“A unique account of the rise of the Berber cultural identity, in particular of the Kabyles of Algeria, in modern times. Luminaries such as Amrouche, Feraoun, Matoub, and Fares are impressively brought back to life.”—Abdourahman A. Waberi, author of Passage of Tears
“A sensitive account of the paradoxical effects of colonialism and its aftermath on the formerly colonized. It is a must-read for anthropologists, literary scholars, and historians of the period.”—Vincent Crapanzano, author of The Harkis
“An intimate and forceful inquiry into the Berber cultural movement and the conditions of post-coloniality more generally. Incorporating literature and music, history and politics, We Are Imazighen brings the cultural life of the Kabyle people to an English audience with grace and passion.”—David Crawford, author of Moroccan Households in the World Economy
To the world they are known as Berbers, but they prefer to call themselves Imazighen, or “free people.” The claim to this unique cultural identity has been felt most acutely in Algeria in the Kabylia region, where an Amazigh consciousness gradually emerged after WWII. This is a valuable model for other Amazigh movements in North Africa, where the existence of Amazigh language and culture is denied or dismissed in countries such as Morocco, Algeria, Tunisia, and Libya.
By tracing the cultural production of the Kabyle people—their songs, oral traditions, and literature—from the early 1930s to the end of the twentieth century, Fazia Aitel shows how they have defined their own culture over time, both within Algeria and in its diaspora. She analyzes the role of Amazigh identity in the works of novelists such as Mouloud Feraoun, Tahar Djaout, and Assia Djebar, and she investigates the intersection of Amazigh consciousness and the Beur movement in France. She also addresses the political and social role of the Kabyles in Algeria and in France, where after independence it was easier for the Berber community to express and organize itself.
Ultimately, Aitel argues that the Amazigh literary tradition is founded on dual priorities: the desire to foster a genuine dialogue while retaining a unique culture.
