The first of the collection’s three sections explicitly examines the links between aesthetics and social and political experience. Here a new essay by Ranciere posits art as a key site where disagreement can be staged in order to produce new communities of sense. In the second section, contributors investigate how sense was constructed in the past by the European avant-garde and how it is mobilized in today’s global visual and political culture. Exploring the viability of various models of artistic and political critique in the context of globalization, the authors of the essays in the volume’s final section suggest a shift from identity politics and preconstituted collectivities toward processes of identification and disidentification. Topics discussed in the volume vary from digital architecture to a makeshift museum in a Paris suburb, and from romantic art theory in the wake of Hegel to the history of the group-subject in political art and performance since 1968. An interview with Etienne Balibar rounds out the collection.
Contributors. Emily Apter, Etienne Balibar, Carlos Basualdo, T. J. Demos, Rachel Haidu, Beth Hinderliter, David Joselit, William Kaizen, Ranjanna Khanna, Reinaldo Laddaga, Vered Maimon, Jaleh Mansoor, Reinhold Martin, Seth McCormick, Yates McKee, Alexander Potts, Jacques Ranciere, Toni Ross
Beth Hinderliter is Assistant Professor of Fine Arts at Buffalo State College. William Kaizen is Assistant Professor of Aesthetics and Critical Studies at the University of Masschusetts, Lowell.
Vered Maimon is a full-time lecturer in the Art and Design Department at Northeastern University. Jaleh Mansoor is Assistant Professor in the School of Art at Ohio University.
Seth McCormick is a Lewis B. and Dorothy Cullman Postdoctoral Fellow at Yale University.
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