The Musical Life of Nineteenth-Century Belfast

Roy Johnston and Declan Plummer provide a refreshing portrait of Belfast in the nineteenth century. Before his death Roy Johnston, had written a full draft, based on an impressive array of contemporary sources, with deep and detailed attention especially to contemporary newspapers. With the deft and sensitive contribution of Declan Plummer the finished book offers a telling view of Belfasta€?s thriving musical life. Largely without the participation and example of local aristocracy, nobility and gentry, Belfasta€?s musical society was formed largely by the townspeople themselves in the eighteenth century and by several instrumental and choral societies in the nineteenth century. As the town grew in size and developed an industrial character, its townspeople identified increasingly with the large industrial towns and cities of the British mainland. Efforts to place themselves on the principal touring circuit of the great nineteenth-century concert artists led them to build a concert hall not in emulation of Dublin but of the British industrial towns. Belfast audiences had experienced English opera in the eighteenth century, and in due course in the nineteenth century they found themselves receiving the touring opera companies, in theatres newly built to accommodate them. Through an energetic groundwork revision of contemporary sources, Johnston and Plummer reveal a picture of sustained vitality and development that justifies Belfasta€?s prominent place the history of nineteenth-century musical culture in Ireland and more broadly in the British Isles.

Roy Johnston was a widely published expert on Irish music. His dissertation on a€?Concerts in the Musical Life of Belfast to 1874a€? earned him a doctorate from Queena€?s University, Belfast in 1996. He published Buntinga€?s Messiah and contributed chapters to a€?Music and British Culture 1785-1914: Essays in Honour of Cyril Ehrlich, Concert Life in Eighteenth-Century Britaina€? (Ashgate, 2004) and a€?Music in Nineteenth-Century Irelanda€? . His work also appeared in a€?The New History of Irelanda€?, the a€?Dictionary of Irish Biographya€?, the a€?New Grove Dictionary of Music and Musiciansa€?, a€?New History of Irelanda€? and a€?The Piano in 19th century British Culturea€? (Ashgate, 2007). Declan Plummer is a musicologist and lecturer with research interests in music in nineteenth-century Britain and Ireland. After completing his undergraduate work with a bachelora€?s degree in music at University College Cork, Declan continued his studies at Queena€?s University Belfast and in 2011 was awarded a PhD in musicology that focused on the conducting career of Sir Hamilton Harty. He has published articles on Harty in The Musicology Review and the Journal of the Society of Musicology in Ireland. Declan currently works as a teaching assistant at the School of Creative Arts in Queena€?s University Belfast, where he delivers lectures and tutorials for undergraduate modules in fundamental harmony and music history. He is a theory and aural skills tutor at the City of Belfast School of Music, and he is a teacher of Irish traditional music at Comhaltas CeoltoIiriI EIireann.