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Jonathan Stalling’s experimental approach to bridging art, poetics, and linguistics imagines a world where individual value systems are no longer translated into the language of other mediums, but foster conscious “interlanguages.” Stalling writes, “Meeting in the middle, ‘interlanguages’ are spaces where one learns a new language without having left one’s home fully behind; these situations can result in richly generative interlingual and intercultural estuaries which provide new ways of imagining.” Stalling’s conceptual language art fuses Classical Chinese poetics and linguistics with modern algorithms to create art installations and poetry that transform Chinese into English and English into Chinese in new and surprising ways.With a visual gallery of Stalling’s work, an interview with the artist, a critical introduction by the editor, and critical chapters written by the comparative literature scholar Timothy Billings and Chinese Linguist Liu Nian, the volume provides readers with a

Sustaining Landscapes: Governance and Ecology in Chinese Visual Culture, 960–1368 CE examines ecological thought contested amid the rise of the Chinese landscape genre, tracing its intersections with infrastructure governance, natural resource management, and geospatial knowledge. It traces the pre-industrial notion of “sustainability” in policy debates, legal regulations, and arts. Landscape imagery on paintings, maps, as well as mass-produced artifacts such as fans and ceramic pillows documented both appropriate and exploitative use of natural resources, and critiqued on social inequity and political turmoil. This book breaks new ground by bringing together research on visual and material culture with analysis of politics and ecology. Wang argues that the Chinese landscape genre embodied a holistic approach to negotiating debates on human-nature interdependence and people-state relationships. It joins the increasing literature on ecocriticism and offers alternative perspectives to ad

Collected and Curated introduces Chinese art and material culture through the items from the permanent collection of The University Museum and Art Gallery (UMAG), The University of Hong Kong. As the oldest continuously operating museum in Hong Kong, UMAG serves as a significant venue for contemporary art exhibitions, and excels at collecting, documenting and teaching about local and regional artists and art forms, while fostering ongoing and new relationships. Regarded as an essential teaching resource, UMAG has expanded its collection and programming through generous donations from patrons and artists, along with support from the University of Hong Kong and the HKU Museum Society. Since 1953, curators and educators have leveraged this assistance to expand, display and teach with a collection that highlights artefacts ranging from Neolithic cultures (ca. 6500 BCE–ca. 1900 BCE) to the early kingdoms and dynasties of imperial China (ca. 1500 BCE–1911). UMAG has also gained a reputation f

This is probably the first book dedicated to the life and times of the doctors who have shaped the medical development of Hong Kong. It is a fascinating story of how the pioneers transformed a city with primitive medical services into what it is today—a city with advanced medical facilities as in any major Western city.—Dr. Mak Wai-pingChairman (Executive Committee) and Board of DirectorsHong Kong Museum of Medical Science Society The development of Western medicine in Hong Kong to its current sophisticated state over more than 150 years is a fascinating story. And this book tells the above history from a special perspective—the personalities responsible for this remarkable achievement. These individuals, spanning over a period of over 150 years, comprised doctors in government public medical and health services who advocated new initiatives and laid the infrastructure; those who established health policies, and moved the health system forward; the medical educators who train

In Redefining Heresy and Tolerance, Hung Tak Wai examines how the Qing empire governed Muslims and Christians under its rule with a non-interventionist policy. Manchu emperors adopted a tolerant attitude towards Islam and Christianity as long as political stability and loyalty remained unthreatened. However, Hung argues that such tolerance had its limitations. Since the mid-eighteenth century, the Qing court intentionally minimised the importance of the Islamic identity. Restrictions were imposed on the Muslims’ external connections with Western Asia. The Christian minority was kept distant from politics and the Han majority. At the same time, Confucian scholars began to acquire a new understanding of religion, but they were not encouraged to get in touch with the Muslims and Christians. This book demonstrates how, from the late eighteenth to the early nineteenth century, the Qing government prevented Confucian scholar-bureaucrats from interfering in the religious life of Christians an

From humble beginnings in Hong Kong, Yuen Kwok-Yung rose to international prominence as an academic, physician, and microbiologist. As an advisor to governments, he and colleagues made discoveries that helped the world cope in often controversial ways with unprecedented threats to public health, including the COVID-19 pandemic. In this compelling memoir, Dr. Yuen weaves personal stories with those from his extraordinary medical careers to take readers on an inspiring journey about perseverance, courage, faith, and the ongoing peril of infectious diseases. threats to public health, including the COVID-19 pandemic. In this compelling memoir, Dr. Yuen weaves personal stories with those from his extraordinary medical careers to take readers on an inspiring journey about perseverance, courage, faith, and the ongoing peril of infectious diseases.

South of the Yangtze starts with the protagonist, Qian Yinan, taking the high-speed train through the landscape of Jiangnan (“South of the Yangtze River”) with her American husband. Now in her mid-thirties, Yinan recalls her first trip along the same route in the late 1980s, as well as her Shanghai childhood with her “historical counter-revolutionary” grandfather, semi-literate grandmother, philosophy professor father and former “red guard” mother. Later in school, while receiving a nationalist education and witnessing the booming market economy, she becomes close to Jie, a classmate who aspires to join the Communist Party. And a few months before the new millennium, Yinan finds herself trapped in a secret love affair with her Mandarin-speaking high school teacher, who was once an activist during the political turmoil of 1989. In the midst of these formative relationships, Yinan contemplates the impact of the nation’s ideology, tradition and even it

How do we situate ourselves when we navigate the city of Hong Kong—physically, and in our minds? Against a backdrop of bustling density and movement, the difficulties of making space have shaped our days. From the challenges of limited living space and the quest for personal space, to the everyday negotiations of our identities in the social space, we are constantly confronted with the question: How do we redefine the distance between the city, others, and ourselves, and between the selves within us? This collection features prose, poetry and artwork from writers and artists in or from Hong Kong, as well as those who have had a close connection with the city, that explore the (im)possibility of making space. How do we remake space in our lives and our creative practices? What does this (im)possibility mean in (or in relation to) Hong Kong today?

Psychopathology: An Empathic Representational Approach retraces the foundations of classical phenomenological psychopathology and integrates them with modern ideas drawn from anthropology, cognitive neuroscience, computational science, and evolutionary biology to synthesize a comprehensive framework and provide fresh insights.This book explores how the scientific concepts of ‘information and representation’ can be used to understand subjective mental phenomena and integrate them in empathic clinical dialogues during interactions with patients. It explores key issues in clinical psychopathology coherently and systematically, illustrates advanced topics in an accessible manner using clinical case examples, metaphors and clarifying diagrams, and directly links advanced conceptual frameworks with pragmatic skills in the clinical dialogue process.This volume is aimed at a broad audience of mental health professionals, researchers, and students in psychiatry, psychology, and social work. Its

This book, Chiang Yee and His Circle: Chinese Artistic and Intellectual Life in Britain, 1930–1950, celebrates the life and work of Chiang Yee (1903–1977), a Chinese writer, poet, and painter who made his home in London, England during the 1930s and 1940s. It examines Chiang’s relationship with his circle of friends and colleagues in the English capital, and assesses the work he produced during his sojourn there. This edited volume, with contributions from eleven distinguished scholars, tells a story of a Chinese intellectual community in London that up to now has been largely overlooked. It portrays a dynamic picture of the London-based émigré life during the years that led up to the war and during the conflict that was the catalyst for many of them moving on. In addition, the book broadens our understanding of cultural interactions between China and the West in Hampstead, one of the most vibrant artistic communities in London.

Employing the classic Chinese saying “returning home with glory” (man zai rong gui) as the title, Michael Williams highlights the importance of return and home in the history of the connections establ

Porcelain, with its fine white body, delicately painted decoration and associations with China’s culture and vast wealth, has long delighted and captivated people in the West, as well as across the wh

The main objective of this book is to familiarize the reader with a subset of the learning difficulties and common errors in ESL/EFL pronunciation and lexico-grammatical structures encountered by Chin

The first half of the twentieth century was fraught with global tensions and political machinations. However, for all the destruction in that period, these geopolitical conditions in Manchuria cultiva

This book is published to coincide with the exhibition Rising Above: The Kinsey African American Art and History Collection. The documentary value of The Kinsey Collection encompasses 400 years of his

The University Museum and Art Gallery collaborates with Chen Xi on the exhibition Chen Xi: So We Remember. This catalogue accompanies the exhibition. The paintings illustrate important events that have shaped our modern world. The artist created this series of contemporary images to commemorate, to document and to provoke thought. The show presents her preliminary pen and watercolour drawings along with the finished oil paintings. Meticulous in her research and true to both the documented incident and the domestic details, Chen Xi creates historical paintings for our present and future generations. Her method directly relates to contemporary life and to a society that is informed and influenced by modern-day media. Interestingly, the painter does not simply depict a historic event, but frames within a TV screen each episode of her sequential and international narrative. By presenting the paintings within the TV’s glass, they become screen shots linked to a specific moment in time and s

The Cold War was a distinct and crucial period in Hong Kong’s evolution and in its relations with China and the rest of the world. Hong Kong was a window through which the West could monitor what was

The University Museum and Art Gallery at the University of Hong Kong collaborates with the Ferenc Hopp Museum of Asiatic Arts in Budapest to present an exhibition and publication featuring early photo

Seemingly messy and chaotic, the landscapes and urban life of cities in Asia possess an order and hierarchy that often challenges understanding and appreciation. With contributions by a cross-discipli

Hong Kong is one of the world's most densely populated cities. Land supply, property values and housing provision are inextricably linked with the city's economic growth and questions of economic equa

During the nineteenth and early twentieth centuries, the imperial powers—principally Britain, the United States, Russia, France, Germany and Japan—signed treaties with China to secure trading, residen

This is a collection of eleven papers from the first and second international conferences “Sinologists as Translators in the 17–19th Centuries.” With a focus on the historical context of contributions

During the nineteenth century tens of thousands of Chinese men and women crossed the Pacific to work, trade, and settle in California. Drawn initially by the gold rush, they took with them skills and

Xu Bing is one of the most important Chinese artists working today. His sophisticated works reflect and challenge the political and social environments in China and elsewhere. It Begins with Metamorph

The Universal Scream project began as a promise Basil Pao made to his then six-year-old daughter that he would photograph her favourite toy with children he met around the Pacific Rim during his yearlong journey with Michael Palin for the travel series Full Circle. The toy in question was a five-foot tall inflatable doll based on Norwegian artist Edvard Munch’s painting The Scream of Nature and the first pictures were taken with a group of Inuit children on Little Diomede Island in the Bering Straits in August 1995. Eighteen years have passed and his daughter Sonia is now almost 25, but a version of the inflatable Scream still travels with Pao―and he continues to photograph it whenever he gets a chance. From the Sahara to the Himalayas, with novice Buddhist monks in Bhutan to Yanomami warriors in Amazonia, the doll has been photographed in hundreds of locations with a cast of thousands from all around the world.

What has traditionally been the main matter explored by Cantonese literati? From the earliest poets—oceanic elements and riparian scenes contrasted with stunning rock formations; a love for the exotic

Will the rise of China change the international system built by the industrial and constitutional democracies of the West of the past centuries? Should China be content with the maintenance of that sy

Relentless urbanization and the outrageous disparity between rich and poor have confined three lonely men, wildly different in personality and with ages spanning three decades, in a 400 square-foot fl

The First Chinese American is the first book-length account of the life and times of Wong Chin Foo (王清福) -- a firebrand and a trailblazer with a fascinating and very compelling life story. The biograp

Xiao Hong (1911--1942) was a contemporary of Eileen Chang and perhaps the most celebrated Chinese woman writer of the 1930s. She lived her short life with love, with freedom, and the land and its peop

During the nineteenth century tens of thousands of Chinese men and women crossed the Pacific to work, trade, and settle in California. Drawn initially by the gold rush, they took with them skills and

"To collect the stories of first encounters with China was a brilliant idea. Not only do we get the benefit of many fascinating insights (and hindsights) from a range of foreigners and overseas Chines

The book covers the major areas of Hong Kong taxation—Property Tax, Salaries Tax, Profits Tax, Personal Assessment and Stamp Duty. It explains the principles and practice of taxation law with relevant

The theme of this volume is the American relationship with Macao and its region through trade, politics, and culture, and the focus is mainly on the late eighteenth and nineteenth centuries. The essay

Europe and China brings together scholars from Europe, China, East Asia, and Australia. The book deals with the growing density and intensity of interlinkages between Europe and China, two of the worl

In this book, the author examines East Asian pop culture as an integrated regional cultural economy that combines Japanese and Korean pop culture with the distribution and reception networks of Chines

The lingua franca role of English, coupled with its status as the official language of ASEAN, has important implications for language policy and language education. These include the relationship betw

Shan Shui Mountain|Water is the term we generally associate with the school of Chinese landscape art that many art historians around the world believe to be China’s most important contribution to the art of painting. Rooted in the philosophy of Daoism, the Shan Shui art movement - which first gained prominence during the waning years of the Tang dynasty (618-907) - actualizes its central precept that humans are but one of myriad manifestations of the Dao, and are therefore no more nor less significant than any other beings, and our destiny lies in abiding by the Way of Nature and living in harmony within it with humility, compassion and moderation. Using the three compositional principles of Shan Shui painting - Paths, Threshold and Heart - as his structure, Basil Pao assembled this collection of landscapes gathered during more than twenty years of travelling around the world into his latest book.

This publication is at once a record of and a reflection on the Biennale. The book consists of four main parts. The first part Forum features interviews with Ralph Lerner, Chang Yung-ho, Rocco Yim and

Walking Macao, Reading the Baroque is a guide-book with a difference. It brings to the reader the art and architecture of Macao and the baroque treasures that make the territory so attractive. Lavishl