First Place Math

The Authorship of Place is the first monograph dedicated to the study of the politics, history, aesthetics, and practices of location shooting for Taiwanese, Mainland Chinese, and coproduced art cinemas shot in rural communities since the late 1970s. Dennis Lo argues that rural location shooting, beyond serving aesthetic and technical needs, constitutes practices of cultural survival in a region beset with disruptive and disorienting social changes, including rapid urbanization, geopolitical shifts, and ecological crises. In response to these social changes, auteurs like Hou Xiaoxian, Jia Zhangke, Chen Kaige, and Li Xing engaged in location shooting to transform sites of film production into symbolically meaningful places of collective memories and aspirations. These production practices ultimately enabled auteurs to experiment with imagining Taiwanese, Mainland Chinese, and cross-strait communities in novel and contentious ways. Deftly guiding readers on a cross-strait tour of promin

Books about cities can open pathways to discover new places, and familiar places anew. Hong Kong is a much visited place. Over 50 million people stream through its hotels, restaurants and shopping malls each year. That is a lot of first impressions! This book, written by fourteen reflective scholars about living and learning from Hong Kong, builds on the growing interest of using “place” as text while providing a model of deepening cross-cultural encounters. Each chapter is written in a personal and experiential style, exploring Hong Kong through the lenses of a range of disciplines that shaped individual author's perceptions and encounters. The city is like a text one reads and deciphers, linking one’s sense of other cities with one’s present experiences of this city in this moment of time. In reading the city, readers discover not only what is “out there” in the ever moving surround of Hong Kong’s urban life, but also what is inside oneself as newcomer and as from another city and

The rulers of the Ming dynasty enacted paradigms of hierarchical order. Like imperial families, households, and courts in earlier Chinese dynasties, they articulated patriarchal, patrilineal, and patrilocal organizational principles as exemplars for families and institutions throughout the empire. Women made indispensable contributions to the development of these paradigms and principles and to the social, cultural, and political fabric of the family and the state. And yet, in the existing literature in Chinese and English women are often burdened with stereotypes, positioned as peripheral, or rendered almost invisible. Reading available texts “against the grain,” and drawing on a trove of evidence from material culture, Soulliere shows how women defined a place for themselves in the multigenerational Ming imperial family, imperial household, and court. The Empress and the Dragon Throne spans the first Ming century from just before the founding of the dynasty in 1368 to the end of the

Although the arts have been firmly planted in the Hong Kong school system since the 1950s, they are often sacrificed in place of core subjects and preparation for examinations. Drawing on over fourteen years of exploration and experience, Yau makes the case that arts are critical to cultivating creative mindsets, which are our best resource for innovating and responding to challenges in this complex world of sudden changes. Through case studies and conversations with practising artists and educators, this book demonstrates why arts and education, two normally discrete disciplines, should be broadly integrated into the local Hong Kong curriculum, and how this can be – and has been – achieved. This book is intended for policymakers, educators, arts heads, and artists. The volume will also appeal to readers curious about how and why the arts should be foundational to education and capacity building in the twenty-first century.

Historical memory has a particular value in analyzing events and characters that give life to stories from the past. Jorge Edwards specifies that the story’s description is nothing more than the literary success of a writer who navigates the vicissitudes of life and history, as he rightly points out. History must be observed carefully and as a “conjecture” that points, in the first place, to an experience of “memory” and that keeps alive, despite time, the unique reality of a country and its people. Like Edwards, we attempt to wander through reminiscences and recollection. Our narrative experience is simple. However, it is an observation and representation of history with a testimonial value in its approach. As the novelist points out, the testimony of history is the most creative thing that the writer has. In the same way, our effort is neither more nor less the rescue, through these short stories and their language, of facts and characters that are part of realities, in which their p

Sir Robert Ho Tung (1862–1954) is a compelling figure in Hong Kong history. He is regularly portrayed as the colony’s greatest philanthropist and wealthiest man of his day, the first Chinese to live on the Peak, and, at the end of his life, the ‘Grand Old Man of Hongkong’. The illegitimate son of a Chinese mother and European father, he was highly sensitive about his mixed heritage though he consistently made the most of his fate. He was a man perfectly in tune with his place and time, his success driven as much by his entrepreneurial talents as by his being Eurasian. This book shows him in all his immense variety—clerk with the Imperial Maritime Customs, chief compradore of Jardine Matheson, financial wizard, husband and lover, patriarch of a large family of five sons and eight daughters, loyal British subject but also, paradoxically, Chinese patriot. China’s president Yuan Shikai awarded him the Order of the Excellent Crop, and King George V knighted him. May Holdsworth’s thoughtful

The Silk Manuscripts from Zidanku, Changsha (Hunan), are the only pre-Imperial Chinese manuscripts on silk found to-date. Dating to the turn from the 4th to the 3rd centuries BC (Late Warring States period), they contain several texts concerning basic cosmological concepts, including one manuscript (Manuscript 1) with a diagrammatic arrangement and surrounded by pictorial illustrations. As such, they constitute a unique source of information complementing and going beyond what is known from transmitted texts. This is the first in a two-volume monograph on the Zidanku manuscripts, reflecting almost four decades of research by Professor Li Ling of Peking University. While the philological study and translation of the manuscript texts is the subject of Volume Two, this first volume presents the archaeological context and history of transmission of the physical manuscripts. It records how they were taken from their original place of interment in the 1940s and taken to the United States in

The author traces several generations of family history to show that his father Lee Sik-pang was not only an accomplished artist, but also a well-connected covert operative first for the Republic of China in the 1930s and then for the Allies during World War II.

【フルカラー写真300枚】“裸体工房”は、巨乳や美乳、巨尻や美尻・オンナの旬を撮り下ろした、スレンダーなカラダ、内容充実、ページ数増量で閉じ込めたシリーズです。※本商品に出演しているモデルは20歳以上となっております。The ‘'RATAIKOBO'' is the place to take pictures of big breasts, beautiful tits, big buttocks, beautiful asses, and girls in season. This is a series of lowered, slender bodies, fuller content and more pages locked in. The models in this product are over 20 years old.

【フルカラー写真300枚】“裸体工房”は、巨乳や美乳、巨尻や美尻・オンナの旬を撮り下ろした、スレンダーなカラダ、内容充実、ページ数増量で閉じ込めたシリーズです。※本商品に出演しているモデルは20歳以上となっております。The ‘'RATAIKOBO'' is the place to take pictures of big breasts, beautiful tits, big buttocks, beautiful asses, and girls in season. This is a series of lowered, slender bodies, fuller content and more pages locked in. The models in this product are over 20 years old.

【フルカラー写真300枚】“裸体工房”は、巨乳や美乳、巨尻や美尻・オンナの旬を撮り下ろした、スレンダーなカラダ、内容充実、ページ数増量で閉じ込めたシリーズです。※本商品に出演しているモデルは20歳以上となっております。The ‘'RATAIKOBO'' is the place to take pictures of big breasts, beautiful tits, big buttocks, beautiful asses, and girls in season. This is a series of lowered, slender bodies, fuller content and more pages locked in. The models in this product are over 20 years old.

【フルカラー写真300枚】“裸体工房”は、巨乳や美乳、巨尻や美尻・オンナの旬を撮り下ろした、スレンダーなカラダ、内容充実、ページ数増量で閉じ込めたシリーズです。※本商品に出演しているモデルは20歳以上となっております。The ‘'RATAIKOBO'' is the place to take pictures of big breasts, beautiful tits, big buttocks, beautiful asses, and girls in season. This is a series of lowered, slender bodies, fuller content and more pages locked in. The models in this product are over 20 years old.

【フルカラー写真300枚】“裸体工房”は、巨乳や美乳、巨尻や美尻・オンナの旬を撮り下ろした、スレンダーなカラダ、内容充実、ページ数増量で閉じ込めたシリーズです。※本商品に出演しているモデルは20歳以上となっております。The ‘'RATAIKOBO'' is the place to take pictures of big breasts, beautiful tits, big buttocks, beautiful asses, and girls in season. This is a series of lowered, slender bodies, fuller content and more pages locked in. The models in this product are over 20 years old.

【フルカラー写真300枚】“裸体工房”は、巨乳や美乳、巨尻や美尻・オンナの旬を撮り下ろした、スレンダーなカラダ、内容充実、ページ数増量で閉じ込めたシリーズです。※本商品に出演しているモデルは20歳以上となっております。The ‘'RATAIKOBO'' is the place to take pictures of big breasts, beautiful tits, big buttocks, beautiful asses, and girls in season. This is a series of lowered, slender bodies, fuller content and more pages locked in. The models in this product are over 20 years old.

【フルカラー写真300枚】“裸体工房”は、巨乳や美乳、巨尻や美尻・オンナの旬を撮り下ろした、スレンダーなカラダ、内容充実、ページ数増量で閉じ込めたシリーズです。※本商品に出演しているモデルは20歳以上となっております。The ‘'RATAIKOBO'' is the place to take pictures of big breasts, beautiful tits, big buttocks, beautiful asses, and girls in season. This is a series of lowered, slender bodies, fuller content and more pages locked in. The models in this product are over 20 years old.

【フルカラー写真300枚】“裸体工房”は、巨乳や美乳、巨尻や美尻・オンナの旬を撮り下ろした、スレンダーなカラダ、内容充実、ページ数増量で閉じ込めたシリーズです。※本商品に出演しているモデルは20歳以上となっております。The ‘'RATAIKOBO'' is the place to take pictures of big breasts, beautiful tits, big buttocks, beautiful asses, and girls in season. This is a series of lowered, slender bodies, fuller content and more pages locked in. The models in this product are over 20 years old.

The Tropic of Cancer Sustainability Belt Sustainability is a global trend, and a global lingua franca. How can Taiwan use sustainability to tell our story on an international stage? How can Taiwan create a sustainability brand that is equipped with a global perspective? The National Park Service (NPS) considers the Tropic of Cancer a great place to start. By connecting the dots of Taiwan’s mountain resources, ocean resources, and sustainability partners into a line, and then making that line into a belt, we can turn the Tropic of Cancer – which many think of as just a bunch of geographic markers – into a whole new window for getting to know Taiwan. As the 180km north-south Tropic of Cancer Belt crosses Taiwan, it crosses coasts, wetlands, foothills, high mountains, oceans, cities, and villages. Along the way, it encompasses every form of ecology, life, and production, forming world-class environmental marvels. The NPS is using the Tropic of Cancer Sustainability Belt project to put

This book features five theme-based units on cross-disciplinary academic English skills, focusing on the needs of first-year undergraduate students. Each unit covers academic writing, reading, and speaking skills. The units progressively take students through the steps needed to complete three common academic assignments: the essay, report, and tutorial discussion. These steps include searching for quality sources, note-taking, establishing a critical stance, formulating evidence-based arguments, synthesizing information from multiple sources, and structuring academic texts. Each unit also provides opportunities for students to analyse texts, apply their critical thinking skills, practise what they have learnt in productive tasks, and reflect upon their progress. This book is aimed at first-time university students. Many of the readings are related to China and a broader Asian context. As such, it appeals to first-year university students in Hong Kong, Mainland China, and Taiwan.

This book details a three-year expedition to study ethnic minorities in Guizhou, Sichuan, and Tibet led by French army officer Henri d'Ollone. First published in 1911 in French, the English volume was released the following year.

Revitalization in Asia: Adaptive Reuse in Macao, Mumbai, and Penang offers a clear understanding of the value of sustainable adaptive reuse within an Asian context. Three highly urbanized places (Macao, Mumbai, and Penang) are considered in detail from conservation and planning perspectives (with essays and timelines for each). For each place, five case studies offer a comparative framework for understanding similarities and differences in adaptive reuse projects. Six essays examine adaptive reuse in terms of its connection to the three dimensions of sustainability, with reference to the United Nations’ Sustainable Development Goals. This book is envisioned as a continuation of Asian Revitalization: Adaptive Reuse in Hong Kong, Shanghai, and Singapore.

In The New Politics of Beijing–Hong Kong Relations, Sonny Shiu-Hing Lo looks at the diverging changes to the ideologies from both Beijing and Hong Kong, and the ideological conflicts as taken in the form of factional political struggles between 2012 and the present. This book examines the paternalistic authoritarianism that can be seen in Beijing’s policy toward Hong Kong since the promulgation of the national security law in late June 2020. Lo analyzes the ideological shift from liberal nationalism to conservative nationalism in mainland China, which has taken place since late 2012. The increasingly radical localism in Hong Kong after 2014 transformed Beijing–Hong Kong relations into a conflict-ridden situation characterized by factional struggles. While the imposition of the national security law into Hong Kong since late June 2020 has stabilized the city politically, Beijing’s policy toward Hong Kong is now guided by the principles of protecting its national security and mainta

暢銷書《大腦解鎖》作者裘．波勒（Jo Boaler）盛情推薦 190萬人追蹤的TikTok數學頻道「Pink Pencil Math」創辦人 ◎到美國旅遊，餐廳的基本小費要給到18％，怎麼速算才知道給了多少？ ◎一塊地長寬各504公尺，面積有多大？別人還在掏計算機，你畫幾筆就給答案。 ◎信用卡號輸入錯誤，網購系統竟馬上知道！不是個資外洩，是網站有簡單驗證法。 ◎你聽過餐巾紙數學嗎？這是金融術語。就是快速計算一檔投資你可以賺多少錢。 作者曾在哥倫比亞大學學習機械工程，並先後在美國NASA、波音公司工作， 目前在TikTok「Pink Pencil Math」頻道上專門講解生活中的數學技巧， 粉絲追蹤人數高達190萬。 很難想像，數學這麼好的她，12歲時數學爛到得重修。 因為她不解：「為什麼不能用0去除一個數字？」 「為什麼計算順序是先乘除後加減？」、「有沒有不用背的九九乘法表？」 教科書上的解釋和重複的練習，對她毫無幫助。 進入大學後，她開始研發完全不需要背誦的解題技巧， 並應用在日常生活中，像是開會、聊球、購物、評估投資、工作上的思考等， 不用計算機也能反應快，本書就是她的技巧大公開。 ◎37乘以 49，兩個十位數的乘法，你能「掐指」算出來嗎？ 你一定很熟悉九九乘法表，但生活中的計算不會只有個位數相乘， 你會用表格、用井字遊戲、用手指速算嗎？ 學會這些方法，遇上11以上的乘法，身邊沒有計算機也能速算， 開會、逛賣場比價、聊投資、規畫事情時，你反應最快！ ◎超實用速算技巧：算小費、比折扣、思考做事計畫、計算投資收益 ．一部影片70分鐘，我想用1.25倍速快速瀏覽，能省下多少時間做其他事？ ．到美國旅遊，餐廳的基本小費要給到18％，怎麼速算省荷包？ ．籃球賽，三分球投8中5和投7中4，誰比較準？ ．一塊地長458公尺寬72公尺，面積有多大？同事忙掏計算機，你畫一畫給答案。 ．你買了500美元的微軟股票，一年後漲了13％，你賺多少？只要拆解百分比。 ．物價上漲，房東說租金也要漲，你會用物價指數估算合理租金該漲多少嗎？ ．你正在看設計師規畫好的浴室藍圖，能目測出裡面一面牆放得下浴缸嗎？

Sinoglossia places the terms of embodiment, mediality, and translation at the center of analytical inquiry into Chinese and Sinophone cultures. Converging in the rubric of Sinoglossia, the chapters in this volume introduce a theory defined by cultural formations not overdetermined by Sinitic linguistic ties. The concept of Sinoglossia combines a heteroglossic and a heterotopian approach to the critical study of mediated discourses of China and Chineseness. From the history of physical examinations and queer subalternity to the cinematic inscription of Chineseness-as-landscape, and from Sinopop to the translational writings of Eileen Chang and Syaman Rapongan, this book argues for a flexible conceptualization of cultural objects, conditions, and contexts that draws attention to an array of polyphonic, multi-discursive, and multilingual articulations. In this new horizon of understanding, place or topos necessarily constitutes the possibility of friction and source of innovation.

Kaho Yu’s China’s Energy Security in the Twenty-First Century: The Role of Global Governance and Climate Change explores the evolution of China’s energy security from its bilateral going-out strategy to its more multilateral Belt and Road Initiative. By analysing the topic from a multidisciplinary perspective, this book examines China’s evolving role in global energy governance through four empirical case studies: China’s energy cooperation with Russia and Central Asia, Africa, the European Union, and the Asia Infrastructure Investment Bank.

In Kunqu: A Classical Opera of Twenty-First-Century China, Joseph S. C. Lam offers a holistic and interdisciplinary view on kunqu, a 600-year-old genre of Chinese opera that is being fashionably performed inside and outside of China. He explains how and why the genre charms and signifies Chinese culture, history, and personhood. As the first comprehensive and scholarly book on kunqu written in English, the book not only discusses the genre in cultural and historical terms but also analyzes its shows as performative, cultural, social, and political communications. It approaches the genre from several perspectives, ranging from those of performers and producers to those of casual audience, dedicated connoisseurs, and scholarly critics. Lam also employs a judicious blend of Chinese and international theories and methods. Through this comprehensive study of kunqu, Lam has established the significance of the genre not only in the sphere of Chinese music, but also among the cultural heritage

In Chinese Cinema: Identity, Power, and Globalization, a variety of scholars explore the history, aesthetics, and politics of Chinese cinema as the Chinese film industry grapples with its place as the second largest film industry in the world. Exploring the various ways that Chinese cinema engages with global politics, market forces, and film cultures, this edited volume places Chinese cinema against an array of contexts informing the contours of Chinese cinema today. The book also demonstrates that Chinese cinema in the global context is informed by the intersections and tensions found in Chinese and world politics, national and international co-productions, the local and global in representing Chineseness, and the lived experiences of social and political movements versus screened politics in Chinese film culture. This work is a pioneer investigation of the topic and will inspire future research by other scholars of film studies.

In On Saving Face, Michael Keevak traces the Western reception of the Chinese concept of “face” during the past two hundred years, arguing that it has always been linked to nineteenth-century colonialism. “Lose face” and “save face” have become so normalized in modern European languages that most users do not even realize that they are of Chinese origin. “Face” is an extremely complex and varied notion in all East Asian cultures. It involves proper behavior and the avoidance of conflict, encompassing every aspect of one’s place in society as well as one’s relationships with other people. One can “give face,” “get face,” “fight for face,” “tear up face,” and a host of other expressions. But when it began to become known to the Western trading community in China beginning in the middle of the nineteenth century, it was distorted and reduced to two phrases only, “lose face” and “save face,” both of which were used to suggest distinctly Western ideas of humiliation, embarrassment, honor, a

In The First British Trade Expedition to China, Nicholas D. Jackson explores the pioneering British trade expedition to China launched in the late Ming period by Charles I and the Courteen Association. While utilizing the vivid and unique perspective of its commander, Captain John Weddell, this study concentrates on the fleet’s adventures in south China between Portuguese Macao and the provincial capital, Guangzhou (Canton). Tracing the obscure origins of Sino-British diplomatic and commercial relations back to the late Ming era, Jackson examines the first episodes of Sino-British interaction, exchange, and collision in the seventeenth century. His definitive narrative and original analysis constitute a groundbreaking study of early modern British initiatives and enterprise in the coastal areas of south China. The book begins by sketching the Tudor-Stuart historical background of British trade expansion in Asia before precisely reconstructing the voyages of East India Company and then

Set against the backdrop of regional and international post–Second World War tensions, Grounded at Kai Tak is the most comprehensive account of the complex legal struggle for ownership of 71 airplanes belonging to the two main Chinese airlines, which were stranded at Kai Tak airfield in Hong Kong at the end of the Chinese civil war. The resulting contest for possession of them took place in the courts and among politicians and diplomats on three continents. In the process, the struggle became entangled with the anti-communist policies of the United States in the emerging ‘Cold War’, British hopes for restoration of her pre-war commercial position in China, disagreements between nations about recognition of the new government in Peking, and the delicate balance that the colonial government of Hong Kong had to keep to preserve that colony’s interests. Merry tells the tale of this legal saga by weaving together archival documents and news reports of the day, revealing the international a

Death and Life of Nature in Asian Cities explores the encounter between two processes that are unfolding in diverse patterns across Asia—the rapid urbanization of Asia across big cities, smaller towns, and the newest urban concentrations; and the contentious debates and novel schemes by which nature is figured and emplaced in cities and their conurbations. Contemporary Asian cities displace nature by causing its death and withering, but also embrace it through acts of renewal and the pursuit of sustainability. Contributors to this volume gather case studies from across Asia to address projects of urban greening and reimagining nature in urban life. The book illustrates how the intersection of urban growth and urban nature is a place rich with fresh ideas about urban planning, governance, and social life. This book illuminates a continuing process of discovery and regeneration through which urban natures may well be moving from taken-for-granted infrastructures to more consciously exper

The Landscape of Historical Memory explores the place of museums and memorial culture in the contestation over historical memory in post–martial law Taiwan. The book is particularly oriented toward the role of politics—especially political parties—in the establishment, administration, architectural design, and historical narratives of museums. It is framed around the wrangling between the “blue camp” (the Nationalist Party, or KMT, and its supporters) and the “green camp” (Democratic Progressive Party, or DPP, and its supporters) over what facets of the past should be remembered and how they should be displayed in museums. Organized into chapters focused on particular types of museums and memorial spaces (such as archaeology museums, history museums, martyrs’ shrines, war museums, memorial halls, literature museums, ethnology museums, and ecomuseums), the book presents a broad overview of the state of museums in Taiwan in the past three decades. The case of Taiwan museums tells us much

The History of Pendennis: His Fortunes and Misfortunes, His Friends and His Greatest Enemy (1848—1850) is a novel by the English author William Makepeace Thackeray. The novel took two years for him to write. Set in 19th century London, England, this novel features a young English gentleman Arthur Pendennis born in the country who sets out to seek his place in life and society. The novel portrays his love affairs with the callous Blanche Amory and poor Fanny. Both of them marry other people, and Pendennis finally weds Laura Bell, his adopted sister, who had always loved him. The characters include the snobbish social hanger-on Major Pendennis and the tipsy Captain Costigan. Miss Amory and Sir Francis Clavering are somewhat reminiscent of Becky Sharp and Sir Pitt from Vanity Fair. In line with other Thackeray's works, Pendennis offers an insightful and satiric picture of human character and aristocratic society. The masterful characterizations include the snobbish Major Pendennis and the

Chinese Diaspora Charity and the Cantonese Pacific, 1850–1949 sheds new light on the history of charity among Chinese overseas and its place in the history of charity in China and in the wider history of global philanthropy. It finds that diaspora charity, besides serving traditional functions of helping the sick and destitute and supporting development in China, helped to build trust among dispersed hometown networks while challenging color boundaries in host societies by contributing to wider social causes. The book shows that charitable activities among the “Gold Rush” communities of the Pacific rim—a loosely integrated émigré network from Guangdong Province perhaps better known for its business acumen and hard work among English-speaking settler societies in North America and Australasia—also led the way with social innovations that helped to shape modern charity in China. Fitzgerald and Yip’s volume demonstrates that charity lay at the heart of community life among Chinese commu

This book is a novel modelled on Plato’s Republic as a series of dialogues between a half-retired college professor and his former student, taking place in several weeks in a row on various scenic and memorable locations in Hong Kong – in Central, on the Peak, on Repulse Bay and in Stanley on Hong Kong Island, as well as in Cheung Chau, an outlying island of Hong Kong. The story starts by the professor greeting and receiving his former student Julian to tea and for a friendly chat in the professors’ favourite old teahouse in Central. Their conversation, initially centring around the current events taking place in Hong Kong, soon evolves into an in-depth discussion of the immediate and subtler causes and factors leading to such a state of affairs that has been described by the local media and the Government as ‘public activities’. Since both the professor and Julian find their discussion and exchange very interesting and fruitful, they decide to continue with it in the weeks that follo

The First Estates shows the impact on Hong Kong’s urban history of Fairview Park and Hong Lok Yuen, the earliest examples of private estates provided in the New Territories of Hong Kong. Completed in the 1970s and 1980s, both are examples of land development projects built as low-density, American-style suburban house living, the first true alternative to the typical high-rise urban living of Hong Kong. In this book, Roger Nissim traces their evolution—from retreats for urban dwellers to family residences—that followed the expansion of Hong Kong’s public transportation system. The book draws heavily on the original documents that are reproduced in the book. These unearthed documents detail land acquisition process and the negotiations with the government, financiers, local villagers, contractors, and new residents. Read together, this collection of key primary sources—concerning government approvals, site selection, planning and implementation, layout plan, and sales policy—provide the

At the end of the nineteenth century a slice of imperial China was abruptly incorporated into the British Crown Colony of Hong Kong. It became known as the New Territories. The people of this remote and traditional corner of the Ching empire were not consulted about the annexation, initially resisted and long resented it. To placate them, the incoming authorities promised that little would alter and that their customs would be respected. The promise would not be fully kept but it became the source of the preservation of Chinese customary law in respect of rural land and the justification for privileges afforded to indigenous inhabitants. Their tenacious assertion of those rights and aversion to authority is detectible throughout the twentieth century and into the era of the Hong Kong Special Administrative Region; it permeates almost every aspect of policy and law relating to rural land. The Unruly New Territories is an account of the annexed area and of its special place in Hong Kon

As a co-founder of the PRC’s first unofficial literary journal Jintian (Today) in 1978, Mang Ke was born in 1950. He began writing poetry as a sent-down youth in Baiyangdian, rural Hebei province, during the Cultural Revolution. One of the progenitors of what would later be called Obscure or “Misty” poetry, his spare, impressionistic poems were among the first to break free of the imposed discourse of Maoism towards an image-based literary style that left space for both expression and interpretation. He currently makes his living as an abstract painter and lives in Songzhuang, an artists’ colony on the outskirts of Beijing.

Previous collections of photographs illustrating the lost world of Old Hong Kong have tended to focus exclusively on black-and-white images from before the Second World War. In this new collection of photographs from the period 1948-1969, Otto Lam has instead selected a dazzling array of images in glorious full colour, most of them taken by overseas visitors to Hong Kong, including some of the earliest surviving colour views of the city and its environs. These evocative images demonstrate what a vibrant place Hong Kong was during this crucial period in the colony's rapid economic growth and modernisation. This volume, covering a wide range of images from daily life in post-war Hong Kong, comes at a time when a new generation of citizens is taking a greater interest in the rich and largely intangible heritage of their city.

Tracing China’s journey began from exploring rural revolution and reconstitutions of community in South China. Spanning decades of rural-urban divide, it finally uncovers China’s global reach and Hong Kong’s cross-border dynamics. Helen Siu traverses physical and cultural landscapes to examine political tumults transforming into everyday lives, and fathom the depths of human drama amid China’s frenetic momentum toward modernity. Highlighting complicity, Siu portrays how villagers, urbanites, cadres, entrepreneurs, and intellectuals—laden with historical baggage—venture forward. But have they victimized themselves in the process? This essay collection, informed by critical social theories and shaped by careful scrutiny of fieldwork and archival texts, is woven by key historical/anthropological themes—culture, history, power, place-making, and identity formation. Siu stresses process and contingency and argues that culture and society are constructed through human actions with nuanced

The Confucian revival which manifests itself in the Modern Confucian current, belongs to the most important streams of thought in contemporary Chinese philosophy. The Rebirth of the Moral Self introduces this stream of thought by focusing on the second generation Modern Confucians— Mou Zongsan, Tang Junyi, Xu Fuguan and Fang Dongmei. These scholars argue that traditional Confucianism, as a specifically Chinese social, political, and moral system of thought can, if adapted to the modern era, serve as the foundation for an ethically meaningful modern life. In this most timely monograph, Jana S. Rošker is visionary in anticipating the role Confucianism might serve as a world resource in reshaping a newly emerging cultural order for our own time and place. She brings the complexity and heterogeneous nature of the philosophical contributions of the second generation of Modern Confucians into clearer focus, and documents the inspiration their discourses have given contemporary scholars eng