The Medieval Python

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The ‘spatial turn’ in recent discussions about the relevance of ‘space’ and ‘place’ in medieval literature inspired the editors to transcend the boundaries of Europe and extend their investigation to

Excavations at Plantation Place provided evidence for medieval and early post-medieval occupation of an entire block in the eastern part of the City of London near the Thames waterfront.

This reinterpretation of the legal status of foreigners in medieval England boldly rejects the canonical view which has for centuries dominated the imagination of historians and laymen alike. Keechang Kim proposes an understanding of the genesis of the modern legal regime and the important distinction between citizens and non-citizens. Making full use of medieval and early modern sources, Kim offers a compelling argument that the late medieval changes in legal treatment of foreigners are vital to an understanding of the shift of focus from status to the State, and that the historical foundation of the modern state system should be sought in this shift of outlook. The book contains a re-evaluation of the legal aspects of feudalism, examining, in particular, how the feudal legal arguments were transformed by the political theology of the Middle Ages to become the basis of the modern legal outlook.

In this classic volume, first published in 1951, the two parallel literatures of the Middle Ages, the Latin and the vernacular, may be studied side by side. The first part of this book is given to a critical survey of medieval Latin and the various branches of Romance Lyric, down to the year AD 1300. The second contains a collection of representative Lyrics, presented in chronological order irrespective of language and each introduced by a short commentary. The series shows the whole history of Medieval Lyric in brief; it runs from Fortunatus and the great hymn writers, through the Provencals such as Bertran de Born and Arnaut Daniel and through the French, Castilian, Galician (and Portuguese) lyricists, to end with the Italian masters Cavalcanti and Dante.

The 24 chapters of this celebratory volume present an overview of the changes in the field of medieval European archaeology, the history of the Society for Medieval Archaeology (based in the UK), and

This is a major study of the ideas and practices involved in the making and breaking of peace treaties and truces from Classical Greece to the time of the Crusades. Leading specialists on war and peace in ancient and medieval history examine the creation of peace agreements, and explore the extent to which their terms could be manipulated to serve the interests of one side at the other's expense. The chapters discuss a wide range of uses to which treaties and other peace agreements were put by rulers and military commanders in pursuit of both individual and collective political aims. The book also considers the wider implications of these issues for our understanding of the nature of war and peace in the ancient and medieval periods. This broad-ranging account includes chapters on ancient Persia, the Roman and Byzantine Empires, Anglo-Saxon England and the Vikings.

This is a major study of the ideas and practices involved in the making and breaking of peace treaties and truces from Classical Greece to the time of the Crusades. Leading specialists on war and peace in ancient and medieval history examine the creation of peace agreements, and explore the extent to which their terms could be manipulated to serve the interests of one side at the other's expense. The chapters discuss a wide range of uses to which treaties and other peace agreements were put by rulers and military commanders in pursuit of both individual and collective political aims. The book also considers the wider implications of these issues for our understanding of the nature of war and peace in the ancient and medieval periods. This broad-ranging account includes chapters on ancient Persia, the Roman and Byzantine Empires, Anglo-Saxon England and the Vikings.

The purpose of a prologue in the ancient and medieval world was to define the subject of the work, explain the author's motives and methodology, and obtain the reader's approval of his position. This

This is the first volume of a two-volume study of medieval England covering the period between the Norman Conquest and the Black Death. The book opens with a summary portrait of the English economy an

This illustrated study explores the armies of what are now India, Pakistan, Bangladesh, Sri Lanka and Nepal during AD 500–1500, as well as Afghanistan until the early 13th century AD.Following the emergence of a distinct ‘medieval Indian’ civilization in the Late Classical and Early Medieval periods, there was a prolonged struggle between this civilization and that of the eastern Islamic world, concluding with the rise of the Mughal Empire at the start of the 16th century. In this fully illustrated study, David Nicolle investigates the traditions and enduring conservatism of non-Islamic medieval Indian warfare, notably evident in recruitment patterns and the significance of archery and cavalry. The role and impact of war-elephants, both positive and negative, are also considered, as well as the influence of climate and weather (notably the seasonal monsoon) on warfare in this region. As well as assessing arms and armour – contrasting the advanced technology and high status of Indian we

Lisa H. Cooper offers new insight into the relationship of material practice and literary production in the Middle Ages by exploring the representation of craft labor in England from c.1000–1483. She examines genres as diverse as the school-text, comic poem, spiritual allegory, and mirror for princes, and works by authors both well known (Chaucer, Lydgate, Caxton) and far less so. Whether they represent craft as profitable endeavor, learned skill, or degrading toil, the texts she reviews not only depict artisans as increasingly legitimate members of the body politic, but also deploy images of craft labor and its products to confront other complex issues, including the nature of authorship, the purpose of community, the structure of the household, the fate of the soul, and the scope of princely power.

Lisa H. Cooper offers new insight into the relationship of material practice and literary production in the Middle Ages by exploring the representation of craft labor in England from c.1000–1483. She examines genres as diverse as the school-text, comic poem, spiritual allegory, and mirror for princes, and works by authors both well known (Chaucer, Lydgate, Caxton) and far less so. Whether they represent craft as profitable endeavor, learned skill, or degrading toil, the texts she reviews not only depict artisans as increasingly legitimate members of the body politic, but also deploy images of craft labor and its products to confront other complex issues, including the nature of authorship, the purpose of community, the structure of the household, the fate of the soul, and the scope of princely power.

Covering the period from the late thirteenth to the early sixteenth century, Poetry, Knowledge, and Community examines the role of poetry in French culture in transmitting and shaping knowledge. The v

This introductory text, the first of its kind, explores the central relationship between the kings of England and their bishops, from the Norman Conquest to the Magna Carta. Wickson provides an approa

This introductory text, the first of its kind, explores the central relationship between the kings of England and their bishops, from the Norman Conquest to the Magna Carta. Wickson provides an approa

Taking the tension between the spirit of order and the spirit of prophecy the urge to reform and the urge to transform as their major theme, Russell (history, U. of California-Santa Barbara) and Lunds

Commercial Agreements and Social Dynamics in Medieval Genoa is an empirical study of medieval long-distance trade agreements and the surrounding social dynamics that transformed the feudal organization of men-of-arms into the world of Renaissance merchants. Drawing on 20,000 notarial records, the book traces the commercial partnerships of thousands of people in Genoa from 1150 to 1435 and reports social activity on a scale that is unprecedented for such an early period of history. In combining a detailed historical reading with network modeling to analyze the change in the long-distance trade relationships, Quentin van Doosselaere challenges the prevailing western-centric view of development. He demonstrates that the history of the three main medieval economic frameworks that brought about European capitalism - equity, credit, and insurance - was not driven by strategic merchants' economic optimizations but rather by a change in partners' selections that reflected the dynamic of the so

Commercial Agreements and Social Dynamics in Medieval Genoa is an empirical study of medieval long-distance trade agreements and the surrounding social dynamics that transformed the feudal organization of men-of-arms into the world of Renaissance merchants. Drawing on 20,000 notarial records, the book traces the commercial partnerships of thousands of people in Genoa from 1150 to 1435 and reports social activity on a scale that is unprecedented for such an early period of history. In combining a detailed historical reading with network modeling to analyze the change in the long-distance trade relationships, Quentin van Doosselaere challenges the prevailing western-centric view of development. He demonstrates that the history of the three main medieval economic frameworks that brought about European capitalism - equity, credit, and insurance - was not driven by strategic merchants' economic optimizations but rather by a change in partners' selections that reflected the dynamic of the so

The 'runaway religious' were monks, canons and friars who had taken vows of religion and who, with benefit of neither permission nor dispensation, fled their monasteries and returned to a life in the world, usually replacing the religious habit with lay clothes. No legal exit for the discontented was permitted - religious vows were like marriage vows in this respect - until the financial crisis caused by the Great Schism created a market in dispensations for priests in religious orders to leave, take benefices, and live as secular priests. The church therefore pursued runaways with her severest penalty, excommunication, in the express hope that penalties would lead to the return of the straying sheep. Once back, whether by free choice or by force, the runaway was received not with a feast for a prodigal but, in a rite of stark severity, with the imposition of penalties deemed suitable for a sinner.

The 'runaway religious' were monks, canons and friars who had taken vows of religion and who, with benefit of neither permission nor dispensation, fled their monasteries and returned to a life in the world, usually replacing the religious habit with lay clothes. No legal exit for the discontented was permitted - religious vows were like marriage vows in this respect - until the financial crisis caused by the Great Schism created a market in dispensations for priests in religious orders to leave, take benefices, and live as secular priests. The church therefore pursued runaways with her severest penalty, excommunication, in the express hope that penalties would lead to the return of the straying sheep. Once back, whether by free choice or by force, the runaway was received not with a feast for a prodigal but, in a rite of stark severity, with the imposition of penalties deemed suitable for a sinner.

This volume provides the first full-length scholarly narrative of sports from the fall of Rome to the end of the Middle Ages.

Elisabeth van Houts argues that in the Middle Ages, as now, the knowledge of the past was shaped by men as well as women. Men may have dominated the pages of literature but many of the stories they wr

History writing in the Middle Ages did not belong to any particular genre, language or class of texts. Its remit was wide, embracing the events of antiquity; the deeds of saints, rulers and abbots; archival practices; and contemporary reportage. This volume addresses the challenges presented by medieval historiography by using the diverse methodologies of medieval studies: legal and literary history, art history, religious studies, codicology, the history of the emotions, gender studies and critical race theory. Spanning one thousand years of historiography in England, Wales, Ireland and Scotland, the essays map historical thinking across literary genres and expose the rich veins of national mythmaking tapped into by medieval writers. Additionally, they attend to the ways in which medieval histories crossed linguistic and geographical borders. Together, they trace multiple temporalities and productive anachronisms that fuelled some of the most innovative medieval writing.

This study explores the use of other languages, especially Latin, in medieval and Renaissance English drama. Until the medieval period Latin was regarded as the sacramental language of authority, but in the newly politicized linguistic arena of the late fourteenth century it became a symbol of the potential enemy from Rome. In this book Janette Dillon examines why, during the period 1400 to 1600, other languages increasingly invade English plays, and how their significance is illuminated by developments in Church and state, in particular the advancing Reformation and expanding English nationalism. In marked contrast to other related studies, Dillon focuses on drama as performance and employs a wide range of works, from the mystery cycles to The Spanish Tragedy, and finally Shakespeare.

This study explores the use of other languages, especially Latin, in medieval and Renaissance English drama. Until the medieval period Latin was regarded as the sacramental language of authority, but in the newly politicized linguistic arena of the late fourteenth century it became a symbol of the potential enemy from Rome. In this book Janette Dillon examines why, during the period 1400 to 1600, other languages increasingly invade English plays, and how their significance is illuminated by developments in Church and state, in particular the advancing Reformation and expanding English nationalism. In marked contrast to other related studies, Dillon focuses on drama as performance and employs a wide range of works, from the mystery cycles to The Spanish Tragedy, and finally Shakespeare.

This book explores the anxious and unstable relationship between court poetry and various forms of authority, political and cultural, in England and Scotland at the beginning of the sixteenth century. Through poems by Skelton, Dunbar, Douglas, Hawes, Lyndsay and Barclay, it examines the paths by which court poetry and its narrators seek multiple forms of legitimation: from royal and institutional sources, but also in the media of script and print. The book is the first for some time to treat English and Scottish material of its period together, and responds to European literary contexts, the dialogue between vernacular and Latin matter, and current critical theory. In so doing it claims that public and occasional writing evokes a counter-discourse in the secrecies and subversions of medieval love-fictions. The result is a poetry that queries and at times cancels the very authority to speak that it so proudly promotes.

This book provides an informative, critical and concise introduction to the literature of the fourteenth and fifteenth centuries, contextualising the literature and introducing the pre-eminent authors