The Array

Simply keeping the mind clear and calm was, for many post-Tang Daoists, the path to eternal life and freedom. Through sheer serenity, practitioners believed they could attain immunity to hunger, eliminate sexual function, suspend breath and pulse, engage in astral travel, and command spirits and natural forces. In his meticulously researched study, Stephen Eskildsen examines how this perspective informed Daoist internal alchemists after the Tang dynasty (618–907), including prominent representatives of the Quanzhen tradition in the north and the Nanzong in the south. Drawing on a wide array of textual sources, he analyzes the teachings of figures like Qiu Chuji (1143–1227), Yin Zhiping (1169–1251), Zhang Boduan (ca. 984–1082), Bai Yuchan (1194– 1229), Li Daochun (fl. 1288–1292), Yu Yan (ca. 1253–1314), and Wu Shouyang (1574–after 1641), among others. These adepts emphasized passive, straightforward methods that they believed gave rise to spontaneous psychic, sensory, and physiological

During the nineteenth century, the transpacific world underwent profound transformation, due to the transition from sail to steam navigation that was accompanied by a concomitant reconfiguration of power. This book explores the ways in which diverse Mexican, British, Chinese, and Japanese interests participated, particularly during Porfirio Díaz’s presidency at the peak of Mexico’s participation in the steam network: from its 1860s outset through a time of many revolutionary changes ending with the World War, the Mexican Revolution, the opening of the Panama Canal, and the introduction of a new maritime technology based on vessels run by oil. These transoceanic exchanges, generated within these new geographies of power, contributed not only to the formation of a transpacific region but also to refashioning the Mexican national imaginary. With transnationalism, global and migration studies as its main framework, this study draws upon a dazzling array of primary sources to center Mexic

Sinoglossia places the terms of embodiment, mediality, and translation at the center of analytical inquiry into Chinese and Sinophone cultures. Converging in the rubric of Sinoglossia, the chapters in this volume introduce a theory defined by cultural formations not overdetermined by Sinitic linguistic ties. The concept of Sinoglossia combines a heteroglossic and a heterotopian approach to the critical study of mediated discourses of China and Chineseness. From the history of physical examinations and queer subalternity to the cinematic inscription of Chineseness-as-landscape, and from Sinopop to the translational writings of Eileen Chang and Syaman Rapongan, this book argues for a flexible conceptualization of cultural objects, conditions, and contexts that draws attention to an array of polyphonic, multi-discursive, and multilingual articulations. In this new horizon of understanding, place or topos necessarily constitutes the possibility of friction and source of innovation.

In Chinese Cinema: Identity, Power, and Globalization, a variety of scholars explore the history, aesthetics, and politics of Chinese cinema as the Chinese film industry grapples with its place as the second largest film industry in the world. Exploring the various ways that Chinese cinema engages with global politics, market forces, and film cultures, this edited volume places Chinese cinema against an array of contexts informing the contours of Chinese cinema today. The book also demonstrates that Chinese cinema in the global context is informed by the intersections and tensions found in Chinese and world politics, national and international co-productions, the local and global in representing Chineseness, and the lived experiences of social and political movements versus screened politics in Chinese film culture. This work is a pioneer investigation of the topic and will inspire future research by other scholars of film studies.

The present volume originates from “The Fourth Asian Translation Traditions Conference” held in Hong Kong in December 2010. The conference generated stimulating discussions relating to the richness and diversity of non-Western discourses and practices of translation, focusing on translational exchanges between non-Western languages, and the change and continuity in Asian translation traditions. Translation and Global Asia shows a rich diversification of historical and geographical interests, and covers a broad array of topics, ranging from ninth-century Buddhist translation in Tibet to twenty-first-century political translation in Malaysia. This collection is strikingly rich. Its authors deal with a wide range of topics in geographically diverse locations from India, Thailand, Japan, Korea, and the Philippines to different parts of China. They evoke different linguistic and historical contexts from ancient times right up to the contemporary period, and take a variety of approaches, st

Imagined Geographies is a pioneering work in the study of history and geography of the pre-1800 world. In this book, Gunn argues that different regions astride the maritime silk roads were not only interconnected but can also be construed as “imagined geographies.” Taking a grand civilizational perspective, five such geographic imaginaries are examined across respective chapters, namely Indian, Arabic, Chinese, Japanese, and European including an imagined Great South Land. Drawing upon an array of marine and other archaeological examples, the author offers compelling evidence of the intertwining of political, cultural, and economic regions across the sea silk roads from ancient times until the seventeenth century. Through a thorough analysis of these five geographic imaginaries, the author sets aside purely national history and looks at the maritime realm from a broader spatial perspective. He challenges the Eurocentric concept of center and periphery and establishes a revisionist view

Previous collections of photographs illustrating the lost world of Old Hong Kong have tended to focus exclusively on black-and-white images from before the Second World War. In this new collection of photographs from the period 1948-1969, Otto Lam has instead selected a dazzling array of images in glorious full colour, most of them taken by overseas visitors to Hong Kong, including some of the earliest surviving colour views of the city and its environs. These evocative images demonstrate what a vibrant place Hong Kong was during this crucial period in the colony's rapid economic growth and modernisation. This volume, covering a wide range of images from daily life in post-war Hong Kong, comes at a time when a new generation of citizens is taking a greater interest in the rich and largely intangible heritage of their city.

Essential Terms of Chinese Painting provides a comprehensive coverage of the broad spectrum of Chinese painting. Through an array of some 900 terms, it exhibits the history of Chinese culture, as interpreted by artists and portrayed in their work. In masterful detail, it describes not only the artistic implements and drawing styles, but also how these are influenced by changing cultural considerations over time such as religion, philosophy, intellectual ideas, and political developments. From the broad view of how the change of dynasties affected painting trends in both format and subject, to the smallest detail of the methods used to paint different styles of tree branches, this is a full compendium of the scope and depth of artwork from China. This volume features twelve chapters which • explore all major areas of art including techniques, implements and materials, inscriptions and seals, painting and mounting formats for all categories including landscape, bird-and-flower, figure

Chinese-speaking popular cultures have never been so queer in this digital, globalist age. The title of this pioneering volume, Boys’ Love, Cosplay, and Androgynous Idols: Queer Fan Cultures in Mainland China, Hong Kong, and Taiwan already gives an idea of the colorful, multifaceted realms the fans inhabit today. Contributors to this collection situate the proliferation of (often online) queer representations, productions, fantasies, and desires as a reaction against the norms in discourses surrounding nation-states, linguistics, geopolitics, genders, and sexualities. Moving beyond the easy polarities between general resistance and capitulation, Queer Fan Cultures explores the fans’ diverse strategies in negotiating with cultural strictures and media censorship. It further outlines the performance of subjectivity, identity, and agency that cyberspace offers to female fans. Presenting a wide array of concrete case studies of queer fandoms in Chinese-speaking contexts, the essays in this

Learning to Emulate the Wise is the first book of a three-volume series that constructs a historically informed, multidisciplinary framework to examine how traditional Chinese knowledge systems and grammars of knowledge construction interacted with Western paradigms in the formation and development of modern academic disciplines in China. Within this volume, John Makeham and several other noted sinologists and philosophers explore how the field of "Chinese philosophy" (Zhongguo Zhexue) was born and developed in the early decades of the twentieth century, examining its growth and relationship with European, American, and Japanese scholarship and philosophy. The work discusses an array of representative institutions and individuals, including FengYoulan, Fu Sinian, Hu Shi, Jin Yuelin, Liang Shuming, Nishi Amane, Tang Yongtong, Xiong Shili, Zhang Taiyan, and a range of Marxist philosophers. The epilogue discusses the intellectual-historical significance of these figures and throws into

The impressive array of penetrating analysis and provocative interpretations afforded by this volume’s 14 chapters sharpen appreciation of the ongoing transformations of China’s Hong Kong since 1997 and the possibilities embedded in its journey toward an integrative merger-convergence with the Mainland by 2047. A unique strength of this volume lies with the wide ranging views and divergent assessments offered by the chapter authors of different nationalities, varied experience, diverse academic/professional disciplines, and of competing ideo-political persuasions. Ten of them are leading academics (economist, historian, legalist, media scholar, political scientist, sociologist) well-published on Hong Kong topics while seven are seasoned practitioners on the cutting edge of Hong Kong’s development (as HKSAR official, legislator, Basic Law Committee member, business leader, think-tank expert, journalist, and US diplomat). They render this volume a profoundly pluralistic and multi-dimens