Volker Schlondorff's Cinema―Adaptation, Politics, and the "Movie-Appropriate"
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Volker Schlondorff’s Cinema: Adaptation, Politics and the “Movie-Appropriate” examines the work of major postwar German director Volker Schlondorff in historical, economic, and artistic contexts. . In spite of Schlondorff’s successes with films like The Lost Honor of Katharina Blum and The Tin Drum, as well as his acclaimed work in the U.S. with Death of a Salesman, Gathering of Old Men and The Handmaid’s Tale, this is the first in-depth critical study of the filmmaker’s career.
作者簡介
Hans-Bernhard Moeller is a professor in the Department of Germanic Studies at the University of Texas at Austin, where he teaches a range of courses on the German cinema as well as courses in German literature and comparative literature. He is author of many articles on cinema and editor of Latin America and the Literature of Exile: A Comparative View of the Twentieth-Century Refugee Writers in the New World.
George Lellis is a professor of Communication, chair of the Department of Business Administration and director of the Elizabeth Boatwright Coker Performing Arts Center at Coker College. He is author of Bertolt Brecht, Cahiers du Cinema and Contemporary Film Theory.
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