Some of the most famous plays in the English language were performed on the stage of the Rose theater, which stood on the Bankside in Elizabethan London.Henslowe's Rose is the first full-length study of this important theater.
Rhodes gives as full an account as the evidence of contemporary pictures and documents permits of those Rose, the method of its construction, its general plan, its repertory of plays, and its staging. From the action of these plays he deduces the form of the stage itself and the nature of its facilities. The total of five openings in the walls at stage-level is of particular significance, since the most widely held conception of the Shakespearean stage has been based primarily on the De Witt sketch of the Swan theater, showing a two-opening façade.
The contemporary pictorial evidence used by Rhodes is reproduced in this volume for the convenience of the reader. In addition many sketches and plans illustrate Rhodes's findings, which are summed up in a photograph of a model built to specifications derived from such sources as Henslowe's diary, contemporary pictures of the outside of the Rose, and the Vitruvian theater plan.
Ernest L. Rhodes was educated at the University of West Virginia, the University of North Carolina, and the University of Kentucky, where he directed several plays for the Guignol Theatre. He is professor of English at Old Dominion University.
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