Best New Poets 2013 ― 50 Poems from Emerging Writers
商品資訊
系列名:Best New Poets
ISBN13:9780976629689
出版社:Univ of Virginia Pr
作者:Brenda Shaughnessy (EDT); Jazzy Danziger (EDT)
出版日:2014/01/13
裝訂:平裝
規格:20.3cm*15.9cm*0.6cm (高/寬/厚)
商品簡介
Praise for earlier editions:"[These poets] prove that American poetry has the strength and vision to move beyond the MFA environment in order to reshape and reflect past traditions."-- Bloomsbury Review
"This collection stands out among the crowd claiming to represent emergent poets. Much of the editing and preliminary reading was done by emerging poets themselves, which results in an anthology that's fresh and eclectic, and may actually represent a significant portion of the best new poetry being written by the next generation.... [Best New Poets] assures the reader that poetry, even in a generation of text messaging and MP3 players, is still alive and well. The youthfulness of the anthology, combined with the wide scope of its contents, is apparent in the poems, which are edgy and daring."-- Virginia Quarterly Review
Entering its eighth year, Best New Poets has established itself as a crucial venue for rising poets and a valuable resource for poetry lovers. The only publication of its kind, this annual anthology is made up exclusively of work by writers who have not yet published a full-length book. The poems included in this eclectic sampling represent the best from the many that have been nominated by the country’s top literary magazines and writing programs, as well as some two thousand additional poems submitted through an open online competition. The work of the fifty writers represented here provides the best perspective available on the continuing vitality of poetry as it is being practiced today.
作者簡介
Brenda Shaughnessy is Assistant Professor of English at Rutgers-Newark University and Poetry Editor at Large at Tin House Magazine. She is the author of Our Andromeda and Human Dark with Sugar, and her poetry has appeared in H arper’s, McSweeney’s, the Nation, the New Yorker, and the Paris Review.
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