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The garden is of perennial interest to artists. Yet, as cultural attitudes toward the garden and how we enjoy it have changed, so too have the ways in which it has been represented in art. From a space for solitary communion with nature to the backdrop for a budding romance, and from a place for scientific study to the source of the foods we eat,Painting Paradise looks at why the garden has remained such a seductive artistic subject.
For centuries, gardens have prompted reflection on the relationship between nature and man. They have also been considered representations of the divine, as in Flemish master Jan Brueghel’s famous Adam and Eve in the Garden of Paradise. Their ability to carry messages about their creator’s status will be clear to all who have had the pleasure of walking the grounds of meticulously manicured palaces or stately homes, but they are also evocative of prevailing cultural values and a desire to better understand, classify, and collect elements of the natural world. By the sixteenth century, artists were also attempting to bring the garden indoors as a source of design elements in the decorative arts, from seventeenth-century Flemish Pergola tapestries to handcrafted flowers from the Russian House of Faberge.
Tracing these and other themes that attracted the attention of artists from the fifteenth to the early twentieth century,Painting Paradise explores how these ideas came to be expressed in ways characteristic to a particular place and time, including works in both the Eastern and Western traditions. The curator of an accompanying exhibition opening at Buckingham Palace, Vanessa Remington has weeded through the Royal Collection to cultivate a selection of paintings, drawings, manuscripts, tapestries, and jewelry of exceptional value and extraordinary beauty. With more than three hundred color illustrations—including many treasures that have been previously unpublished—the book will be of great interest to artists, art and design historians, and all who find inspiration in the beauty of the garden.
For centuries, gardens have prompted reflection on the relationship between nature and man. They have also been considered representations of the divine, as in Flemish master Jan Brueghel’s famous Adam and Eve in the Garden of Paradise. Their ability to carry messages about their creator’s status will be clear to all who have had the pleasure of walking the grounds of meticulously manicured palaces or stately homes, but they are also evocative of prevailing cultural values and a desire to better understand, classify, and collect elements of the natural world. By the sixteenth century, artists were also attempting to bring the garden indoors as a source of design elements in the decorative arts, from seventeenth-century Flemish Pergola tapestries to handcrafted flowers from the Russian House of Faberge.
Tracing these and other themes that attracted the attention of artists from the fifteenth to the early twentieth century,Painting Paradise explores how these ideas came to be expressed in ways characteristic to a particular place and time, including works in both the Eastern and Western traditions. The curator of an accompanying exhibition opening at Buckingham Palace, Vanessa Remington has weeded through the Royal Collection to cultivate a selection of paintings, drawings, manuscripts, tapestries, and jewelry of exceptional value and extraordinary beauty. With more than three hundred color illustrations—including many treasures that have been previously unpublished—the book will be of great interest to artists, art and design historians, and all who find inspiration in the beauty of the garden.
作者簡介
Vanessa Remington is Senior Curator of Paintings, Royal Collection Trust, and the author of several books highlighting its collection, includingVictorian Miniatures in the Collection of Her Majesty The Queen.
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