The Distracted Preacher and Other Tales

Thomas Hardy's short stories reveal a literary persona, a creative intelligence and an imaginative vision uniquely and unmistakably his own.

Those contained within this volume are among his finest and most representative and include The Withered Arm, one of his best known and most gripping; Barbara of the House of Grebe, said by T. S. Eliot to portray 'a world of pure evil'; The Son's Veto, regarded by Hardy as his best story; and, of course, The Distracted Preacher, possible the most flawless of all. Like the novels, the short stories reveal Hardy's preoccupation with affairs of the heart, with love requited and frustrated, fulfilled or doomed. They contain many of his most powerful portraits of women; they are streaked with the grotesque, the macabre and bizarre; and they are permeated by that atmosphere, narrative power, and vivid sense of place and its intimate relation to character which are the essentials of Hardy's genius.

Thomas Hardy was born on June 2, 1840. In his writing, he immortalized the site of his birth—Egdon Heath, in Dorset, near Dorchester. Delicate as a child, he was taught at home by his mother before he attended grammar school. At sixteen, Hardy was apprenticed to an architect, and for many years, architecture was his profession; in his spare time, he pursued his first and last literary love, poetry. Finally convinced that he could earn his living as an author, he retired from architecture, married, and devoted himself to writing. An extremely productive novelist, Hardy published an important book every year or two. In 1896, disturbed by the public outcry over the unconventional subjects of his two greatest novels—Tess of the D’Urbervilles and Jude the Obscure—he announced that he was giving up fiction and afterward produced only poetry. In later years, he received many honors. He died on January 11, 1928, and was buried in Poet’s Corner, in Westminster Abbey. It was as a poet that he wished to be remembered, but today critics regard his novels as his most memorable contribution to English literature for their psychological insight, decisive delineation of character, and profound presentation of tragedy.