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Murray (comparative literature, Cornell U.; curator, Rose Golden Archive of New Art Media) explores the psycho-philosophical relationship between the new digital screen art and an early modern philosophy of art. Drawing on French philosopher/cinema theorist Gilles Deleuze's view of the 'new baroque,' in which "we are discovering new ways of folding, akin to new envelopments," he discusses (and shows images from) works including films by Peter Greenaway, Jean-Luc Godard, and Chris Marker; video installations by Thiery Kuntzel, Keith Piper, and Renate Ferro; and interactive media works by Toni Dove, Dave Rokeby, and Jill Scott. Annotation c2009 Book News, Inc., Portland, OR (booknews.com)