Winsor McCay: His Life and Art is now back in print in a new expanded and revised edition. This classic biography, long unavailable, chronicles the life and times of one of America's most influential masters of both the comic strip and the animated cartoon, Winsor McCay (1867-1934). From his Michigan childhood and his early career as an illustrator in the Midwest, McCay rose to international fame at The New York Herald, as the creator of the innovative and imaginative comic strips Dreams of the Rarebit Fiend and Little Nemo in Slumberland. McCay built upon the popularity of his comic strips by creating more than a dozen beautifully crafted animated films, such as Little Nemo (1911) and Gertie the Dinosaur (1914), which are among the earliest examples of personality animation.
For this updated edition, John Canemaker incorporates new details about McCay's life and colorful career, for an insightful look at an American original.
Stephen Boss began making letterforms as a child, using pencils, brushes and calligraphy pens; next, a mouse and Bezier points; and
now a mixture of media when designing new fonts. While studying at the Center for Creative Studies, Detroit, in the days of hand
rendering type, Stephen was fortunate to have Richard Isbell as his type instructor.
Interested in developing typefaces with a unique vernacular, Stephen started Emboss Fonts in 1995. He has consulted on type design
project for Fairchild, JP Morgan Chase, Bumble & Bunble and Osh Kosh. He has also worked on more traditional design projects for
the UN, Pfizer, Verizon, Walt Disney, Bank of America and many more.
His work has been internationally recognized in juried shows, and featured in such publications as Japan's Timing Zero, Publish
Magazine, and mass HiTech. He recently coatuhored the book The New Web Typography by CRC Press/Chapman & Hall.
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