East Asian Film Noir ― Transnational Encounters and Intercultural Dialogue
商品資訊
定價
：NT$ 1702 元無庫存，下單後進貨(到貨天數約30-45天)
可得紅利積點：51 點
相關商品
商品簡介
作者簡介
商品簡介
Film noir has been understood as a genre exclusive to Hollywood. But classical US noir's downbeat sensibility also finds expression in later films from Japan, South Korea and greater China (including Hong Kong) and Taiwan that have both participated in and been excluded from circuits of global-noir traffic, past and present. Noir is a form of generic expression, an international filmic sensibility and a discourse loosely joining innumerable texts and a range of production and reception phenomena. However defined and categorized, the genre offers a compelling frame through which to view individual works, looming political and cultural contexts, film industry and reception activity, and wider circuits and frictions of global screen-media flow.
This anthology looks at a range of East Asian films from the 1950s to the present – including The Crimson Kimono, Brother, Ghost in the Shell, Nowhere to Hide, Duelist? and Rebels of the Neon Go d - that have been explicitly framed as film noir or East Asian noir, or that acquire legibility as noir texts through reception discourse and other critical activity. Contributors look at historical and contemporary cases to understand the terms on which national, regional and transnational cinemas conceive artistic expression. Their conceptualization and articulation of an internationally situated 'East Asian film noir' helps raise questions around the politics of representation, authorial activity, generic and modal positioning and local and cross-cultural reception.
This anthology looks at a range of East Asian films from the 1950s to the present – including The Crimson Kimono, Brother, Ghost in the Shell, Nowhere to Hide, Duelist? and Rebels of the Neon Go d - that have been explicitly framed as film noir or East Asian noir, or that acquire legibility as noir texts through reception discourse and other critical activity. Contributors look at historical and contemporary cases to understand the terms on which national, regional and transnational cinemas conceive artistic expression. Their conceptualization and articulation of an internationally situated 'East Asian film noir' helps raise questions around the politics of representation, authorial activity, generic and modal positioning and local and cross-cultural reception.
作者簡介
Chi-Yun Shin is Senior Lecturer in Screen Studies, Sheffield Hallam University, UK and is on the editorial board of the Journal of Japanese and Korean Cinema.
Mark Gallagher is Lecturer in Film and Television Studies at the University of Nottingham, UK.
Mark Gallagher is Lecturer in Film and Television Studies at the University of Nottingham, UK.
您曾經瀏覽過的商品
購物須知
外文書商品之書封，為出版社提供之樣本。實際出貨商品，以出版社所提供之現有版本為主。部份書籍，因出版社供應狀況特殊，匯率將依實際狀況做調整。
無庫存之商品，在您完成訂單程序之後，將以空運的方式為你下單調貨。為了縮短等待的時間，建議您將外文書與其他商品分開下單，以獲得最快的取貨速度，平均調貨時間為1~2個月。
為了保護您的權益，「三民網路書店」提供會員七日商品鑑賞期(收到商品為起始日)。
若要辦理退貨，請在商品鑑賞期內寄回，且商品必須是全新狀態與完整包裝(商品、附件、發票、隨貨贈品等)否則恕不接受退貨。