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The underlying concept here is that theater is connected to the social and political world outside by organized forms of performance on both sides of the ticket booth. Scholars of theater, literature, and performance take examples from Shakespeare to explore how that worked in his time and works in their own. Their topics include performing exchanges in The Merchant of Venice, secular performance, Shakespeare in blackface minstrelsy in 1844, and The Tempest and the uses of late Shakespeare in the cultures of performance. Annotation c2008 Book News, Inc., Portland, OR (booknews.com)
作者簡介
Paul Yachnin is Tomlinson Professor of Shakespeare Studies at McGill University, Canada. Patricia Badir is Associate Professor of English at the University of British Columbia, Canada.
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