Musical Perceptions

By the end of the nineteenth century, after a long period during which the weakness of China became ever more obvious, intellectuals began to go abroad for new ideas. What emerged was a musical genre

A Contemporary History of the Chinese Zheng traces the twentieth- and twenty-first-century development of an important Chinese musical instrument in greater China.The zheng was transformed over the course of the twentieth century, becoming a solo instrument with virtuosic capacity. In the past, the zheng had appeared in small instrumental ensembles and supplied improvised accompaniments to song. Zheng music became a means of nation-building and was eventually promoted as a marker of Chinese identity in Hong Kong. Ann L. Silverberg uses evidence from the greater China area to show how the narrative history of the zheng created on the mainland did not represent zheng music as it had been in the past. Silverberg ultimately argues that the zheng’s older repertory was poorly represented by efforts to collect and promote zheng music in the twentieth century. This book contends that the restored “traditional Chinese music” created and promulgated from the 1920s forward—and solo zheng music in

In the nine original essays collected in this volume, cultural historians,literary scholars, an art historian, and a historical musicologist set out to recover the sights, sounds, and smells of the So

This book is a standard reference on Sonq dynasty music, and a model of meticulous scholarship. In the book Professor Pian surveys the theoretical and practical treatises on music, the historical and

In the 1970s, as Hong Kong’s economy began to soar, the public started to place greater emphasis on cultural and artistic pursuits. The Hong Kong Philharmonic Orchestra (HK Phil) became a professional ensemble in 1974, providing high-quality musical entertainment for the public while also promoting classical music and nurturing the next generation of young musicians.Upon obtaining his master’s degree in the late 1980s, author Jimmy Shiu joined the orchestra as audience development manager from 1988 to 1994, working alongside the ensemble to cultivate Hong Kong’s musical landscape. On the orchestra’s golden jubilee, Shiu offers a warm narrative that reflects on 50 significant moments both on and off stage.The HK Phil is celebrated as one of Asia’s premier classical orchestras. During its 44-week season, the orchestra performs over 150 concerts in the Chinese mainland, Hong Kong, and other international cities, reaching more than 200,000 audience members. In 2019, the HK Phil became the

Amidst the reshaping of Hong Kong’s social, cultural, political and ideological landscape, how do we reenvisage a city that exists in our memories? For those who have left their hometown―or the place they once called home―the question, “What does it mean to be a Hongkonger?” marks a constant shift between conflicting realities, identities and perceptions. Beyond the act of remembering, how do we reimagine our relationship with Hong Kong in the present and the future? In this collection of prose, poetry and photography by eighteen writers and artists, we see a gathering of reflections on the profound changes and subtle transitions that have transpired in Hong Kong, both in recent times and over the past decades.

Citizenship education calls for the education of knowledge, skills and values that help the young to become informed and responsible citizens. Various cross-national studies have been carried out sinc

This book is a standard reference on Sonq dynasty music, and a model of meticulous scholarship. In the book Professor Pian surveys the theoretical and practical treatises on music, the historical and

This book studies the musical structure of Cantonese opera, with its focus on the use of improvisation in the performance context.