Concrete Cuba ─ Cuban Geometric Abstraction from the 1950s
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作者簡介
Abigail McEwen is associate professor of Latin American art at the University of Maryland, College Park. She received her PhD from the Institute of Fine Arts, New York University, in 2010, and joined the faculty at the University of Maryland that year. She is an affiliated faculty member of the Latin American Studies Center. McEwen’s own book, Revolutionary Horizons: Art and Polemics in 1950s Cuba, is forthcoming in 2016 from Yale University Press.
In 1957, artist, poet, and art critic Pedro de Oraa cofounded the Galeria Color-Luz in Havana with his partner and fellow artist Lolo Soldevilla. The gallery served as an important center for the development of abstract art in Cuba. In 2015, in recognition of his prolific career, de Oraa’ was awarded Cuba’s Premio Nacional de Artes Plasticas.
Susanna Temkin is assistant curator at the Americas Society/Council of the Americas, New York. She earned her PhD from the Institute of Fine Arts, New York University, where her research focused on modern art in the Americas. Her doctoral dissertation centered on Marcelo Pogolotti, a key figure from the first generation of modern artists in Cuba and a participant in the international avant-garde.
Lucas Zwirner is editorial director at David Zwirner Books, where he recently began the ekphrasis series, dedicated to publishing short texts on visual culture by artists and writers, rarely available in English. He has also written on numerous contemporary artists and translated books from German and French.
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