The Art of Suicide is a history of the visual representation of suicide from the ancient world to its decriminalization in the 20th century. After looking at instances of voluntary death in ancient Gr
In The Lives of Images, Peter Mason examines the production, transmission and occasional misunderstanding of visual images representing non-European peoples and their cultures from the last five centu
As David Matless argues in this book—updated in this accessible, pocket edition—landscape has been central to definitions of Englishness for centuries. It is the aspect of English life where visions o
Why, at a time when women's liberation was gaining force and momentum, did the corset become more cinched and restricting than at any time during the entire preceding century? Why was bra burning a po
Representing the Republic provides an intriguing account of the mapping of America from its colonial origins to 1900. The most significant maps and mapmakers are discussed in a survey that begins with
Bodies Politic takes a critical look at representations of the body in death, disease, and health, as well as at images of the healing arts in Britain from the mid-seventeenth to the twentieth century
Last winter, a man tried to break Marcel Duchamp’s Fountain sculpture. The sculpted foot of Michelangelo’s David was damaged in 1991 by a purportedly mentally ill artist. With each incident, intellect
Eyewitnessing evaluates the place of images among other kinds of historical evidence. By reviewing the many varieties of images by region, period, and medium, and looking at the pragmatic uses of imag
In a provocative analysis of European and American historical thinking and practice since the early 18th century, A History of History confronts several basic assumptions about the nature of history.
In a provocative analysis of European and American historical thinking and practice since the early 18th century, A History of History confronts several basic assumptions about the nature of history.
