The poster was the popular art form in Cuba following the Cuban Revolution, when the government sponsored some 10,000 public posters on a fascinating range of cultural, social, and political themes.
The posters in this book were produced during China's Cultural Revolution, one in a long series of mass campaigns undertaken by the Chinese Communist Party and a tumultuous period in the country's his
Cushing, a specialist in Cuban and Chinese poster art, and Drescher, a specialist in San Francisco murals, collect a representative sample of labor posters in the US since the early 20th century. The
