The shifting relationships between reading and seeing inform the audience's interpretations of how text and image composed together on screen relate. Semiotics and Title Sequences develops a novel theory of interpretive modes that organize these interpretations, discussing them using detailed historical close readings of title designs drawn from the full historical range of film production and screen media, from classic films like The Cabinet of Dr. Caligari (1919) to modern television series like Castle. These foundational ideas are then extended to composites of typography beyond the title sequence such as subtitles, intertitles, and narrative typography, establishing a foundational framework for the critique and discussion of motion graphics' use of text in design.
Michael Betancourt, Ph.D. is an artist, historian, theorist, and professor at the Savannah College of Art and Design in Savannah, Georgia. He is the author of Glitch Art in Theory and Practice, Beyond Spatial Montage, The ____________ Manifesto, The History of Motion Graphics, and The Critique of Digital Capitalism. Michael has exhibited internationally, and his work has been translated into Chinese, French, Greek, Italian, Japanese, Persian, Portuguese, and Spanish.
外文書商品之書封，為出版社提供之樣本。實際出貨商品，以出版社所提供之現有版本為主。部份書籍，因出版社供應狀況特殊，匯率將依實際狀況做調整。
無庫存之商品，在您完成訂單程序之後，將以空運的方式為你下單調貨。為了縮短等待的時間，建議您將外文書與其他商品分開下單，以獲得最快的取貨速度，平均調貨時間為1~2個月。
為了保護您的權益，「三民網路書店」提供會員七日商品鑑賞期(收到商品為起始日)。
若要辦理退貨，請在商品鑑賞期內寄回，且商品必須是全新狀態與完整包裝(商品、附件、發票、隨貨贈品等)否則恕不接受退貨。
