Introduction to Computing

Thomas Carlyle (1795–1881) was one of the most influential authors of the nineteenth century. Eagerly studied at the highest level of intellectual society, his satirical essays and perceptive historical biographies caused him to be regarded for much of the Victorian period as a literary genius and eminent social philosopher. After graduating from Edinburgh University in 1814, he published his first scholarly work on German literature in 1824, before finding literary success with his ground-breaking history of the French Revolution in 1837. After falling from favour during the first part of the twentieth century, his work has more recently become the subject of scholarly re-examination. His introduction of German literature and philosophy into the British intellectual milieu profoundly influenced later philosophical ideas and literary studies. These volumes are reproduced from the 1896 Centenary Edition of his collected works. Volume 25 contains his biography of Friedrich Schiller.

Thomas Carlyle (1795–1881) was one of the most influential authors of the nineteenth century. Eagerly studied at the highest level of intellectual society, his satirical essays and perceptive historical biographies caused him to be regarded for much of the Victorian period as a literary genius and eminent social philosopher. After graduating from Edinburgh University in 1814, he published his first scholarly work on German literature in 1824, before finding literary success with his history of the French Revolution in 1837. After falling from favour during the first part of the twentieth century, his work has more recently become the subject of scholarly re-examination. His introduction of German literature and philosophy into the British intellectual milieu profoundly influenced later philosophical ideas and literary studies. These volumes are reproduced from the 1896 Centenary Edition of his collected works. Volume 9 contains the fourth volume of Oliver Cromwell's Letters and Speeche

Thomas Carlyle (1795–1881) was one of the most influential authors of the nineteenth century. Eagerly studied at the highest level of intellectual society, his satirical essays and perceptive historical biographies caused him to be regarded for much of the Victorian period as a literary genius and eminent social philosopher. After graduating from Edinburgh University in 1814, he published his first scholarly work on German literature in 1824, before finding literary success with his history of the French Revolution in 1837. After falling from favour during the first part of the twentieth century, his work has more recently become the subject of scholarly re-examination. His introduction of German literature and philosophy into the British intellectual milieu profoundly influenced later philosophical ideas and literary studies. These volumes are reproduced from the 1896 Centenary Edition of his collected works. Volume 6 contains the first volume of Oliver Cromwell's Letters and Speeches

Thomas Carlyle (1795–1881) was one of the most influential authors of the nineteenth century. Eagerly studied at the highest level of intellectual society, his satirical essays and perceptive historical biographies caused him to be regarded for much of the Victorian period as a literary genius and eminent social philosopher. After graduating from Edinburgh University in 1814, he published his first scholarly work on German literature in 1824, before finding literary success with his history of the French Revolution in 1837. After falling from favour during the first part of the twentieth century, his work has more recently become the subject of scholarly re-examination. His introduction of German literature and philosophy into the British intellectual milieu profoundly influenced later philosophical ideas and literary studies. These volumes are reproduced from the 1896 Centenary Edition of his collected works. Volume 7 contains the second volume of Oliver Cromwell's Letters and Speeche

Thomas Carlyle (1795–1881) was one of the most influential authors of the nineteenth century. Eagerly studied at the highest level of intellectual society, his satirical essays and perceptive historical biographies caused him to be regarded for much of the Victorian period as a literary genius and eminent social philosopher. After graduating from Edinburgh University in 1814, he published his first scholarly work on German literature in 1824, before finding literary success with his history of the French Revolution in 1837. After falling from favour during the first part of the twentieth century, his work has more recently become the subject of scholarly re-examination. His introduction of German literature and philosophy into the British intellectual milieu profoundly influenced later philosophical ideas and literary studies. These volumes are reproduced from the 1896 Centenary Edition of his collected works. Volume 8 contains the third volume of Oliver Cromwell's Letters and Speeches

Thomas Carlyle (1795–1881) was one of the most influential authors of the nineteenth century. Eagerly studied at the highest level of intellectual society, his satirical essays and perceptive historical biographies caused him to be regarded for much of the Victorian period as a literary genius and eminent social philosopher. After graduating from Edinburgh University in 1814, he published his first scholarly work on German literature in 1824, before finding success with his history of the French Revolution in 1837. After falling from favour during the first part of the twentieth century, his work has more recently become the subject of scholarly re-examination. His introduction of German literature and philosophy into the British intellectual milieu profoundly influenced later philosophical ideas and literary studies. These volumes are reproduced from the 1896 Centenary Edition of his collected works. Volume 23 contains the first volume of his translation of Goethe's Wilhelm Meister.

Thomas Carlyle (1795–1881) was one of the most influential authors of the nineteenth century. Eagerly studied at the highest level of intellectual society, his satirical essays and perceptive historical biographies caused him to be regarded for much of the Victorian period as a literary genius and eminent social philosopher. After graduating from Edinburgh University in 1814, he published his first scholarly work on German literature in 1824, before finding success with his history of the French Revolution in 1837. After falling from favour during the first part of the twentieth century, his work has more recently become the subject of scholarly re-examination. His introduction of German literature and philosophy into the British intellectual milieu profoundly influenced later philosophical ideas and literary studies. These volumes are reproduced from the 1896 Centenary Edition of his collected works. Volume 24 contains the second volume of his translation of Goethe's Wilhelm Meister.

There is now a remarkably strong consensus among academics and professional economists that central banks should adopt explicit inflation targets and that all key monetary policy decisions, especially those concerning interest rates, should be made with a view to ensuring that these targets are achieved. This book provides a comprehensive review of the experience of inflation targeting since its introduction in New Zealand in 1989 and looks in detail at what we can learn from the past twenty years and what challenges we may face in the future. Written by a distinguished team of academics and professional economists from central banks around the world, the book covers a wide range of issues including many that have arisen as a result of the recent financial crisis. It should be read by anyone concerned with better understanding inflation targeting and its past, present and future role within monetary policy.

In the celebrated words of Sir William Temple, the Dutch Republic of the United Provinces was 'the fear of some, the envy of others, and the wonder of all their neighbours'. This 1996 book looks at the history of the Dutch Republic from a comparative perspective, and provides a comparative study of key issues in Dutch history from the late sixteenth to the mid-nineteenth century. Contributors examine political, cultural, economic and social developments in the Netherlands in an interrelated way, and in doing so shed light on historical developments in other parts of west and central Europe. In contrast with previous comparative studies in European early modern history, this book concentrates on comparisons within the central belt of Europe running from north Italy through southern Germany, Flanders, the Dutch Republic and England. An editorial introduction and conclusion place the individual chapters within a coherent framework.

Mikhail Zoshchenko, 1895–1958, was a great Soviet humorist. His works give a unique picture of Russian life in the Soviet period - a picture which, though satirically distorted and camouflaged by deliberate ambiguities, presents a shrewd commentary on the times. Lyudi first appeared in 1924. It is a long short story about the loss of gross illusions, about despair and decay, the struggle for existence, the animal in man. The hero is an émigré of the Tsarist period, who returns to Russia after the Revolution, has his illusions duly shattered, and sinks into a scarcely human existence. He is a parody of two stock figures: 'the repentant nobleman' and 'the superfluous man'. The language is a splendid mixture of colloquial speech, official jargon, and inflated style. There is an English introduction, notes on the linguistic difficulties and select vocabulary, while the text is in Russian.

Bernal Díaz del Castillo (1492–1584) was a foot soldier in the army of Mexico's conqueror Hernán Cortés. The first edition of his True History of the Conquest of New Spain (as it was entitled in a later English translation) was published in Madrid in 1632 from a manuscript copy sent to Spain shortly after the author's death. Written in a highly accessible style, and describing the experiences of the troops themselves, the work became even more successful than the official accounts and went through many editions and translations. The two-volume edition reissued here was first published in 1904 and is considered a more reliable text, as it was based on the original manuscript preserved in Guatemala City. Volume 1 contains an introduction by the editor, the influential Mexican historian and book-collector Genaro García (1867–1920), a table of variant readings, and chapters 1–139 of the text.

Henry James: The Contemporary Reviews presents the most thorough gathering of newspaper and magazine reviews of James's work ever assembled. Other volumes in the American Critical Archives series have concentrated on reviews from American publications, but because of the importance of James's British connection, this issue generously samples reviews from British newspapers and periodicals. The focus here is on the novels, but reviews of James's most important travel narrative are included as well. The volume ends with reviews of The American Scene, James's impressionistic narrative of his relationship with his birthplace. This collection also reprints many rarely seen notices written by the most important women reviewers of the late nineteenth and early twentieth centuries. Each chapter ends with a checklist of additional reviews not presented here. The introduction surveys the major themes of the reviews and also shows the extent to which they personally influenced James and his work.

John Horace Round (1854–1928) published Feudal England in 1895. The volume is a collection of Round's articles on feudalism, most of which had been previously published in the English Historical Review. The essays cover the period 1050–1200. They are linked by Round's overarching argument that it was the Norman Conquest that transplanted feudalism to England and that during the Anglo-Saxon period England had no real feudal institutions. The volume includes Round's groundbreaking article 'The Introduction of Knight Service into England', first published in the English Historical Review for 1891–1892; a number of his important essays on the Domesday Book, a topic on which he was long regarded as the leading expert; and several essays challenging the historical methods of Professor Freeman, the main opponent of Round's ideas. Feudal England was highly influential in medieval scholarship, and is still an important resource for researchers.

Information and Communication Technologies (ICTs) have profoundly changed many aspects of life, including the nature of entertainment, work, communication, education, healthcare, industrial production and business, social relations and conflicts. They have had a radical and widespread impact on our moral lives and hence on contemporary ethical debates. The Cambridge Handbook of Information and Computer Ethics, first published in 2010, provides an ambitious and authoritative introduction to the field, with discussions of a range of topics including privacy, ownership, freedom of speech, responsibility, technological determinism, the digital divide, cyber warfare, and online pornography. It offers an accessible and thoughtful survey of the transformations brought about by ICTs and their implications for the future of human life and society, for the evaluation of behaviour, and for the evolution of moral values and rights. It will be a valuable book for all who are interested in the ethic

The great age of Russian philosophy spans the century between 1830 and 1930 - from the famous Slavophile-Westernizer controversy of the 1830s and 1840s, through the 'Silver Age' of Russian culture at the beginning of the twentieth century, to the formation of a Russian 'philosophical emigration' in the wake of the Russian Revolution. This volume is a major history and interpretation of Russian philosophy in this period. Eighteen chapters (plus a substantial introduction and afterword) discuss Russian philosophy's main figures, schools and controversies, while simultaneously pursuing a common central theme: the development of a distinctive Russian tradition of philosophical humanism focused on the defence of human dignity. As this volume shows, the century-long debate over the meaning and grounds of human dignity, freedom and the just society involved thinkers of all backgrounds and positions, transcending easy classification as 'religious' or 'secular'. The debate still resonates stron

Information and Communication Technologies (ICTs) have profoundly changed many aspects of life, including the nature of entertainment, work, communication, education, healthcare, industrial production and business, social relations and conflicts. They have had a radical and widespread impact on our moral lives and hence on contemporary ethical debates. The Cambridge Handbook of Information and Computer Ethics, first published in 2010, provides an ambitious and authoritative introduction to the field, with discussions of a range of topics including privacy, ownership, freedom of speech, responsibility, technological determinism, the digital divide, cyber warfare, and online pornography. It offers an accessible and thoughtful survey of the transformations brought about by ICTs and their implications for the future of human life and society, for the evaluation of behaviour, and for the evolution of moral values and rights. It will be a valuable book for all who are interested in the ethic

Sir Richard Jebb (1841–1905) was the most distinguished classicist of his generation, a Fellow of Trinity College, Cambridge, and University Orator, subsequently Professor of Greek at Glasgow University and finally Regius Professor of Greek at Cambridge, and a Member of Parliament for the University. At his death, his planned volumes of the fragments of Sophocles, which would complete his edition of the complete plays and fragments, were not ready for publication, and the final editing of these three volumes was undertaken by W. G. Headlam and A. C. Pearson; the books were published in 1917. The first volume contains a general introduction; Volumes 1 and 2 present the text of the fragments and a commentary, and the final volume consists of addenda and corrigenda, spurious fragments and two indices. The plays are presented in Greek alphabetical order: Volume 1 contains fragments of plays from 'Athamas' to 'Ichneutae'.

Sir Richard Jebb (1841–1905) was the most distinguished classicist of his generation, a Fellow of Trinity College, Cambridge, and University Orator, subsequently Professor of Greek at Glasgow University and finally Regius Professor of Greek at Cambridge, and a Member of Parliament for the University. At his death, his planned volumes of the fragments of Sophocles, which would complete his edition of the complete plays and fragments, were not ready for publication, and the final editing of these three volumes was undertaken by W. G. Headlam and A. C. Pearson; the books were published in 1917. The first volume contains a general introduction; Volumes 1 and 2 present the text of the fragments and a commentary, and the final volume consists of addenda and corrigenda, spurious fragments and two indices. The plays are presented in Greek alphabetical order: Volume 2 contains fragments of plays from 'Ion' to 'Chryses'.

These volumes contain biographies of the 1367 Members of the House of Commons from 1820 to 1832, surveys of elections and politics in the 383 constituencies of Great Britain and Ireland over the same period and an introduction which analyses and sets them in context. The result of more than twenty years' work in archives and libraries throughout Britain, Ireland and abroad, they constitute the most comprehensive survey of British and Irish politics during the period. Encompassing four Parliaments and general elections in 1820, 1826, 1830 and 1831, they cover the Queen Caroline affair, agricultural distress, the Whig campaign for economies and legal reforms, debates on financial and commercial policy, the emergence of liberal Toryism, colonial slavery, repeal of the Test and Corporation Acts, Catholic emancipation and parliamentary reform. The period ends with the passage of the first Reform Act, a watershed in the representative history of Britain.

H. B. Charlton was Clark Lecturer at Trinity College, Cambridge, in the years 1946–1947. In this volume on Shakespeare's tragedies, originally published in 1948, he opposes those critics who focus solely on Shakespeare's words and metaphors. For Charlton, these 'moderns' missed the greatest aspect of Shakespeare: his mastery of stagecraft. This book thus considers Shakespeare's tragedies specifically as plays, written for performance and for an audience. Charlton also engages with the humanist elements, arguing that Shakespeare's dramas are chiefly explorations of man and morality, rather than of religion or metaphysics. Charlton's work is an in-depth analysis of Shakespeare's tragedies, complete with an introduction that gives a significant insight into the fresh ways of reading Shakespeare that emerged during the 1940s. This text will primarily be of use to scholars of Shakespearean tragedy, but will also intrigue anyone with an interest in the changing reception of Shakespeare's wor

The monumental, multi-volume comparative grammar of the Indo-European languages by Karl Brugmann (1849–1919) provided a synthesis of the first 70 years of research in a rapidly-developing academic subject, and identified areas for future investigation. Volume 2, split into three parts, covers morphology, roots and inflection, beginning with nouns and continuing with pronouns and verbs. It begins with a substantial introduction that includes bibliographic information, and then focuses in turn on each Proto-Indo-European feature and its reflexes in the earliest attested languages of each language family (Sanskrit, Avestan, Armenian, Greek, Italic, Germanic, Old Irish, Balto-Slavic). Comparisons are also made within families, for example between Gothic and Old English. Owing to its length, the original publisher bound this volume in two parts, paginated as a single sequence; in this reissue, it is divided into three parts, maintaining the same pagination.

The monumental, multi-volume comparative grammar of the Indo-European languages by Karl Brugmann (1849–1919) provided a synthesis of the first 70 years of research in a rapidly-developing academic subject, and identified areas for future investigation. Volume 2, split into three parts, covers morphology, roots and inflection, beginning with nouns and continuing with pronouns and verbs. It begins with a substantial introduction that includes bibliographic information, and then focuses in turn on each Proto-Indo-European feature and its reflexes in the earliest attested languages of each language family (Sanskrit, Avestan, Armenian, Greek, Italic, Germanic, Old Irish, Balto-Slavic). Comparisons are also made within families, for example between Gothic and Old English. Owing to its length, the original publisher bound this volume in two parts, paginated as a single sequence; in this reissue, it is divided into three parts, maintaining the same pagination.

The monumental, multi-volume comparative grammar of the Indo-European languages by Karl Brugmann (1849–1919) provided a synthesis of the first 70 years of research in a rapidly-developing academic subject, and identified areas for future investigation. Volume 2, split into three parts, covers morphology, roots and inflection, beginning with nouns and continuing with pronouns and verbs. It begins with a substantial introduction that includes bibliographic information, and then focuses in turn on each Proto-Indo-European feature and its reflexes in the earliest attested languages of each language family (Sanskrit, Avestan, Armenian, Greek, Italic, Germanic, Old Irish, Balto-Slavic). Comparisons are also made within families, for example between Gothic and Old English. Owing to its length, the original publisher bound this volume in two parts, paginated as a single sequence; in this reissue, it is divided into three parts, maintaining the same pagination.

Charles Gore (1853–1932), the future Bishop of Oxford and a passionate campaigner for social justice, compiled and edited these twelve theological essays published in 1891. The eleven contributors, all Oxford scholars at some time, shared the conviction that theology must engage with advances in scientific and historical knowledge, learn from them, and use them in interpreting Christian doctrine. In their case, this meant recognising God at work in the material world, in evolution, and in society, not merely at the spiritual level. 'If the true meaning of the faith is to be made sufficiently conspicuous,' Gore wrote in his introduction, 'it needs disencumbering, reinterpreting, explaining'. The essays focus on the Incarnation, as the central doctrine for the whole of theology, which may be applied very differently in different contexts. The book, regarded by some as too progressive, was a great success and sold ten editions in its first year.

John Dover Wilson's New Shakespeare, published between 1921 and 1966, became the classic Cambridge edition of Shakespeare's plays and poems until the 1980s. The series, long since out-of-print, is now reissued. Each work is available both individually and as a set, and each contains a lengthy and lively introduction, main text, and substantial notes and glossary printed at the back. The edition, which began with The Tempest and ended with The Sonnets, put into practice the techniques and theories that had evolved under the 'New Bibliography'. Remarkably by today's standards, although it took the best part of half a century to produce, the New Shakespeare involved only a small band of editors besides Dover Wilson himself. As the volumes took shape, many of Dover Wilson's textual methods acquired general acceptance and became an established part of later editorial practice, for example in the Arden and New Cambridge Shakespeares.

First published in 1858, this is the first of three volumes of Howard Staunton's collection of Shakespeare's plays, with black-and-white illustrations by the prolific artist John Gilbert. Staunton's annotated edition, based on the folio and quarto editions collated with the texts of later editors from Rowe to Dyce, combines common sense with meticulous research, making it a definitive resource in its day. Each play is accompanied by an introduction giving details of its original production and publication and the sources of its plot, critical commentary, and footnotes explaining terms and expressions. This volume contains The Two Gentlemen of Verona, Love's Labour's Lost, The Comedy of Errors, Romeo and Juliet, The Taming of the Shrew, King John, A Midsummer Night's Dream, The Merchant of Venice, King Richard II, King Henry IV Part 1, King Henry IV Part II, The Merry Wives of Windsor, and Much Ado About Nothing.

James Orchard Halliwell-Phillipps (1820–1889) was an enthusiastic collector of books on Shakespeare (including nearly all the pre-1660 editions) and a respected and prolific scholar of Elizabethan literature. His extensive collection is now housed at Edinburgh University Library. This volume contains a selection of his early writings and includes: 'A catalogue of the early editions of Shakespeare's plays and of the commentaries and other publications illustrative of his works' (1841); 'An account of the only known manuscript of Shakespeare's plays, comprising some important variations and corrections in the Merry Wives of Windsor' (1843); 'An introduction to Shakespeare's Midsummer Night's Dream' (1841); 'On the character of Sir John Falstaff, as originally exhibited by Shakespeare in the two parts of King Henry IV' (1841); 'Curiosities of Modern Shakespearian Criticism' (1853); 'Observations on some of the manuscript emendations of the text of Shakespeare and are they copyright?' (185

John Dover Wilson's New Shakespeare, published between 1921 and 1966, became the classic Cambridge edition of Shakespeare's plays and poems until the 1980s. The series, long since out-of-print, is now reissued. Each work is available both individually and as a set, and each contains a lengthy and lively introduction, main text, and substantial notes and glossary printed at the back. The edition, which began with The Tempest and ended with The Sonnets, put into practice the techniques and theories that had evolved under the 'New Bibliography'. Remarkably by today's standards, although it took the best part of half a century to produce, the New Shakespeare involved only a small band of editors besides Dover Wilson himself. As the volumes took shape, many of Dover Wilson's textual methods acquired general acceptance and became an established part of later editorial practice, for example in the Arden and New Cambridge Shakespeares.

John Dover Wilson's New Shakespeare, published between 1921 and 1966, became the classic Cambridge edition of Shakespeare's plays and poems until the 1980s. The series, long since out-of-print, is now reissued. Each work is available both individually and as a set, and each contains a lengthy and lively introduction, main text, and substantial notes and glossary printed at the back. The edition, which began with The Tempest and ended with The Sonnets, put into practice the techniques and theories that had evolved under the 'New Bibliography'. Remarkably by today's standards, although it took the best part of half a century to produce, the New Shakespeare involved only a small band of editors besides Dover Wilson himself. As the volumes took shape, many of Dover Wilson's textual methods acquired general acceptance and became an established part of later editorial practice, for example in the Arden and New Cambridge Shakespeares.

John Dover Wilson's New Shakespeare, published between 1921 and 1966, became the classic Cambridge edition of Shakespeare's plays and poems until the 1980s. The series, long since out-of-print, is now reissued. Each work is available both individually and as a set, and each contains a lengthy and lively introduction, main text, and substantial notes and glossary printed at the back. The edition, which began with The Tempest and ended with The Sonnets, put into practice the techniques and theories that had evolved under the 'New Bibliography'. Remarkably by today's standards, although it took the best part of half a century to produce, the New Shakespeare involved only a small band of editors besides Dover Wilson himself. As the volumes took shape, many of Dover Wilson's textual methods acquired general acceptance and became an established part of later editorial practice, for example in the Arden and New Cambridge Shakespeares.

John Dover Wilson's New Shakespeare, published between 1921 and 1966, became the classic Cambridge edition of Shakespeare's plays and poems until the 1980s. The series, long since out-of-print, is now reissued. Each work is available both individually and as a set, and each contains a lengthy and lively introduction, main text, and substantial notes and glossary printed at the back. The edition, which began with The Tempest and ended with The Sonnets, put into practice the techniques and theories that had evolved under the 'New Bibliography'. Remarkably by today's standards, although it took the best part of half a century to produce, the New Shakespeare involved only a small band of editors besides Dover Wilson himself. As the volumes took shape, many of Dover Wilson's textual methods acquired general acceptance and became an established part of later editorial practice, for example in the Arden and New Cambridge Shakespeares.

John Dover Wilson's New Shakespeare, published between 1921 and 1966, became the classic Cambridge edition of Shakespeare's plays and poems until the 1980s. The series, long since out-of-print, is now reissued. Each work is available both individually and as a set, and each contains a lengthy and lively introduction, main text, and substantial notes and glossary printed at the back. The edition, which began with The Tempest and ended with The Sonnets, put into practice the techniques and theories that had evolved under the 'New Bibliography'. Remarkably by today's standards, although it took the best part of half a century to produce, the New Shakespeare involved only a small band of editors besides Dover Wilson himself. As the volumes took shape, many of Dover Wilson's textual methods acquired general acceptance and became an established part of later editorial practice, for example in the Arden and New Cambridge Shakespeares.

John Dover Wilson's New Shakespeare, published between 1921 and 1966, became the classic Cambridge edition of Shakespeare's plays and poems until the 1980s. The series, long since out-of-print, is now reissued. Each work is available both individually and as a set, and each contains a lengthy and lively introduction, main text, and substantial notes and glossary printed at the back. The edition, which began with The Tempest and ended with The Sonnets, put into practice the techniques and theories that had evolved under the 'New Bibliography'. Remarkably by today's standards, although it took the best part of half a century to produce, the New Shakespeare involved only a small band of editors besides Dover Wilson himself. As the volumes took shape, many of Dover Wilson's textual methods acquired general acceptance and became an established part of later editorial practice, for example in the Arden and New Cambridge Shakespeares.

John Dover Wilson's New Shakespeare, published between 1921 and 1966, became the classic Cambridge edition of Shakespeare's plays and poems until the 1980s. The series, long since out-of-print, is now reissued. Each work is available both individually and as a set, and each contains a lengthy and lively introduction, main text, and substantial notes and glossary printed at the back. The edition, which began with The Tempest and ended with The Sonnets, put into practice the techniques and theories that had evolved under the 'New Bibliography'. Remarkably by today's standards, although it took the best part of half a century to produce, the New Shakespeare involved only a small band of editors besides Dover Wilson himself. As the volumes took shape, many of Dover Wilson's textual methods acquired general acceptance and became an established part of later editorial practice, for example in the Arden and New Cambridge Shakespeares.

John Dover Wilson's New Shakespeare, published between 1921 and 1966, became the classic Cambridge edition of Shakespeare's plays and poems until the 1980s. The series, long since out-of-print, is now reissued. Each work is available both individually and as a set, and each contains a lengthy and lively introduction, main text, and substantial notes and glossary printed at the back. The edition, which began with The Tempest and ended with The Sonnets, put into practice the techniques and theories that had evolved under the 'New Bibliography'. Remarkably by today's standards, although it took the best part of half a century to produce, the New Shakespeare involved only a small band of editors besides Dover Wilson himself. As the volumes took shape, many of Dover Wilson's textual methods acquired general acceptance and became an established part of later editorial practice, for example in the Arden and New Cambridge Shakespeares.

John Dover Wilson's New Shakespeare, published between 1921 and 1966, became the classic Cambridge edition of Shakespeare's plays and poems until the 1980s. The series, long since out-of-print, is now reissued. Each work is available both individually and as a set, and each contains a lengthy and lively introduction, main text, and substantial notes and glossary printed at the back. The edition, which began with The Tempest and ended with The Sonnets, put into practice the techniques and theories that had evolved under the 'New Bibliography'. Remarkably by today's standards, although it took the best part of half a century to produce, the New Shakespeare involved only a small band of editors besides Dover Wilson himself. As the volumes took shape, many of Dover Wilson's textual methods acquired general acceptance and became an established part of later editorial practice, for example in the Arden and New Cambridge Shakespeares.

John Dover Wilson's New Shakespeare, published between 1921 and 1966, became the classic Cambridge edition of Shakespeare's plays and poems until the 1980s. The series, long since out-of-print, is now reissued. Each work is available both individually and as a set, and each contains a lengthy and lively introduction, main text, and substantial notes and glossary printed at the back. The edition, which began with The Tempest and ended with The Sonnets, put into practice the techniques and theories that had evolved under the 'New Bibliography'. Remarkably by today's standards, although it took the best part of half a century to produce, the New Shakespeare involved only a small band of editors besides Dover Wilson himself. As the volumes took shape, many of Dover Wilson's textual methods acquired general acceptance and became an established part of later editorial practice, for example in the Arden and New Cambridge Shakespeares.

John Dover Wilson's New Shakespeare, published between 1921 and 1966, became the classic Cambridge edition of Shakespeare's plays and poems until the 1980s. The series, long since out-of-print, is now reissued. Each work is available both individually and as a set, and each contains a lengthy and lively introduction, main text, and substantial notes and glossary printed at the back. The edition, which began with The Tempest and ended with The Sonnets, put into practice the techniques and theories that had evolved under the 'New Bibliography'. Remarkably by today's standards, although it took the best part of half a century to produce, the New Shakespeare involved only a small band of editors besides Dover Wilson himself. As the volumes took shape, many of Dover Wilson's textual methods acquired general acceptance and became an established part of later editorial practice, for example in the Arden and New Cambridge Shakespeares.

John Dover Wilson's New Shakespeare, published between 1921 and 1966, became the classic Cambridge edition of Shakespeare's plays and poems until the 1980s. The series, long since out-of-print, is now reissued. Each work is available both individually and as a set, and each contains a lengthy and lively introduction, main text, and substantial notes and glossary printed at the back. The edition, which began with The Tempest and ended with The Sonnets, put into practice the techniques and theories that had evolved under the 'New Bibliography'. Remarkably by today's standards, although it took the best part of half a century to produce, the New Shakespeare involved only a small band of editors besides Dover Wilson himself. As the volumes took shape, many of Dover Wilson's textual methods acquired general acceptance and became an established part of later editorial practice, for example in the Arden and New Cambridge Shakespeares.

John Dover Wilson's New Shakespeare, published between 1921 and 1966, became the classic Cambridge edition of Shakespeare's plays and poems until the 1980s. The series, long since out-of-print, is now reissued. Each work is available both individually and as a set, and each contains a lengthy and lively introduction, main text, and substantial notes and glossary printed at the back. The edition, which began with The Tempest and ended with The Sonnets, put into practice the techniques and theories that had evolved under the 'New Bibliography'. Remarkably by today's standards, although it took the best part of half a century to produce, the New Shakespeare involved only a small band of editors besides Dover Wilson himself. As the volumes took shape, many of Dover Wilson's textual methods acquired general acceptance and became an established part of later editorial practice, for example in the Arden and New Cambridge Shakespeares.