The post-1989 period has seen artists in Central and Eastern Europe embrace socially engaged practices. Reclaiming public life from the ideologies of both communist regimes and neoliberalism, their projects have harnessed the politically subversive potential ofsocial relations based on trust, reciprocity and solidarity. Drawing on archival material and exclusive interviews, in this book Izabel Galliera traces the development of socially engaged art from the early 1990s to the present in Bulgaria, Hungary and Romania. She demonstrates that, in the 1990s, projects were primarily created for exhibitions organized and funded by the Soros Centers for Contemporary Art. In the 2000s, prior to Bulgaria, Hungary and Romania entering into the European Union, EU institutions likewise funded socially-conscious public art in the region.
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