Graphics and Text in the Production of Technical Knowledge in China ─ The Warp and the Weft
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Tu, technical images, and their relationship to written text in the production of technical knowledge is explored by mostly European scholars of Chinese history and culture. They consider graphics both as symbolic mediation and as technical illustrations across a broad range of graphic forms and categories of specialized knowledge, from metaphysical cosmograms and magical talismans to mathematical diagrams and coroner's charts. The final sections look at the era of print culture and Western influences. Annotation c2008 Book News, Inc., Portland, OR (booknews.com)
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Francesca Bray, Ph.D. (1985) in Social Anthropology, University of Cambridge, is Professor of Social Anthropology at Edinburgh. Her publications include Technology and Gender: Fabrics of Power in Late Imperial China (California, 1997). Vera Dorofeeva-Lichtmann, Ph.D. (1992) in History, Moscow University, is Directeur de recherche at the CNRS in Paris. Her publications include “Mapping a ‘Spiritual’ Landscape: Representing Terrestrial Space in the Shan hai jing,” in: Political Frontiers, Ethnic Boundaries, and Human Geographies in Chinese History (London – New York, 2003).Georges Metailie, Ph.D. (1974) in Far Eastern Studies, University of Paris 7, is Directeur de recherche at the CNRS in Paris. His latest publication is Dictionnaire Ricci des plantes de Chine (Paris, 2005).
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