Mister Pulitzer and the Spider ─ Modern News from Realism to the Digital
商品資訊
系列名:History of Communication
ISBN13:9780252040184
出版社:Univ of Illinois Pr
作者:Kevin G. Barnhurst
出版日:2016/06/15
裝訂/頁數:精裝/312頁
規格:25.4cm*17.8cm*2.5cm (高/寬/厚)
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商品簡介
作者簡介
商品簡介
A spidery network of mobile online media has supposedly changed people, places, time, and their meanings. A prime case is the news. Digital webs seem to have trapped "legacy media," killing off newspapers and journalists' jobs. Did news businesses and careers fall prey to the digital "Spider"?
To solve the mystery, Kevin Barnhurst spent thirty years studying news going back to the realism of the 1800s. The usual suspects--technology, business competition, and the pursuit of scoops--are only partly to blame for the fate of news. The main culprit is modernism from the "Mister Pulitzer" era, which transformed news into an ideology called "journalism." News is no longer what audiences or experts imagine. Stories have grown much longer over the past century and now include fewer events, locations, and human beings. Background and context rule instead.
News producers adopted modernism to explain the world without recognizing how modernist ideas influence the knowledge they produce. When webs of networked connectivity sparked a resurgence in realist stories, legacy news stuck to big-picture analysis that can alienate audience members accustomed to digital briefs.
To solve the mystery, Kevin Barnhurst spent thirty years studying news going back to the realism of the 1800s. The usual suspects--technology, business competition, and the pursuit of scoops--are only partly to blame for the fate of news. The main culprit is modernism from the "Mister Pulitzer" era, which transformed news into an ideology called "journalism." News is no longer what audiences or experts imagine. Stories have grown much longer over the past century and now include fewer events, locations, and human beings. Background and context rule instead.
News producers adopted modernism to explain the world without recognizing how modernist ideas influence the knowledge they produce. When webs of networked connectivity sparked a resurgence in realist stories, legacy news stuck to big-picture analysis that can alienate audience members accustomed to digital briefs.
作者簡介
Kevin G. Barnhurst is professor and chair of Communication in the Digital Era in the School of Media and Communication at the University of Leeds. His books include The Form of the News (Guilford Press, 2002), Media Q, Media/Queered (Peter Lang, 2007), and Seeing the Newspaper (St. Martin's Press, 1997).
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