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Andriessen learned his chops in the social ferment of the 1960s and 1970s, and his De Staat (The Republic) became the musical standard-bearer for what is thought to be the permissive and socially progressive culture that emerged in The Netherlands. Adlington (music, U. of Nottingham) sets things to rights by asserting that De Staat should not be considered without its full complement of ideological and musical contexts. He examines Andriessen's convictions in politics and composition that made him a marked man in the world of musical modernism. He follows with an extensive critique of De Staat, its hovering on the boundary between tonality and atonality, and its cultural references. He closes with a 2002 interview with Andriessen, now a successful avant-garde composer and composition teacher. The accompanying compact disc includes a live recording of De Staat from 1978 and two works not otherwise available on CD, De Volharding and Il Principe. Annotation c2004 Book News, Inc., Portland, OR (booknews.com)
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Dr Robert Adlington is a Lecturer in Music at the University of Nottingham, UK
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