Today, spaces no longer represent a bourgeois haven; nor are they the sites of a classical harmony between work and leisure, private and public, the local and the global. The house is not merely a hom
Almost a generation ago, the early software for computer aided design and manufacturing (CAD/CAM) spawned a style of smooth and curving lines and surfaces that gave visible form to the first digital a
While it is widely recognized that the advanced architecture of the 1970s left a legacy of experimentation and theoretical speculation as intense as any in architecture's history, there has been no g
How the different narratives of four historians of architectural modernism—Emil Kaufmann, Colin Rowe, Reyner Banham, and Manfredo Tafuri—advanced specific versions of modernism.
Kojin Karatani, Japan's leading literary critic, is perhaps best known for his imaginative readings of Shakespeare, Soseki, Marx, Wittgenstein, and most recently Kant. His works, of which Origins of
Jeffrey Kipnis's writing, thinking, and teaching casts architecture as both anintellectual discourse and a lived, affective experience. His essays on contemporary architects areless about making criti
Trained as an art historian but viewing architecture from the perspective of a "displaced philosopher," Hubert Damisch in these essays offers a meticulous parsing of language and structure t
In her thoughtful collection of essays on the relationship of architecture and the arts, Giuliana Bruno addresses the crucial role that architecture plays in the production of art and the making of p
In Strange Details, Michael Cadwell looks at the work of four canonical architects who "made strange" with the most resistant aspect of architecture: construction. In buildings that were pivotal in t
To be outside allows one a fresh perspective on the inside. In these essays, philosopher Elizabeth Grosz explores the ways in which two disciplines that are fundamentally outside each another—a
For more than half a century, Erwin Panofsky's Perspective as Symbolic Form has dominated studies of visual representation. Despite the hegemony of central projection, or perspective, other equally im
Digital technologies have changed architecture--the way it is taught, practiced, managed, and regulated. But if the digital has created a "paradigm shift" for architecture, which paradigm is shifting?
The influential Italian architectural historian Manfredo Tafuri (1935--1994) invokedthe productive possibilities of crisis, writing that history is a "project of crisis" (progetto di crisi). In this e
Engaging essays that roam across uncertain territory, in search of sunken forests, unclassifiable islands, inflammable skies, plagiarized tabernacles, and other phenomena missing from architectural hi
Earth Moves, Bernard Cache's first major work, conceptualizes a series of architectural images as vehicles for two important developments. First, he offers a new understanding of the architectural ima
For more than half a century, Erwin Panofsky's Perspective as SymbolicForm has dominated studies of visual representation. Despite the hegemony of centralprojection, or perspective, other equally impo
The Possibility of an Absolute Architecture Pier Vittorio AureliIn The Possibility of an Absolute Architecture. Pier Vittorio Aureli proposes that a sharpened formal consciousness in architecture is a
The poems of John Hejduk are almost nonpoetic: still lives of memory, sites of possessed places. They give a physical existence to the words themselves and an autobiographical dimension to the archite
Index Architecture documents the extensive cross-fertilization of ideas that can occur between architectural practice and education. Through work developed by students and faculty at Columbia Univers
