The Medieval Python

Inquiring about God is the first of two volumes of Nicholas Wolterstorff's collected papers. This volume collects Wolterstorff's essays on the philosophy of religion written over the last thirty-five years. The essays, which span a range of topics including Kant's philosophy of religion, the medieval (or classical) conception of God, and the problem of evil, are unified by the conviction that some of the central claims made by the classical theistic tradition, such as the claims that God is timeless, simple, and impassible, should be rejected. Still, Wolterstorff contends, rejecting the classical conception of God does not imply that theists should accept the Kantian view according to which God cannot be known. Of interest to both philosophers and theologians, Inquiring about God should give the reader a lively sense of the creative and powerful work done in contemporary philosophical theology by one of its foremost practitioners.

Medieval cosmology was a fusion of pagan Greek ideas and biblical descriptions of the world, especially the creation account in Genesis. Because cosmology was based on discussions of the relevant works of Aristotle, primary responsibility for its study fell to scholastic theologians and natural philosophers in the universities of western Europe from the thirteenth to the seventeenth century. Edward Grant describes the extraordinary range of themes, ideas, and arguments that constituted scholastic cosmology for approximately five hundred years, from around 1200 to 1700. Primary emphasis is placed on the world as a whole, what might lie beyond it, and the celestial region, which extended from the Moon to the outermost convex surface of the cosmos. Another important aspect of this study is how natural philosophers in the sixteenth and seventeenth centuries responded to the new interpretations of a heliocentric instead of a geoheliocentric Aristotelian cosmology.

In this book, Paul Whitfield White examines the interplay between theatre and religion in provincial England from the early Tudors to 1660. In challenging the critical narrative of secularization, suppression, and demise, he recasts the history of that drama in the light of fresh sources and scholarship. The project engages with recent interests in Shakespearean criticism concerning the theatrical culture of the north of England, where a documented contemporary touring troupe performed Shakespeare's plays in Catholic households. Defying the 'medieval/renaissance' divide of past drama/literature scholarship, the book begins in the early Tudor period, when parish revels flourished as part of a nationwide surge in religious fund-raising and charity. It proceeds with the argument that the history of early modern theatre in provincial society, as in London, remained vibrant and diverse for popular audiences in many parts of the country, and that religion contributed to that vitality and var

In its original edition, Bruce Trigger's book was the first ever to examine the history of archaeological thought from medieval times to the present in world-wide perspective. Now, in this new edition, he both updates the original work and introduces new archaeological perspectives and concerns. At once stimulating and even-handed, it places the development of archaeological thought and theory throughout within a broad social and intellectual framework. The successive but interacting trends apparent in archaeological thought are defined and the author seeks to determine the extent to which these trends were a reflection of the personal and collective interests of archaeologists as these relate - in the West at least - to the fluctuating fortunes of the middle classes. While subjective influences have been powerful, Professor Trigger argues that the gradual accumulation of archaeological data has exercised a growing constraint on interpretation. In turn, this has increased the objectivi

In its original edition, Bruce Trigger's book was the first ever to examine the history of archaeological thought from medieval times to the present in world-wide perspective. Now, in this new edition, he both updates the original work and introduces new archaeological perspectives and concerns. At once stimulating and even-handed, it places the development of archaeological thought and theory throughout within a broad social and intellectual framework. The successive but interacting trends apparent in archaeological thought are defined and the author seeks to determine the extent to which these trends were a reflection of the personal and collective interests of archaeologists as these relate - in the West at least - to the fluctuating fortunes of the middle classes. While subjective influences have been powerful, Professor Trigger argues that the gradual accumulation of archaeological data has exercised a growing constraint on interpretation. In turn, this has increased the objectivi

This history of the English royal manor of Havering, Essex, illustrates life at one extreme of the spectrum of personal and collective freedom during the later Middle Ages, revealing the kinds of patterns which could emerge when medieval people were placed in a setting of unusual independence. As residents of a manor held by the crown, they profited from royal administrative neglect. As tenants of the ancient royal demesne, they had special legal rights and economic privileges. Havering's dominant families controlled the legal and administrative life of their community through the powerful manor court. The tenants combined effectively to prevent outside interference in their affairs, despite the individualistic self-interest manifest in their economic dealings. In 1465 the tenants obtained a royal charter which established Havering as a formal Liberty, with its own justices of the peace. By the end of the fifteenth century Havering displayed many characteristics commonly associated wit

This collection of essays was presented to Barrie Dobson in celebration of his 70th birthday. It will be welcomed by all scholars of pre-modern religion and society. Spanning the artificial divide between medieval and early modern, the contributors - all acknowledged experts in their field - pursue the ways in which men and women tried to put their ideals into practice, sometimes alone, but more commonly in the shared environment of cloister, college or city. The range of topics is testimony to the breadth of Barrie Dobson's own interests, but even more striking are the continuities and shared assumptions across time, and between the dissident and the impeccably orthodox. Taking the reader from a rural anchor-hold to the London of Thomas More, and from the greenwood of Robin Hood to the central law courts, this collection builds into a richly satisfying exploration of the search for perfection in an imperfect world.

John Duns Scotus is commonly recognized as one of the most original thinkers of medieval philosophy. His influence on subsequent philosophers and theologians is enormous and extends well beyond the limits of the Middle Ages. His thought, however, might be intimidating for the non-initiated, because of the sheer number of topics he touched on and the difficulty of his style. The eleven essays collected here, especially written for this volume by some of the leading scholars in the field, take the reader through various topics, including Duns Scotus's intellectual environment, his argument for the existence of God, and his conceptions of modality, order, causality, freedom, and human nature. This volume provides a reliable point of entrance to the thought of Duns Scotus while giving a snapshot of some of the best research that is now being done on this difficult but intellectually rewarding thinker.

A History of Irish Women's Poetry is a ground-breaking and comprehensive account of Irish women's poetry from earliest times to the present day. It reads Irish women's poetry through many prisms – mythology, gender, history, the nation – and most importantly, close readings of the poetry itself. It covers major figures, such as Máire Mhac an tSaoi, Eavan Boland, Eiléan Ní Chuilleanáin, as well as neglected figures from the past. Writing in both English and Irish is considered, and close attention paid to the many different contexts in which Irish women's poetry has been produced and received, from the anonymous work of the early medieval period, through the bardic age, the coterie poets of Anglo-Ireland, the nationalist balladeers of Young Ireland, the Irish Literary Revival, and the advent of modernity. As capacious as it is diverse, this book is an essential contribution to scholarship in the field.

Daniel Kehlmann transports the medieval legend of the trickster Tyll Ulenspiegel to the seventeenth century in an enchanting work of magical realism, macabre humor, and rollicking adventure. Tyll is a scrawny boy growing up in a quiet village until his father, a miller with a forbidden interest in alchemy and magic, is found out by the church. After Tyll flees with the baker's daughter, he falls in with a traveling performer who teaches him his trade. As a juggler and a jester, Tyll forges his own path through a world devastated by the Thirty Years' War, evading witch-hunters, escaping a collapsed mine outside a besieged city, and entertaining the exiled King and Queen of Bohemia along the way. The result is both a riveting story and a moving tribute to the power of art in the face of the senseless brutality of history. Translated from the German by Ross Benjamin

Quantum Theory contains the seminal works of quantum theory from the early years of the 20th Century, representing breakthroughs in science that radically altered the landscape of modern knowledge: Quantum Theory of Line-Spectra by Niels Bohr and The Origin and Development of the Quantum Theory by Max Planck.FLAME TREE's Great Works That Shape Our World is a new series of definitive books drawing on ancient, medieval and modern writing. Created to entertain, inform and enrich, the new series brings infinite variety to refresh the mind, presented in beautiful editions for the modern market. Each book features a new, accessible introduction, specially written for these editions, placing the book in context both as part of the new series, and highlighting its special contribution to the advancement of human understanding; they examine the significance of each work, their impact at time of publication, and their influence today.

The Summa Theologiae ranks among the greatest documents of the Christian Church, and is a landmark of medieval western thought. It is regularly consulted by scholars of theology, philosophy and a range of related academic disciplines. This paperback reissue of the classic Latin/English edition first published by the English Dominicans in the 1960s and 1970s has been undertaken in response to regular requests from around the world. The original text is unchanged, except for the correction of a small number of typographical errors. The parallel English and Latin texts can be used successfully by anybody with a basic knowledge of Latin, while the presence of the Latin text allowed the translators a degree of freedom in adapting their English version for modern readers. Each volume contains a glossary of technical terms and is designed to be complete in itself to serve for private study or as a course text.

Develop the analytical skills that are in high demand in businesses today with Camm/Cochran/Fry/Ohlmann's best-selling BUSINESS ANALYTICS, 5E. You master the full range of analytics as you strengthen descriptive, predictive and prescriptive analytic skills. Real examples and memorable visuals clearly illustrate data and results. Step-by-step instructions guide you through using Excel, Tableau, R or the Python-based Orange data mining software to perform advanced analytics. Practical, relevant problems at all levels of difficulty let you apply what you've learned. Updates throughout this edition address topics beyond traditional quantitative concepts, such as data wrangling, data visualization and data mining, which are increasingly important in today's business environment. MindTap and WebAssign online learning platforms are also available with an interactive eBook, algorithmic practice problems and Exploring Analytics visualizations to strengthen your understanding of key concepts.

With its intuitive yet rigorous approach to machine learning, this text provides students with the fundamental knowledge and practical tools needed to conduct research and build data-driven products. The authors prioritize geometric intuition and algorithmic thinking, and include detail on all the essential mathematical prerequisites, to offer a fresh and accessible way to learn. Practical applications are emphasized, with examples from disciplines including computer vision, natural language processing, economics, neuroscience, recommender systems, physics, and biology. Over 300 color illustrations are included and have been meticulously designed to enable an intuitive grasp of technical concepts, and over 100 in-depth coding exercises (in Python) provide a real understanding of crucial machine learning algorithms. A suite of online resources including sample code, data sets, interactive lecture slides, and a solutions manual are provided online, making this an ideal text both for grad

A Kirkus Best of 2025 Young Adult BookA NYPL Best Book of the YearIn this medieval fantasy steeped in mystery, Italian duo Irene Marchesini and Carlotta Dicataldo deliver a breathtakingly beautiful tale of trauma, transformation, and sisterhood. Born with paper-white skin, Martino is an outcast. To the villagers, albinism is more than a curiosity--it's a curse. Shunned and bullied, Martino finds refuge in the forest...even though some say a witch lives there. In a tiny cottage deep in the forest, Viviana survives on what nature provides. It's a simple, contented life...as long as she doesn't think of the past. When fate brings these lost souls together, they form a family of two. Martino finally knows what it means to be loved and accepted, and drawing on the power of the forest, experiences a magical rebirth.

Religious War and Religious Peace in Early Modern Europe presents a novel account of the origins of religious pluralism in Europe. Combining comparative historical analysis with contentious political analysis, it surveys six clusters of increasingly destructive religious wars between 1529 and 1651, analyzes the diverse settlements that brought these wars to an end, and describes the complex religious peace that emerged from two centuries of experimentation in accommodating religious differences. Rejecting the older authoritarian interpretations of the age of religious wars, the author uses traditional documentary sources as well as photographic evidence to show how a broad range Europeans - from authoritative elites to a colorful array of religious 'dissenters' - replaced the cultural 'unity and purity' of late-medieval Christendom with a variable and durable pattern of religious diversity, deeply embedded in political, legal, and cultural institutions.

Religious War and Religious Peace in Early Modern Europe presents a novel account of the origins of religious pluralism in Europe. Combining comparative historical analysis with contentious political analysis, it surveys six clusters of increasingly destructive religious wars between 1529 and 1651, analyzes the diverse settlements that brought these wars to an end, and describes the complex religious peace that emerged from two centuries of experimentation in accommodating religious differences. Rejecting the older authoritarian interpretations of the age of religious wars, the author uses traditional documentary sources as well as photographic evidence to show how a broad range Europeans - from authoritative elites to a colorful array of religious 'dissenters' - replaced the cultural 'unity and purity' of late-medieval Christendom with a variable and durable pattern of religious diversity, deeply embedded in political, legal, and cultural institutions.

Civic theatre - drama and pageantry sponsored by city and town governing bodies - is prominent in histories of early English provincial drama but has been largely ignored for pre-Elizabethan London. Anne Lancashire explodes the widely held notion that significant London theatre arose only in the age of Shakespeare, when the first commercial playhouses were built there. She outlines the extent and types of early civic theatrical performance, specifically in London, from Roman times to Elizabeth I's accession to the throne in 1558, focusing on Roman amphitheatre shows, medieval and early Tudor plays, mummings, royal entries, and other kinds of street pageantry. With evidence from a multitude of primary sources and extensive use of early chronicle histories, the book raises questions about this urban, largely political theatre which provided an important foundation for the work of Shakespeare and his contemporaries.

Nearly a hundred years since its publication, E. G. Browne's A Literary History of Persia remains a classic work in English on the subject. Spanning four volumes, it took Browne over 25 years to write and whilst it concentrates on Persian literature, it surveys many aspects of Persian culture from pre-history to the twentieth century. Volume one covers the period from the earliest periods of Persian history until Firdawsi (AD 935–1020) a highly revered poet. Volume two looks at the early medieval period and in particular on the poet Saadi (1184–1283). Volume three focuses on the Tartar Dominion (1265–1502) and volume four 'Modern Times' covers from 1500 to 1924. A remarkable achievement upon first publication, Cambridge University Press is pleased to be able to bring its edition of this seminal work back into print.

Nearly a hundred years since its publication, E. G. Browne's A Literary History of Persia remains a classic work in English on the subject. Spanning four volumes, it took Browne over 25 years to write and whilst it concentrates on Persian literature, it surveys many aspects of Persian culture from pre-history to the twentieth century. Volume one covers the period from the earliest periods of Persian history until Firdawsi (AD 935–1020) a highly revered poet. Volume two looks at the early medieval period and in particular on the poet Saadi (1184–1283). Volume three focuses on the Tartar Dominion (1265–1502) and volume four 'Modern Times' covers from 1500 to 1924. A remarkable achievement upon first publication, Cambridge University Press is pleased to be able to bring its edition of this seminal work back into print.

Nearly a hundred years since its publication, E. G. Browne's A Literary History of Persia remains a classic work in English on the subject. Spanning four volumes, it took Browne over 25 years to write and whilst it concentrates on Persian literature, it surveys many aspects of Persian culture from pre-history to the twentieth century. Volume one covers the period from the earliest periods of Persian history until Firdawsi (AD 935–1020) a highly revered poet. Volume two looks at the early medieval period and in particular on the poet Saadi (1184–1283). Volume three focuses on the Tartar Dominion (1265–1502) and volume four 'Modern Times' covers from 1500 to 1924. A remarkable achievement upon first publication, Cambridge University Press is pleased to be able to bring its edition of this seminal work back into print.

Nearly a hundred years since its publication, E. G. Browne's A Literary History of Persia remains a classic work in English on the subject. Spanning four volumes, it took Browne over 25 years to write and whilst it concentrates on Persian literature, it surveys many aspects of Persian culture from pre-history to the twentieth century. Volume one covers the period from the earliest periods of Persian history until Firdawsi (AD 935–1020) a highly revered poet. Volume two looks at the early medieval period and in particular on the poet Saadi (1184–1283). Volume three focuses on the Tartar Dominion (1265–1502) and volume four 'Modern Times' covers from 1500 to 1924. A remarkable achievement upon first publication, Cambridge University Press is pleased to be able to bring its edition of this seminal work back into print.

Guillaume de Machaut, renowned fourteenth-century French composer and poet, wrote the first polyphonic Mass and many other important musical works. Friend of royalty, prelates, noted poets and musicians, Machaut was a cosmopolitan presence in late medieval Europe. He also served as canon of the cathedral of Reims, an ancient and influential archiepiscopal see and the coronation site of French kings. This exploration of Machaut's life and work focuses on his music based on ecclesiastical chants: twenty-three motets, the David Hocket, and the Mass of Our Lady. The meaning of his music can often be understood through study of its context in fourteenth-century Reims. Machaut emerges as a composer deeply involved in the great crises of his day, one who skilfully and artfully expresses profound themes of human existence in ardent music and poetry.

Civic theatre - drama and pageantry sponsored by city and town governing bodies - is prominent in histories of early English provincial drama but has been largely ignored for pre-Elizabethan London. Anne Lancashire explodes the widely held notion that significant London theatre arose only in the age of Shakespeare, when the first commercial playhouses were built there. She outlines the extent and types of early civic theatrical performance, specifically in London, from Roman times to Elizabeth I's accession to the throne in 1558, focusing on Roman amphitheatre shows, medieval and early Tudor plays, mummings, royal entries, and other kinds of street pageantry. With evidence from a multitude of primary sources and extensive use of early chronicle histories, the book raises questions about this urban, largely political theatre which provided an important foundation for the work of Shakespeare and his contemporaries.

This invaluable collection explores the many faces of murder, and its cultural presences, across the Italian peninsula between 1350 and 1650. These shape the content in different ways: the faces of homicide range from the ordinary to the sensational, from the professional to the accidental, from the domestic to the public; while the cultural presence of homicide is revealed through new studies of sculpture, paintings, and popular literature. Dealing with a range of murders, and informed by the latest criminological research on homicide, it brings together new research by an international team of specialists on a broad range of themes: different kinds of killers (by gender, occupation, and situation); different kinds of victim (by ethnicity, gender, and status); and different kinds of evidence (legal, judicial, literary, and pictorial). It will be an indispensable resource for students of Renaissance Italy, late medieval/early modern crime and violence, and homicide studies.

This invaluable collection explores the many faces of murder, and its cultural presences, across the Italian peninsula between 1350 and 1650. These shape the content in different ways: the faces of homicide range from the ordinary to the sensational, from the professional to the accidental, from the domestic to the public; while the cultural presence of homicide is revealed through new studies of sculpture, paintings, and popular literature. Dealing with a range of murders, and informed by the latest criminological research on homicide, it brings together new research by an international team of specialists on a broad range of themes: different kinds of killers (by gender, occupation, and situation); different kinds of victim (by ethnicity, gender, and status); and different kinds of evidence (legal, judicial, literary, and pictorial). It will be an indispensable resource for students of Renaissance Italy, late medieval/early modern crime and violence, and homicide studies.

Ranging from the works of Shakespeare, Spenser, Jonson and Milton to those of Robert Southwell and Anna Trapnel, this groundbreaking study explores the conscious use of archaic style by the poets and dramatists between 1590 and 1674. It focuses on the wide-ranging, complex and self-conscious uses of archaic linguistic and poetic style, analysing the uses to which writers put literary style in order to re-embody and reshape the past. Munro brings together scholarly conversations on temporality, memory and historiography, on the relationships between medieval and early modern literary cultures, on the workings of dramatic and poetic style, and on national history and identity. Neither pure anachronism nor pure nostalgia, the attempts of writers to reconstruct outmoded styles within their own works reveal a largely untold story about the workings of literary influence and tradition, the interactions between past and present, and the uncertain contours of English nationhood.

Ranging from the works of Shakespeare, Spenser, Jonson and Milton to those of Robert Southwell and Anna Trapnel, this groundbreaking study explores the conscious use of archaic style by the poets and dramatists between 1590 and 1674. It focuses on the wide-ranging, complex and self-conscious uses of archaic linguistic and poetic style, analysing the uses to which writers put literary style in order to re-embody and reshape the past. Munro brings together scholarly conversations on temporality, memory and historiography, on the relationships between medieval and early modern literary cultures, on the workings of dramatic and poetic style, and on national history and identity. Neither pure anachronism nor pure nostalgia, the attempts of writers to reconstruct outmoded styles within their own works reveal a largely untold story about the workings of literary influence and tradition, the interactions between past and present, and the uncertain contours of English nationhood.

Johann Gustav Droysen (1808–84) belonged to a German school of historical thought influenced by Hegel, which emphasised the role of great individuals in history. A pupil of August Boeckh, his own famous students included Jacob Burckhardt. He was noted for his thorough and painstaking use of source materials, and his history of Alexander the Great (1833) remained the standard work on the subject for many years. Droysen published this pioneering two-volume study of the centuries after Alexander's death in 1836 and 1843; he coined the term 'Hellenism' to refer to this period. Volume 1 is devoted to Alexander's successors and covers the period 323–278 BCE, from Alexander's death to the campaigns of Demetrios Poliorcetes, ending with the invasion of Macedonia by the Gauls during the reign of Antigonus II. The book includes information on classical and medieval sources, chronological tables and an index of names.

Architecture and sculpture in English churches changed and developed markedly between the eleventh and sixteenth centuries, partly due to the invading French influence on the existing Anglo-Saxon buildings. In this 1927 book, the different categories and forms of foliage sculpture and decoration are subdivided roughly chronologically showing how each form developed from a previous one and the possible influences and reasoning behind the changes. Each stage of growth is explored thoroughly using specific examples, all of which are detailed in the photographs in the second half of the book. Examples are taken from churches and cathedrals across England, whose individual architectural growth over centuries is often in parallel with the evolving forms of sculpture, particularly gothic foliage. The increased communication with Europe over the medieval period was mutually influential and with increased proficiency and innovation there was natural development of art and gothic sculpture evolv

The nature and organisation of English rural society changes considerably between the later Middle Ages and the early modern period. In this book Dr Howell makes use of both the medieval and the early modern sources relevant to the economic, social and administrative history of Kibworth Harcourt, a village in Leicestershire, in order to identify, date and describe the phases of this transition: a transition from a close-knit society of self-sufficient peasants to a diversified, regionally orientated society of commercial farmers, artisans and landless labourers. Particular attention is paid to the composition and age structure of the peasant family, polarisation in the size of holdings, increasing specialisation in land use and improvements in diet, housing and the standard of living. The book will appeal to all serious students of social and economic history, to geographers, and in Britain to professional and amateur local historians.

This comprehensive volume, first published in 1864, covers the history of libraries from classical times to the nineteenth century, principally in England but also further afield. The author was an influential figure in the founding of municipal libraries in nineteenth-century Britain and regarded access to good libraries as crucial to education and civilisation. He emphasises the importance of individual collectors in the building of great libraries, and examines the personal holdings of many writers and scholars as well as members of royal families, the aristocracy, and clergy. Some of these are well known, others less commonly encountered in surveys of library history. Edwards also discusses the subsequent history of these collections, their dispersal or incorporation into other libraries. Other important topics covered by Edwards include the development and organisation of the State Paper Office and Public Records Office from the medieval period onwards.

This book introduces the field of data science in a practical and accessible manner, using a hands-on approach that assumes no prior knowledge of the subject. The foundational ideas and techniques of data science are provided independently from technology, allowing students to easily develop a firm understanding of the subject without a strong technical background, as well as being presented with material that will have continual relevance even after tools and technologies change. Using popular data science tools such as Python and R, the book offers many examples of real-life applications, with practice ranging from small to big data. A suite of online material for both instructors and students provides a strong supplement to the book, including datasets, chapter slides, solutions, sample exams and curriculum suggestions. This entry-level textbook is ideally suited to readers from a range of disciplines wishing to build a practical, working knowledge of data science.

An exhilarating, genre-bending exploration of curiosity’s powerful capacity to connect ideas and people.Curious about something? Google it. Look at it. Ask a question. But is curiosity simply information seeking? According to this exhilarating, genre-bending book, what’s left out of the conventional understanding of curiosity are the wandering tracks, the weaving concepts, the knitting of ideas, and the thatching of knowledge systems―the networks, the relations between ideas and between people. Curiosity, say Perry Zurn and Dani Bassett, is a practice of connection: it connects ideas into networks of knowledge, and it connects knowers themselves, both to the knowledge they seek and to each other. Zurn and Bassett―identical twins who write that their book “represents the thought of one mind and two bodies”―harness their respective expertise in the humanities and the sciences to get irrepressibly curious about curiosity. Traipsing across literatures of antiquity and medieval science, Vi

What prompts common people to kill a guard and rob an office they thought had some tickets for a Test match? Why does a scholar of medieval Bengali literature remark, 'Had life been a sport, it would be cricket'? Who do journalists vindicate by promoting cricket, the imperial game par excellence, as the lifeforce of the ordinary Indian? This book pursues these threads of the people's uncanny attachment to cricket, seeking to understand the sport's role in the making of a postcolonial society. With a focus on Calcutta, it unpacks the various connotations of international cricket that have produced a postcolonial community and public culture. Cricket, it shows, gave the people a tool to understand and form themselves as a cultural community. More than the outcomes of matches, the beliefs, attitudes and actions the sport generated had an immense bearing on emerging social relationships.

The 2004 announcement that Chaucer's scribe had been discovered resulted in a paradigm shift in medieval studies. Adam Pynkhurst dominated the classroom, became a fictional character, and led to suggestions that this identification should prompt the abandonment of our understanding of the development of London English and acceptance that the clerks of the Guildhall were promoting vernacular literature as part of a concerted political program. In this meticulously researched study, Lawrence Warner challenges the narratives and conclusions of recent scholarship. In place of the accepted story, Warner provides a fresh, more nuanced one in which many more scribes, anonymous ones, worked in conditions we are only beginning to understand. Bringing to light new information, not least, hundreds of documents in the hand of one of the most important fifteenth-century scribes of Chaucer and Langland, this book represents an important intervention in the field of Middle English studies.

Franciscan theology before Bonaventure has long been regarded as a relatively unoriginal attempt to systematize the tradition of Augustine, which prevailed in the West for most of the earlier Middle Ages. In this book, Lydia Schumacher aims to demonstrate the innovative aspects of early Franciscan theology by examining the historical, philosophical, and religious contexts in which it was developed, and by highlighting how thinkers from this period deployed authoritative sources like Augustine as 'proof texts' for their own novel positions. She thereby exposes the continuity between the early and later Franciscan schools, which have normally been perceived as distinct from one another. Schumacher also emphasizes the ethos that inspired the development of medieval Franciscan thinking and distinguishes it from any modern intellectual trends with which it has been associated. Ultimately, Schumacher lays the foundation for future efforts to recover Franciscan theology in the contemporary co

The 2004 announcement that Chaucer's scribe had been discovered resulted in a paradigm shift in medieval studies. Adam Pynkhurst dominated the classroom, became a fictional character, and led to suggestions that this identification should prompt the abandonment of our understanding of the development of London English and acceptance that the clerks of the Guildhall were promoting vernacular literature as part of a concerted political program. In this meticulously researched study, Lawrence Warner challenges the narratives and conclusions of recent scholarship. In place of the accepted story, Warner provides a fresh, more nuanced one in which many more scribes, anonymous ones, worked in conditions we are only beginning to understand. Bringing to light new information, not least, hundreds of documents in the hand of one of the most important fifteenth-century scribes of Chaucer and Langland, this book represents an important intervention in the field of Middle English studies.

The Late Byzantine period (1261–1453) is marked by a paradoxical discrepancy between economic weakness and cultural strength. The apparent enigma can be resolved by recognizing that later Byzantine diplomatic strategies, despite or because of diminishing political advantage, relied on an increasingly desirable cultural and artistic heritage. This book reassesses the role of the visual arts in this era by examining the imperial image and the gift as reconceived in the final two centuries of the Byzantine Empire. In particular it traces a series of luxury objects created specifically for diplomatic exchange with such courts as Genoa, Paris and Moscow alongside key examples of imperial imagery and ritual. By questioning how political decline refigured the visual culture of empire, Cecily J. Hilsdale offers a more nuanced and dynamic account of medieval cultural exchange that considers the temporal dimensions of power and the changing fates of empires.

By focusing on the works and intellectual network of the Timurid historian Sharaf al Dīn 'Alī Yazdī (d.1454), this book presents a holistic view of intellectual life in fifteenth century Iran. İlker Evrim Binbaş argues that the intellectuals in this period formed informal networks which transcended political and linguistic boundaries, and spanned an area from the western fringes of the Ottoman State to bustling late medieval metropolises such as Cairo, Shiraz, and Samarkand. The network included an Ottoman revolutionary, a Mamluk prophet, and a Timurid occultist, as well as physicians, astronomers, devotees of the secret sciences, and those political figures who believed that the network was a force to be taken seriously. Also discussing the formation of an early modern Islamicate republic of letters, this book offers fresh insights on the study of intellectual history beyond the limitations imposed by nationalist methodologies, established genres, and recognized literary traditions.