商品簡介
The series embraces the wide linguistic, terminological, and methodological variety within the study of European avant-garde and modernism literature and art from about 1850 to about 1950. In sections on translation, material memory, spaces and places, bodies and sensoria, and subjectivities, 19 essays--three in French and one in German--examine the material dimension. The topics include Andre Breton's autobiographical cut-ups, the poetic materiality of Fascism on the British stage, reproducing the avant-garde in the art of modernist magazines, Duchamp and the immaterial aesthetics of scent, the body as medium and material in Lygia Clark during the Paris years, Georges Hugnet's surrealist monsters and women, and hyper-dialectic in Gertrude Stein's composition. Annotation c2014 Ringgold, Inc., Portland, OR (protoview.com)
作者簡介
S. Posman, Ghent, A. Reverseau and S. Bru, Leuven,D. Ayers, Canterbury, andB. Hjartarson, Reykjavik.
