The South Korean percussion genre, samul nori, is a world phenomenon whose rhythmic form is the key to its popularity and mobility. Based on both ethnographic research and close formal analysis, autho
The South Korean percussion genre, samul nori, is a world phenomenon whose rhythmic form is the key to its popularity and mobility. Based on both ethnographic research and close formal analysis, autho
Musicians and music fans are at the forefront of cyberliberties activism, a movement that has tried to correct the imbalances that imperil the communal and ritualistic sharing and distribution of mus
This groundbreaking transgenre work--part detective story, part literary memoir, part imagined past--is intensely autobiographical and confessional. Proceeding sentence by sentence, city by city, and
Moving from web to field, from Victorian parlor to 21st-century mall, the 15 essays gathered here yield new insights regarding the intersection of local culture, musical creativity and technological
The 'Hood Comes First looks at the increasingly specific emphasis on real neighborhoods and streets in rap music and hip hop culture as an urgent response to the cultural and geographical ghettoizati
Rae Armantrout, a core member of the Language writing movement, has long been known for the wit, emotion and punch of her social critique. Veil contains poems from five of Armantrout's previous books
Each of Jill Dolan's three academic locations -- theatre and performance studies, lesbian/gay/queer studies (LGQ studies), and women's studies -- is both interdisciplinary and fraught with divisions b
This innovative cultural critique offers valuable insights into science fiction, thus enlarging our understanding of critical theory.Carl Freedman traces the fundamental and mostly unexamined relatio
This vivid ethnography of the musical lives of heavy metal, rock, and jazz musicians in Cleveland and Akron, Ohio shows how musicians engage with the world of sound to forge meaningful experiences of
Arnaldo Momigliano is the greatest contemporary scholar of the history and historiography of classical civilization. M.I. Finley has written in the New Statesman that "there is no one alive today who