Deep Blues

This superb documentary vividly illustrates the enduring vitality of country blues, an idiom that most mainstream music fans had presumed dead or, at best, preserved through more scholarly tributes when filmmaker Robert Mugge and veteran blues and rock writer Robert Palmer embarked on their 1990 odyssey into Mississippi delta country. What Arkansas native and former Memphis stalwart Palmer knew, and Mugge captured on film, was that the blues was not only alive but still intimately woven into the daily lives of rural blacks.

Palmer, a former rock musician and Memphis Blues Festival cofounder best known for his bylines in The New York Times and Rolling Stone, had already chronicled the saga of Southern blues in his seminal book that provides the film's title. He's an astute guide, and Mugge underlines this role by pairing him with British rocker Dave Stewart (Eurythmics), whose avid interest in the music makes him an effective foil.

The film's real triumph, however, rests in the team's success in capturing modern day blues survivors and inheritors playing in the bars, juke joints, and barns of delta country. Palmer, who had returned several years earlier to the delta to capture these artists for his scrappy Fat Possum label, introduces us to the now-amplified but still elemental blues of R.L. Burnside, the late Junior Kimbrough, Jessie Mae Hemphill, Roosevelt "Booba" Barnes, and other keepers of the faith. Mugge, whose profiles of Al Green, Sonny Rollins, and other musicians probed their cultural and artistic contexts with intelligence and sensitivity, captures both the music and the milieu in crisp color footage. Deep Blues thus triumphs as a testament to the blues' deep roots and an unintentional eulogy for Palmer, who would pass away in the mid-'90s just as the gut-bucket music of Burnside and Kimbrough served notice that the blues were alive and kicking. --Sam Sutherland

Robert Palmer?was the?New York Times's first full-time rock writer and chief pop critic (1976–1988) and has been a contributing editor at?Rolling Stone?since the early seventies. He has taught courses in American music at Yale, Carnegie-Mellon, Bowdoin, the University of Mississippi, and Brooklyn College, where he was the first senior research fellow of the Institute for Studies in American Music to teach and write a musicological monograph on rock and roll. He is the author of?Deep Blues?and other books, and served as writer and music director for two award-winning documentary films,?The World According to John Coltrane?and?Deep Blues. Since producing the latter film's soundtrack CD for Atlantic Records, he has produced a number of raw juke-joint blues CDs for the Fat Possum label, winning a number of polls and awards. He acted as the chief advisor to the ten-part WGBH/BBC series.