Fiction. TUSKALOOSA KILLS has the teeth of a saw. And the eyes of a wolf. It's a patchwork prose back-and-forth--it's a heady screwloose brew of marblemouth and jughead musings upon a famous football
Poetry. In GLASS IS GLASS WATER IS WATER, Rae Gouirand challenges the body of the poem to accommodate maximalist tensions as she names the dangers of figuration, the simultaneities and echoes and haun
Fiction. Film. 30 FAKE BEHEADINGS imagines 30 unthinkable sequels to 30 sui generis movies. Drawing on decapitation theory and the post-cephalic nature of cinematic experience, it documents a viewer's
Poetry. LUNCH POEMS, first published in 1964 as Number 19 in the City Lights Pocket Poets series, is widely considered to be Frank O'Hara's freshest and most accomplished collection of poetry. That's
Poetry. SPOOKY ACTION AT A DISTANCE is a repeated attempt to reconcile the absurdity of loss. Dalton Day uses their signature cause-and-effect "logic" to jump from Laika the Russian space dog to Debor
Poetry. EVERYONE WHO IS DEAD revives a language of fable to open a space in which the natural and the spectral cannot be told apart. Here, the boy proceeds as a philosopher, explores the unfinished ch
