The Intangibilities of Form: Skill and Deskilling in Art After the Readymade
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In this intellectually wide-ranging book John Roberts develops a labortheory of culture as a model for explaining the dynamics of avant-garde art andthe expansion of artistic authority in the twentieth and twenty-firstcenturies.
From Duchamp to Warhol, conceptual art, and the "post-visual" practices ofthe moment, Roberts explores the relationship between artistic labor andproductive labor, and the limits and possibilities of authorship. In doing so,he confronts a recurring theme of both conservative and radical detractors ofmodern art in the twentieth and twenty-first centuries: how is skill, and theseeming absence of skill in modern art, to be theorized and evaluated? Drawingon cognitive psychology, labor process theory, social anthropology, and debatesin contemporary political philosophy, Roberts??~ book establishes a new criticaltopography for examining the cultural form of art today.
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