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商品簡介
It Came From the 1950s is an eclectic, witty and insightful collection of essays predicated on the hypothesis that popular cultural documents provide unique insights into the concerns, anxieties and desires of their times. The essays?explore?the emergence of "Hammer Horror" and?the company's groundbreaking 1958 adaptation of Dracula; the work of popular authors such as Shirley Jackson and Robert Bloch, and the effect that 50s food advertisements had upon the poetry of Sylvia Plath; the place of special effects in the decade's science fiction films; and 1950s Anglo-American relations as refracted through the prism of the 1957 film Night of the Demon.
作者簡介
DARRYL JONES is Head of the School of English, Trinity College Dublin, Ireland, where he teaches Popular Literature and Culture. He is author of a number of books and many articles in this field. His most recent publications include an edition of M R. James's Collected Ghost Stories (2011).
ELIZABETH MCCARTHY is a Lecturer at Trinity College Dublin, Ireland. She has published critical studies on a wide variety of subjects, including Romantic aesthetics and the serial killer, the politics of the guillotine in the French Revolution, and propaganda and advertising in Post-World War One America. She has also co-edited the book Fear: Essays on the Meaning and Experience of Fear (2007) and is currently compiling and editing the book Jack the Ripper: Early Fictional Accounts of the Whitechapel Murderer (2012).
BERNICE M. MURPHY is a Lecturer in Popular Literature in the School of English, Trinity College Dublin, Ireland. She has previously published The Suburban Gothic in American Popular Literature (Palgrave Macmillan, 2009) and edited the collection Shirley Jackson: Essays on the Literary Legacy (2005).
ELIZABETH MCCARTHY is a Lecturer at Trinity College Dublin, Ireland. She has published critical studies on a wide variety of subjects, including Romantic aesthetics and the serial killer, the politics of the guillotine in the French Revolution, and propaganda and advertising in Post-World War One America. She has also co-edited the book Fear: Essays on the Meaning and Experience of Fear (2007) and is currently compiling and editing the book Jack the Ripper: Early Fictional Accounts of the Whitechapel Murderer (2012).
BERNICE M. MURPHY is a Lecturer in Popular Literature in the School of English, Trinity College Dublin, Ireland. She has previously published The Suburban Gothic in American Popular Literature (Palgrave Macmillan, 2009) and edited the collection Shirley Jackson: Essays on the Literary Legacy (2005).
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