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A writer with not only a career but also a pedigree in British theater, Croall presents very short interviews--one to three pages--with people about writing, directing, or performing at the National Theater. He talks to Tom Stoppard about The Coast of Utopia, April De Angelis on A Laughing Matter, Phyllida Lloyd and Fiona Shaw on The Prime of Miss Jean Brodie, Peter Hall on Euripides' The Frogs, Ion McKellen on J. M Barrie's Peter Pan, Diana Rigg on Bertold Brecht's Mother Courage and her Children. Howard Davies and Tim Pigott-Smith on Eugene O'Neill's Mourning Becomes Electra, David Harewood on Philip Pullman's His Dark Materials, and many others on many more. There is no index or bibliography. Annotation c2009 Book News, Inc., Portland, OR (booknews.com)
作者簡介
Jonathan Croall is the author of Gielgud: A Theatrical Life; The Coming of Godot: A Short History of a Masterpiece (nominated for the 2006 Theatre Book Prize); and three books in the series 'The National Theatre at Work': Hamlet Observed, Peter Hall's 'Bacchai' and Inside the Molly House. He edits and writes for the programmes at the Old Vic theatre, and was editor of the National Theatre's StageWrite magazine 1992-2007.
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