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"Much ground has been covered in terms of (post)feminist analyses of popular film and television, and box office successes such as Bridget Jones's Diary and television phenomena such as Sex and the City have become established parts of the now canonical critical texts on postfeminism, media and popular culture. By analyzing the negotiation of femininities and masculinities within contemporary Hollywood cinema, by charting trends in film production and media reception, and by focusing on the largely neglected intersections between postfeminism and queer theory, Postfeminism and Contemporary Hollywood Cinema presents diverse interrogations of popular cinema. The chapters in this collection position contemporary commercial production as a space where femaleempowerment is both celebrated and undermined, and signal the necessity of further debate surrounding the formation of gender identity in postmillennial Hollywood cinema. "--
作者簡介
Joel Gwynne is Assistant Professor of English at the National Institute of Education, Singapore. He is the co-editor of Sexuality and Contemporary Literature (with A.Poon, 2012) and author of Erotic Memoirs and Postfeminism: The Politics of Pleasure (2013).
Nadine Muller is Lecturer in English Literature and Cultural History at Liverpool John Moores University. Her research covers Victorian and neo-Victorian literature and culture, feminist theory and practice, and cultural histories of women and gender from the nineteenth century to the present day. She is currently working on two book projects: The Feminist Politics of Neo-Victorian Fiction, 2000-2010 and The Widow in British Literature and Culture, 1850-2010.
Nadine Muller is Lecturer in English Literature and Cultural History at Liverpool John Moores University. Her research covers Victorian and neo-Victorian literature and culture, feminist theory and practice, and cultural histories of women and gender from the nineteenth century to the present day. She is currently working on two book projects: The Feminist Politics of Neo-Victorian Fiction, 2000-2010 and The Widow in British Literature and Culture, 1850-2010.
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