed artifacts. This view of cognition as enactive, embedded, situated, or distributed, without recourse to internal representations, provides a theoretical grounding that makes possible a richer account of human interaction with technology. This understanding of everyday interactions with things in the world reveals opportunities for design to intervene. Moreover, Baber argues, design is an embodied activity in which the continual engagement between designers and their materials is at the heart of design practice. Baber proposes that design and creativity should be considered in dynamic, rather than discrete, terms and explores “task ecologies”―the concept of environment as it relates to embodied

How design can transcend the logics, structures, and subjectivities of capitalism: a framework, theoretical grounding, and practical principles.The designed things, experiences, and symbols that we use to perceive, understand, and perform our everyday lives are much more than just props. They directly shape how we live. In Design after Capitalism, Matthew Wizinsky argues that the world of industrial capitalism that gave birth to modern design has been dramatically transformed. Design today needs to reorient itself toward deliberate transitions of everyday politics, social relations, and economies. Looking at design through the lens of political economy, Wizinsky calls for the field to transcend the logics, structures, and subjectivities of capitalism―to combine design entrepreneurship with social empowerment in order to facilitate new ways of producing those things, symbols, and experiences that make up everyday life. After analyzing the parallel histories of capitalism and design, W

Through practices of collaborative imagination and making, or "doing design otherwise,” design experiments can contribute to keeping local democracies vibrant.In this counterpoint to the grand narratives of design punditry, Carl DiSalvo presents what he calls “doing design otherwise.” Arguing that democracy requires constant renewal and care, he shows how designers can supply novel contributions to local democracy by drawing together theory and practice, making and reflection. The relentless pursuit of innovation, uncritical embrace of the new and novel, and treatment of all things as design problems, says DiSalvo, can lead to cultural imperialism. In Design as Democratic Inquiry, he recounts a series of projects that exemplify engaged design in practice. These experiments in practice-based research are grounded in collaborations with communities and institutions. The projects DiSalvo describes took place from 2014 to 2019 in Atlanta. Rather than presume that government, industry―or

Charting the exploration of an unknown world―our own―with a new cartography of living things rather than space available for conquest or colonization.This book charts the exploration of an unknown world: our own. Just as Renaissance travelers set out to map the terra incognito of the New World, the mapmakers of Terra Forma have set out to rediscover the world that we think we know. They do this with a new kind of cartography that maps living things rather than space emptied of life and available to be conquered or colonized. The maps in Terra Forma lead us inward, not off into the distance, moving from the horizon line of conventional cartography to the thickness of the ground, from the global to the local. Each map in Terra Forma is based on a specific territory or territories, and each tool, or model, creates a new focal point through which the territory is redrawn. The maps are “living maps,” always under construction, spaces where stories and situations unfold. They may map the E

A new version of the classic and widely used text adapted for the JavaScript programming language.Since the publication of its first edition in 1984 and its second edition in 1996, Structure and Interpretation of Computer Programs (SICP) has influenced computer science curricula around the world. Widely adopted as a textbook, the book has its origins in a popular entry-level computer science course taught by Harold Abelson and Gerald Jay Sussman at MIT. SICP introduces the reader to central ideas of computation by establishing a series of mental models for computation. Earlier editions used the programming language Scheme in their program examples. This new version of the second edition has been adapted for JavaScript. The first three chapters of SICP cover programming concepts that are common to all modern high-level programming languages. Chapters four and five, which used Scheme to formulate language processors for Scheme, required significant revision. Chapter four offers new mat

Consciousness in all its possible human and nonhuman varieties, explored through words and images. What is consciousness, and who (or what) is conscious―humans, nonhumans, nonliving beings? How did consciousness evolve? Picturing the Mind pursues these questions through a series of “vistas”―short, engaging texts by Simona Ginsburg and Eva Jablonka, accompanied by Anna Zeligowski’s lively illustrations. Taking an evolutionary perspective, Ginsburg and Jablonka suggest that consciousness can take many forms and is found not only in humans but even in such animals as octopuses (who seem to express emotions by changing color) and bees (who socialize with other bees). They identify the possible evolutionary marker of the transition from nonconscious to conscious animals, and they speculate intriguingly about aliens and artificial intelligence. Each picture and text serves as a starting point for discussion. The authors consider, among other things, what it’s like to be a bat (and then lat

How companies can adapt in an era of continuous disruption: a guide to responding to such acute crises as COVID-19.When COVID-19 hit, businesses had to respond almost instantaneously--shifting employees to remote work, repairing broken supply chains, keeping pace with dramatically fluctuating customer demand. They were forced to adapt to a confluence of multiple disruptions inextricably linked to a longer-term, ongoing digital disruption. This book shows that companies that use disruption as an opportunity for innovation emerge from it stronger. Companies that merely attempt to "weather the storm" until things go back to normal (or the next normal), on the other hand, miss an opportunity to thrive. The authors, all experts on business and technology strategy, show that transformation is not a one-and-done event, but a continuous process of adapting to a volatile and uncertain environment. Drawing on five years of research into digital disruption--including a series of interviews with b

An accessible guide to cybersecurity for the everyday user, covering cryptography and public key infrastructure, malware, blockchain, and other topics.It seems that everything we touch is connected to the internet, from mobile phones and wearable technology to home appliances and cyber assistants. The more connected our computer systems, the more exposed they are to cyber attacks--attempts to steal data, corrupt software, disrupt operations, and even physically damage hardware and network infrastructures. In this volume of the MIT Press Essential Knowledge series, cybersecurity expert Duane Wilson offers an accessible guide to cybersecurity issues for everyday users, describing risks associated with internet use, modern methods of defense against cyber attacks, and general principles for safer internet use. Wilson describes the principles that underlie all cybesecurity defense: confidentiality, integrity, availability, authentication, authorization, and non-repudiation (validating the

A new wave of enthusiasm for smart cities, urban data, and the Internet of Things has created the impression that computation can solve almost any urban problem. Subjecting this claim to critical scru

An argument that the movement for network neutrality was of a piece with its neoliberal environment, solidifying the continued existence of a commercially driven internet. Media reform activists rej

A new examination of mass digitization as an emerging sociopolitical and sociotechnical phenomenon that alters the politics of cultural memory.Today, all of us with internet connections can access mil

A new approach to interaction design that moves beyond representation and metaphor to focus on the material manifestations of interaction.Smart watches, smart cars, the Internet of things, 3D printing

This is the first textbook to teach students how to build data analytic solutions on large data sets (specifically in Internet of Things applications) using cloud-based t

Since the turn of the millennium, the Internet has evolved from what was merely a new medium to a truemass medium -- with a deeper and wider cultural reach, greater opportunities for distribution and

Some things are funny -- jokes, puns, sitcoms, Charlie Chaplin, "The Far Side," Malvolio with his yellow garters crossed -- but why? Why does humor exist in the first place? Why do we spend so much of