滿額折
Kazimir Malevich 1878-1935 ― And Suprematism
商品資訊
系列名：Basic Art Series 2.0
ISBN13：9783836546393
出版社：Taschen America Llc
作者：Gilles Neret
出版日：2017/05/24
裝訂／頁數：精裝／95頁
規格：26cm*21.6cm*1.9cm (高/寬/厚)
定價
：NT$ 760 元絕版無法訂購
無法訂購
商品簡介
商品簡介
Supreme Feeling
Kazimir Malevich, pioneer of abstraction
After flirtations with Realism, Impressionism, and Symbolism, Kiev-born Kazimir Malevich (1878–1935) found his métier in dissolving literal, representational figures and landscapes into pure emotionally-charged abstraction. In 1915, he created what is widely lauded as the first and ultimate abstract artwork: Black Square, a black rectangle on a white background, hailed as the “zero point of painting,” a seminal moment for modern and abstract practice.
In this book, we follow Malevich’s key innovations and ideas and place his groundbreaking achievements within the context of both the Russian and global avant-garde. Through rich illustrations of his work, we explore the artist’s theory of Suprematism, based on severe geometric abstraction and “the supremacy of pure feeling in creative art”; his leading role in the development of Constructivism; as well as his interests in philosophy, literature, Russian folk art, and the fourth dimension.
Kazimir Malevich, pioneer of abstraction
After flirtations with Realism, Impressionism, and Symbolism, Kiev-born Kazimir Malevich (1878–1935) found his métier in dissolving literal, representational figures and landscapes into pure emotionally-charged abstraction. In 1915, he created what is widely lauded as the first and ultimate abstract artwork: Black Square, a black rectangle on a white background, hailed as the “zero point of painting,” a seminal moment for modern and abstract practice.
In this book, we follow Malevich’s key innovations and ideas and place his groundbreaking achievements within the context of both the Russian and global avant-garde. Through rich illustrations of his work, we explore the artist’s theory of Suprematism, based on severe geometric abstraction and “the supremacy of pure feeling in creative art”; his leading role in the development of Constructivism; as well as his interests in philosophy, literature, Russian folk art, and the fourth dimension.
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