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作者簡介
商品簡介
This is the first critical examination of Pablo Picasso’s use of religious imagery and the religious import of many of his works with secular subject matter. Though Picasso was an avowed atheist, his work employs themes of spirituality?and, often, traditional religious iconography. In five engagingly written, accessible chapters, the authors address Picasso’s cryptic 1930 painting of the Crucifixion; the artist’s early life in the catholic church, trained as a religious painter; elements of transcendence in Guernica; Picasso’s fraught relationship with the church, including a commission to paint murals for the War and Peace Chapel in France in the 1950s; and the centrality of religious themes and imagery in bullfights, subject of countless Picasso drawings and paintings.
作者簡介
Jane Dillenberger is professor emerita of art and religion at the Graduate Theological Union in Berkeley. She studied at the University of Chicago and is author of The Religious Art of Andy Warhol (1998), Style and Content in Christian Art (2004), and Secular Art with Sacred Themes (1969). She curated several exhibitions for the Berkeley Art Museum during the 1970s on spirituality and art.
John Handley completed his PhD at the Graduate Theological Union in 2012; his dissertation focused on the religious art of Stephen De Staebler.
John Handley completed his PhD at the Graduate Theological Union in 2012; his dissertation focused on the religious art of Stephen De Staebler.
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