The Medieval Python

Widely hailed as a revelation of a "lost" golden age, this history brings to vivid life the rich and thriving culture of medieval Spain where, for more than seven centuries, Muslims, Jews, and Christ

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The story of the life of Christ and his mother was told in many texts in various French vernaculars (Anglo-Norman and Old Occitan, as well as Old and Middle French) between the middle of the twelfth c

Offering an unusual and exceptionally clear insight into Shakespeare’s philosophy and a viewpoint seldom considered, this book argues that his philosophy was consistent, consciously held, and profound

Turning (European history, Arizona State U.) explores how as the French region of Languedoc came to be absorbed into the medieval Capetian kingdom in the wake of the Albigensian Crusade municipal, roy

In this volume, Andri Wink analyzes the beginning of the process of momentous and long-term change that came with the Islamization of the regions that the Arabs called "al-Hind -- India and large part

The contributors to this collection of essays in honour of the distinguished medieval historian Edward Miller pay tribute by writing on the society and economy of England between the eleventh and sixteenth centuries. They address many of the most important themes of an era that witnessed profound change in rural, commercial, urban and industrial life, and they focus in particular on the progress achieved and the problems encountered. The subjects covered include the growth of London, the commercial and urban development of the north, Italian merchants and banking, overseas trade, taxation, farm servants, hunting and poaching, changing relations between landlords and tenants, the expansion of the economy in the twelfth century, and the great slump of the fifteenth. The book has been written by leading experts, and is a major contribution to English medieval economic and social history.

The contributors to this collection of essays in honour of the distinguished medieval historian Edward Miller pay tribute by writing on the society and economy of England between the eleventh and sixteenth centuries. They address many of the most important themes of an era that witnessed profound change in rural, commercial, urban and industrial life, and they focus in particular on the progress achieved and the problems encountered. The subjects covered include the growth of London, the commercial and urban development of the north, Italian merchants and banking, overseas trade, taxation, farm servants, hunting and poaching, changing relations between landlords and tenants, the expansion of the economy in the twelfth century, and the great slump of the fifteenth. The book has been written by leading experts, and is a major contribution to English medieval economic and social history.

Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. The office of the cantor in early Western monastic rules and customaries: a preliminary investigation; Montecassino and the Old Beneventan chant; and Music and ceremonial in the Low Countries: Philip the fair and the Order of the Golden Fleece.

This book examines the development of English colonial society in the eastern coastal area of Ireland now known as county Louth, in the period 1170–1330. At its heart is the story of two relationships: that between settler and native in Louth, and that between the settlers and England. An important part of the story is the comparison with parts of Britain which witnessed similar English colonization. Fifty years before the arrival of the English, Louth was incorporated into the Irish kingdom of Airgialla, experiencing rapid change in the political and ecclesiastical spheres under its dynamic ruler Donnchad Ua Cerbaill. The impact of this legacy on English settlement is given due prominence. The book also explores the reasons why well-to-do members of local society in the West Midlands of England in the reigns of Henry II and his sons were prepared to become involved in the Irish adventure.

This book examines the development of English colonial society in the eastern coastal area of Ireland now known as county Louth, in the period 1170–1330. At its heart is the story of two relationships: that between settler and native in Louth, and that between the settlers and England. An important part of the story is the comparison with parts of Britain which witnessed similar English colonization. Fifty years before the arrival of the English, Louth was incorporated into the Irish kingdom of Airgialla, experiencing rapid change in the political and ecclesiastical spheres under its dynamic ruler Donnchad Ua Cerbaill. The impact of this legacy on English settlement is given due prominence. The book also explores the reasons why well-to-do members of local society in the West Midlands of England in the reigns of Henry II and his sons were prepared to become involved in the Irish adventure.

This book examines the most important themes in European social and economic history from the beginning of growth around the year 1000 to the first wave of global exchange in the 1490s. These five hundred years witnessed the rise of economic systems, and the social theories that would have a profound influence on the rest of the world over the next five centuries. Surveying the full extent of Europe, from east to west and north to south, Steven Epstein illuminates family life, economic and social thought, war, technologies, and other major themes while giving equal attention to developments in trade, crafts, and agriculture. The great waves of famine and then plague in the fourteenth century provide the centerpiece of a book that seeks to explain the causes of Europe's uneven prosperity and its response to catastrophic levels of death.

This book examines the most important themes in European social and economic history from the beginning of growth around the year 1000 to the first wave of global exchange in the 1490s. These five hundred years witnessed the rise of economic systems, and the social theories that would have a profound influence on the rest of the world over the next five centuries. Surveying the full extent of Europe, from east to west and north to south, Steven Epstein illuminates family life, economic and social thought, war, technologies, and other major themes while giving equal attention to developments in trade, crafts, and agriculture. The great waves of famine and then plague in the fourteenth century provide the centerpiece of a book that seeks to explain the causes of Europe's uneven prosperity and its response to catastrophic levels of death.

Applying the Weberian concept of the routinization of charisma, the book examines the transformation of the nomadic empire of Tamerlane into a sedentary polity based on the Perso-Islamic model by focu

Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. Articles in volume sixteen include: The dialectic between Occitania and France in the thirteenth century; Du Fay the poet? Problems in the texts of his motets; A mirror of monarchy: Music and musicians in the household chapel of the Lady Margaret Beaufort, mother of Henry VII.

Tsugitaka (history, U. of Tokyo) examines the evolution of Islamic state and society from the 10th to the 14th century, focusing on the history of the allocated tax revenue system. He traces the histo

Over a decade in the making, Medieval Folklore offers a wide-ranging guide to the lore of the Middle Ages--from the mundane to the supernatural. Definitive and lively articles focus on the great tales

Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. Articles in volume three include: The Venetian privilege and music-printing in the sixteenth century; Francesco Landini and the Florentine cultural elite; and the Beneventan apostrophus in south Italian notation, AD 1000–1100.

Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. Articles in volume six include: On the question of psalmody in the ancient synagogue; Music and grammar: imitation and analogy in Morales and the Spanish humanists; and a Florentine chansonnier of the early sixteenth century.

Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. Articles in volume eleven include: Music and festivities at the court of Leo X: a Venetian view; Jean de Castro, the Pense partbooks and musical culture in sixteenth-century Lyons; The lost chant tradition of early Christian Jerusalem: some possible melodic survivals in the Byzantine and Latin chant repertories; Rome as the centre of the universe: papal grace and musical patronage.

Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music, and the relationship between music and society. The journal gives preference to studies pursuing interdisciplinary approaches and to those developing new methodological ideas. Articles in Volume 27 include: John Hothby and the cult of St Regulus at Lucca, Johannes de Grocheio and Aristotelian natural philosophy, Tinctoris on varietas, Acclaiming Advent and adventus in Johannes Brassart's motet for Frederick III, Pharmacy for the body and soul: Dutch songbooks in the seventeenth century and Gioseffo Zarlino and the Miserere tradition: a Ferrarese connection?

Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. Articles in volume one include: A lost guide to Tinctoris's teachings recovered; two English motets on Simon de Montfort; the Mary Magdalene scene in the Visitatio sepulchri ceremonies; and European politics and the distribution of music in the early fifteenth century.

Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. Articles in volume eighteen include: The sources and significance of the Orpheus myth in Musica Enchiriadis and Regino of Prum's Epistola de harmonica institutione; 'Premierement ma baronnie de Chasteauneuf': Jean de Ockeghem, treasurer of St Martin's in Tours; Citation and allusion in the late Ars nova: the case of Esperance and the En attendant songs.

This new study brings recent scholarly debates on oral cultures and literate societies to bear on the earliest recorded literature in German (800–1300). It considers the criteria for assessing what works were destined for listeners, what examples anticipated readers, and how far both modes of reception could apply to one work. The opening chapters review previous scholarship, and the introduction of writing into preliterate Germany. The core of the book presents lexical and non-lexical evidence for the different modes of reception, taken from the whole spectrum of genres, from dance songs to liturgy, from drama and heroic literature to the court narrative and lyric poetry. The social contexts of reception and the physical process of reading books are also considered. Two concluding chapters explore the literary and historical implications of the slow interpenetration of orality and literacy.

Scholars and students of the history of the art and architecture of medieval Spain will find much of value in this collection of papers, which were delivered in abbreviated form at the October 2002 Co

Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. Articles in volume four include: Toledo, Rome and the legacy of Gaul; Classical tragedy in the history of early opera in Rome; and Reading and singing: on the genesis of occidental music-writing.