Critical Failures: Glitch in Theory and Practice explores the concept of "glitch" alongside contemporary digital political economy to develop a general theory of critical media using glitch as a case study and model, focusing specifically on examples of digital art and aesthetics. While prior literature on glitch practice in visual arts has been divided between historical discussions and social-political analyses, this work provides a rigorous, contemporary theoretical foundation and framework.
Michael Betancourt, Ph.D. is an artist, historian, theorist, and professor at the Savannah College of Art and Design in Savannah, Georgia. He is the author of Beyond Spatial Montage, The ____________ Manifesto, The History of Motion Graphics, and The Critique of Digital Capitalism. Michael has exhibited internationally, and his work has been translated into Chinese, French, Greek, Italian, Japanese, Persian, Portuguese, and Spanish.
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