商品簡介
It's a haunting image. At least it was for author John Thomas. Some seventy women sit in four rows in front of the Gibson Guitar factory in the mid-1940s. Conventional wisdom and company lore had it that Gibson had ceased guitar production during World War II, with only “seasoned craftsmen” too old for war doing repairs and completing the few instruments already in progress. What were these women doing there? The image so bedeviled Thomas that he eventually set out to find at least one of the women in the photograph. He found a dozen. Along the way he would discover that despite denials that endured into the 1990s, Gibson employed a nearly all female workforce to build thousands of wartime guitars, each marked with a small, golden “banner” containing the slogan “Only a Gibson is Good Enough.” The banner appeared on the guitars at the moment those women entered the factory in January 1942 and disappeared when the war ended at the end of 1945. On his personal journey Thomas tracks Orville Gibson from his birth in upstate New York to the founding of his namesake company in Michigan, and finally to his untimely death in a mental hospital. He takes us to meet these women in Kalamazoo and to time travel with them through the Great Depression and into World War II. He wanders the hallways of the abandoned Gibson factory in search of the ghost of its founder, Orville Gibson, steps into an imaging clinic to seek radiographic evidence of sublime quality of the Gals' craft, and tracks the “Banner” Gibsons from Kalamazoo into the hands of their first owners. Along the way he leads us straight into the hearts of the Kalamazoo Gals.
作者簡介
John Thomas is a law professor, freelance writer, and guitar player who claims he's “still striving for mediocrity.” His articles address topics from music and musical instruments to health policy, politics, autism, and juvenile justice. His writings have appeared in law reviews, medical journals, major newspapers, a wide range of music magazines, and the Oxford Dictionary of Music. John's X-Ray project that demonstrated why Banner Gibsons are such stellar X-ray instruments evolved into an art exhibit that documents every significant American guitar over the past two centuries: Vintage Steel: the Art and History of the American Steel String Guitar. While waiting for the show to visit a nearby gallery or museum, you can view exhibit on its website: www.vintagestellguitarart.com. For a dose of that mediocre guitar playing and to check out John's other projects visit www.johnthomasguitar.com.
